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    Wyświetlanie 1-3 z 3
    Tytuł:
    The Tempest and Three Journeys. William Shakespeare and Daniel Naborowski
    Autorzy:
    Mrowcewicz, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/704582.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    William Shakespeare
    Daniel Naborowski
    Marcin Kromer
    James I (James Charles Stuart)
    Sigismund III Vasa
    Anglo-Polish alliance
    The Tempest
    wedding plans
    Elizabeth Stuart
    Władysław IV Vasa
    Opis:
    The article talks about three visits paid in 1609, 1611 and 1612 by prince Janusz Radziwiłł and Daniel Naborowski – one of the most eminent poets of the Polish Baroque – at the court of king James I in London. These visits were related to the wedding plans – Władysław IV Vasa, son of king Sigismund III Vasa, was supposed to marry English princess Elizabeth Stuart. In her honour Naborowski wrote a famous poem entitled Na oczy królewny angielskiej (For English Princess’ Eyes). During the second visit at the English court, 1st November 1611, Radziwiłł and Naborowski were probably watching the staging of Shakespeare’s The Tempest in the Banqueting House in the Palace of Whitehall. The author of the article points out a possible source of Shakespeare’s play which was a text written by a Polish humanist Marcin Kromer, widely known in Europe of those times thanks to its latin translation. Kromer’s text described a story of young prince Sigismund (the future king Sigismund III Vasa) who was born on an island in Malårm Lake where Eric XIV of Sweden imprisoned his parents: Eric’s brother John III of Sweden and his wife Catherine Jagiellon. A Polish poet Daniel Naborowski might have seen and possibly met William Shakespeare.
    Źródło:
    Nauka; 2019, 4
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Thou mightst have done this without thy beard and gown”: William Shakespeare and the Language of Disguise
    Autorzy:
    Dale, James
    Powiązania:
    https://bibliotekanauki.pl/articles/888949.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    William Shakespeare
    King Lear
    The Winter’s Tale
    Twelfth Night
    theatrical disguise
    Opis:
    William Shakespeare’s use of theatrical disguise can be assessed through the discourses his disguised characters employ, having significant ramifications at a socio-political, linguistic and metatheatrical level. In illustrating this view, I will explore the role(s) of Edgar in King Lear, drawing on the views of Stephen Greenblatt, Mikhail Bahktin and Ludwig Wittgenstein. I will then examine my conclusions and align them to Autolycus in The Winter’s Tale and Feste in Twelfth Night, while determining whether any recurring socio-political, linguistic and metatheatrical patterns emerge. Finally, I will determine whether it is possible to formulate a strategy of a language of disguise as Shakespeare saw it.
    Źródło:
    Anglica. An International Journal of English Studies; 2016, 25/3; 81-95
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Readers of 17th-Century English Manuscript Commonplace Book Hesperides, or the Muses’ Garden
    Autorzy:
    Hao, Tianhu
    Powiązania:
    https://bibliotekanauki.pl/articles/1812153.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    William Shakespeare
    Hesperides, or the Muses’ Garden
    commonplace book
    readers
    Humphrey Moseley
    James Orchard Halliwell-Phillipps
    manuscript study
    Opis:
    Hesperides, or the Muses’ Garden is a 17th-century manuscript commonplace book known primarily for its Shakespearean connections. The readers of Hesperides generally combine reading and thinking, or reading and writing. Though few, Hesperides is not without its “fit audience.” In addition to the few modern scholars who have examined the manuscripts, the actual known readers of Hesperides include Humphrey Moseley the 17th-century publisher, James Orchard Halliwell-Phillipps in the Victorian period, and a late-18th-century anonymous reader. The last of this group copies Shakespearean and dramatic extracts into the commonplace book and is identified through internal evidence based on paleography. The intended readers of Hesperides, including the Courtier, would make use of it as a linguistic aid, to learn how to speak and write well from literary models. They take the commonplace book as a reference library.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 197-209
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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