Temat: Szyszko-Bohusz, Adolf - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Wawelski spór Stanisława Tomkowicza z Adolfem Szyszko-Bohuszem
The Wawel dispute between Stanisław Tomkowicz and Adolf Szyszko-Bohusz
Autorzy:: Czubiński, J.
Powiązania:: https://bibliotekanauki.pl/articles/218384.pdf
Data publikacji:: 2013
Wydawca:: Stowarzyszenie Konserwatorów Zabytków
Tematy:: Tomkowicz Stanisław
Szyszko-Bohusz Adolf
Zamek Królewski na Wawelu
Wawel
konserwacja zabytków
Wawel Royal Castle
heritage conservation
Opis:: W latach 1908-1909 pojawił się istotny spór pomiędzy środowiskiem krakowskich konserwatorów zabytków a Centralną Komisją Konserwatorską w Wiedniu o metodę restauracji zamku królewskiego na Wawelu. Jego personifikacją był konflikt pomiędzy Maxem Dvořákiem reprezentującym stanowisko purystyczne oraz Stanisławem Tomkowiczem, który był zwolennikiem restauracji historycznej. Podobny w wymowie konflikt pojawił się w latach 20. pomiędzy Tomkowiczem a Adolfem Szyszko-Bohuszem prowadzącym wtedy prace konserwatorskie na Wawelu. Tym razem jednak to Tomkowicz reprezentował poglądy zbliżone do puryzmu w przeciwieństwie do Szyszko-Bohusza, który okazał się zwolennikiem bardziej swobodnego prowadzenia prac konserwatorskich na Wawelu, swoją metodę nazwał „neutralną” lub „poza czasem”. Konflikt zantagonizował częściowo środowisko konserwatorów polskich, jego zwycięzcą okazał się Szyszko-Bohusz, konsekwentnie realizując swoją wizję restauracji zamku wawelskiego.
In the years 1908-1909, a vital quarrel broke out between the environment of monument conservators in Krakow and the Central Conservation Commission in Vienna concerning the restoration method of the Wawel Royal Castle. Its personifi ed version was the conflict between Max Dvořák, representing a purist attitude, and Stanisław Tomkowicz who was in favour of historical restoration. A similar conflict occurred during the 1920s between Tomkowicz and Adolf Szyszko-Bohusz carrying out conservation work in the Wawel Castle then. That time, however, it was Tomkowicz who represented views close to purism, in contrast to Szyszko-Bohusz who favoured a freer manner of conducting conservation work in the Wawel Castle, and called his method “neutral” or “beyond time”. The conflict partially divided the milieu of Polish conservators, but its winner turned out to be Szyszko-Bohusz by consequently realizing his vision of the Wawel Castle restoration.
Źródło:: Wiadomości Konserwatorskie; 2013, 36; 38-45
0860-2395
2544-8870
Pojawia się w:: Wiadomości Konserwatorskie
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Konserwacja Wawelu w świetle doktryn konserwatorskich
The conservation of Wawel castle in the light of conservation doctrines
Autorzy:: Stępień, Piotr M.
Powiązania:: https://bibliotekanauki.pl/articles/538866.pdf
Data publikacji:: 2009
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: Wawel
prace konserwatorskie i restauratorskie na Wawelu
konserwacja Wawelu
prace na Wzgórzu Wawelskim
studium restauracji zamku
projekt restauracji katedry
Sławomir Odrzywolski
regotycyzacja prezbiterium
Zygmunt Hendel
doktryny konserwatorskie na Wawelu
Adolf Szyszko-Bohusz
prof. Witold Minkiewicz
prof. Alfred Majewski
koncepcje prac konserwatorskich na Wawelu
prof. Jan Ostrowski
Opis:: The article analyses the conservation and restoration conducted from the third quarter of the nineteenth century on Wawel Hill, both within the royal residence complex and the cathedral, from the viewpoint of the then prevailing and present-day conservation doctrines. The first pioneering study of the restoration of the royal castle, prepared by Tomasz Pryliński in 1881-1882, must be highly assessed also as regards the current conservation method. On the other hand, the project of the restoration of the cathedral proposed by Sławomir Odrzywolski in 1886 still contained numerous elements of stylistic purism. In the course of its realisation it was considerably modified by a limitation of the re-Gothicisation, a preservation of the majority of the historical strata and an introduction of modern elements (Art Nouveau). The project of the restoration of the castle presented by Zygmunt Hendel in 1908 became the topic of a discussion in which diverse stands were represented by Max Dvořak, the chief conservator of historical monuments in the Austro-Hungarian monarchy, and Professor Stanislaw Tomkowicz, chairman of the Castle Restoration Committee. Continuing the ideas launched by Alois Riegel, Dvořak was in favour of strictly comprehended conservation, while Tomkowicz defended the idea of scientific restoration. The outcome of the discussion was a compromise favourable for Wawel Hill, entailing a resignation from controversial reconstruction proposals but not from the actual restoration of the royal residence. In 1916-1939 the restoration of the castle was continued by Adolf Szyszko-Bohusz, whose specific approach was based more on artistic creation. Today, his realisations already possess a certain historical value and deserve to be subjected to conservation protection on their own merit. Their essential novelty consisted of arranging two archaeological- -architectural reservations. Out of for four conceptions pertaining to the whole Hill (1917, 1919, 1939, 1946) Szyszko-Bohusz or his successors implemented the best elements. Fortunately for Wawel Hill, they did not realise plans for a Pantheon and an amphitheatre, which cannot be favourably judged from the viewpoint of conservation doctrine. After the Second World War conservators resigned from these plans and under the supervision of Witold Minkiewicz and Alfred Majewski initiated, i.a. work on mediaeval walls in the western and southern part of Wawel Hill. The range of the reconstruction was distinctly limited in comparison with the conceptions expounded by Szyszko-Bohusz, thus expressing the transformations of the conservation doctrine of the period. In 2008 a positive opinion about those realisations was reflected in its entry into a register of historical monuments as a “conservation document”. Modern elements of exposition arrangements introduced into the Treasury, the Armoury and the exhibition “The lost Wawel” are distinct from the authentic substance, a solution that reflects a clear-cut impact of the doctrine recorded in the Charter of Venice. Complex conservation, comprising the next stage of work conducted on Wawel Hill, had been initiated in 1990 by the present-day Director of the Royal Castle on Wawel Hill and Conservator of Historical Monuments on Wawel Hill – Professor Jan Ostrowski. The basic premises of these undertakings are contained in the Statute of the Royal Castle on Wawel Hill, which defines both the function of the Castle complex as a museum- -historical residence and the trend of conservation: “the preservation of the historical substance of monuments belonging to the Castle”. “Conservation” should, however, be comprehended as “conservation- -restoration”, since present-day activities should supplement those of the predecessors and not negate them. Such a continuation of earlier initiatives included the recreation of the surface of the arcade courtyard, the recreation of the historical crowing of Lubranka, the completion of the conservation- -restoration of the Sandomierz bastion, the architectural correction of the elevation of the Royal Kitchens (no. 5), the recreation of the royal gardens and the revalorisation of the complex of Gothic houses, i.e. building no. 7. An essential element in embarking upon conservation decisions is a valorisation of the historical strata, which includes also the results of earlier conservation. The negative opinion about the nineteenth- century introduction of barracks in the royal palace complex is maintained, but Austrian fortifications extant up to this day have been recognised as an element subjected to protection. Redesigning introduced during the Nazi occupation, fortunately not extensive, has also been negatively assessed. The principles applied in reference to the outcome of previous conservation assumed their preservation as historical values unless they collide with the fundamental purpose of the presentation of a historical royal residence, i.e. falsify its image or damage its historical substance. In such cases, corrections are advised, as exemplified by the exit from the castle to the royal gardens and a new arrangement of the reservation in the west wing of the castle.
Źródło:: Ochrona Zabytków; 2009, 1; 83-100
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Szyszko-Bohusz, Adolf" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język