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Wyświetlanie 1-3 z 3
Tytuł:
У пошуках iдентичностi: Героïня украïнськоï жiночоï прози рубежа ХХ-ХХ1 ст.
In search of identity: Heroine of Ukrainian woman prose of end of XX and beginning of XXI centuries
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/481907.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ukrainian woman prose
Ukrainian literature
search of identity
Opis:
One of the most unusual events in the Ukrinian new wave literature is massive return women in it, which began in the end of 80-es. Among the most interesting writers there must be mentioned Oksana Zabuzhko, Svitlana Kasjanova, Jevhenia Kononenko, Sofia Majdanska, Valentyna Masterova, Halyna Pahutiak, Lubov Ponomarenko, Natalka Śniadanko and others. In the works of these authors, written from the femine and feministic position, as opposite to patriarchal-maskuline mentality, are deeply and convincingly considered the aspects of modern human exsistence: loneliness and alienation, loss of identity, lack of mutual understanding even among fellows and relatives, egoism and egocentism, various forms of physical and phsychological agression, and so on. Espacially great attention author of this article devotes to the analysis of chosen aspects of female identyty in the works of Zabuzhko (Field Exploration in Ukrainian Sex and others), Śniadanko (Collection of Pasions or Adventures ofYoung Ukrainian Lady), Kononenko (Without Fellow).
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 7-18
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Витоки (а)симетрії нової української прози: моделі текстопородження Г. Квітки-Основ’яненка
Origins of the (A)symmetry of Modern Ukrainian Prose: H. Kvitka‑Osnovyanenko’s Text Production Models
Autorzy:
Назаров, Назарій
Powiązania:
https://bibliotekanauki.pl/articles/16503861.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
Ukrainian literature
composition
recursion
symmetry
prose
Opis:
Kvitka‑Osnovyanenko was the first prose writer of the new Ukrainian literature, the conventional starting point for which is dated as 1798, when Ivan Kotlyarevsky’s Aeneid was published. In 1833‑1834, Hryhoriy Kvitka‑Osnovyanenko began to publish his stories and short novels in Ukrainian. They served as a starting point for all subsequent prose in the Ukrainian language. A structural analysis of Kvitka’s prose has shown that his method of text construction still had much in common with folk tales: texts are constructed on the basis of elemental repetitions or binary oppositions. However, the author has already started to make important semantic shifts, introducing types of characters and collisions alien to folklore text per se. Thus the effect of deautomatization of the folklore perception is reached. The meaning of some texts, which were previously considered “humorous”, in the light of what has been said, acquires a meta‑narrative meaning: A Soldier’s Portrait and The Konotop Witch, have episodes that expose their main compositional technique (‘priyom’) and demonstrate the author’s conscious play with the narrative patterns of folklore.
Źródło:
Slavia Orientalis; 2022, LXXI, 1; 47-61
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Фрагментація постмодерного прозового тексту: засади і прийоми
The fragmentation of postmodern prose: principles and techniques
Autorzy:
Kropyvko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/2157678.pdf
Data publikacji:
2022-07-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
fragment
fragmentarity
modern/postmodern prose
postmodernism
fiction text
Ukrainian literature
Polish literature
Opis:
The article focuses on factors and manifestations of postmodern text fragmentation. A fragment is one of the central concepts of modern and postmodern literature. The modernist fragment was a means of cognitive activity and a form of its adequate representation. It was determined by the basic concept of the integrity of a literary phenomenon and recognition of its encoded meaning, as well as encouraged the reader to invent missing parts. It has been proven that for postmodernist prose, the fragment is the only possible mode of its existence, an artistic strategy and an artistic device. The postmodernist text is positioned by the game field, where equal participants play with multiple-order fragments. Such fragments include preceding artistic traditions and techniques. Text fragmentation is enhanced by equalizing the rights of the author, character and the reader. Each participant of the literary communication has their own (partial) view of the art world. Narrative strategies of prose fragmentation are determined by the ways of building rhizomatic narratives and the peculiarities of their perception by the receptionist. Ukrainian and Polish writers use various means of constructing a fragmented text at the levels of its conceptualization, narrative structure, interpretative and receptive strategy, image-based specificity (intermediateness etc.).
Źródło:
Studia Polsko-Ukraińskie; 2022, 9; 141-161
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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