Autor: Mikołaj, Jazdon, - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Dokumentarzyści i krytyk. Zygmunt Kałużyński a dokumentaliści „nowej zmiany”
The Documentarians and The Critic, Zygmunt Kałużyński and Documentary Filmmakers of „The New Change”
Autorzy:: Jazdon, Mikołaj
Powiązania:: https://bibliotekanauki.pl/articles/921330.pdf
Data publikacji:: 2017-08-17
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Zygmunt Kałużyński
Krzysztof Kieślowski
Tadeusz Różewicz
Tomasz Zygadło
Polityka weekly magazine
censorship
film criticism
documentary film
Polish School of Documentary Film
film festival
‘Cracow Circle’ of documentary filmmaking
Opis:: The article offers the analysis of how Zygmunt Kałużyński, the film critic of Polityka weekly magazine, described and stigmatized documentary films by Krzysztof Kieślowski, Tomasz Zygadło, Grzegorz Królikiewicz and Krzysztof Gradowski presented at the Cracow short film festival in 1971. Kałużyński criticized and mocked the aesthetics of the Polish “new wave” documentary cinema in a series of articles published in Spring and Summer of 1971. He presented films by brave and talented directors, contradicting the current social and political situation, as the unreflective imitation of the banal television documentary style based on in-front-of-the-camera interviews. The author compares Kałużyński’s proceedings to actions of a British journalist Robert Pitmann described by Tadeusz Różewicz in his essay A Journalist and the Poet. Pitmann conducted a sneering interview with T.S. Eliot for Sunday Express in 1958 and Różewicz comments on the possible effects of his text for its readers.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 15-46
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Część zamiast całości czyli sposób na cenzorów. "Szkoła podstawowa" Tomasza Zygadły – wzorcowy film kina „nowej zmiany”
A part instead of a whole or a way for censors. "Primary School" by Tomasz Zygadlo - a model movie of the "new change" cinema
Autorzy:: Jazdon, Mikołaj
Powiązania:: https://bibliotekanauki.pl/articles/918033.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Tomasz Zygadło
Primary School
Cinema of Moral Anxiety
synecdoche
Opis:: Mikołaj Jazdon in his article presents an analysis and interpretation of a documentary that became a “trademark” of the young generation’s cinema from the decade of the Cinema of Moral Anxiety in Poland. Zygadło filmed the social behaviour of students in a Warsaw primary school to depict the fatal influence of the communist system on Polish youth, who were encouraged to tattle on each other. The method of portraying a social group from one place, as in Zygadłos Primary School, became popular among other documentary filmmakers from his generation. They began to shoot films about institutions like factories, schools or hospitals, focusing on the social relations between the people working there. These films were intentionally made as metaphors of Poland in the 1970s and of the rules operating in a country ruled by the Communist Party. The auteur strategy of depicting reality in a “pars pro toto” manner allowed documentary filmmakers to outwit the Party censors.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 281-286
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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