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Wyświetlanie 1-2 z 2
Tytuł:
Ideologische Voraussetzungen der Literatur des Dritten Reiches. Nationalsozialistische Literatur und Kulturpolitik
Ideological conditions of the literature of the Third Reich. Nazi literature and cultural politics
Autorzy:
Gołaszewski, Marcin
Tomasi-Kapral, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/967302.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The Third Reich
cultural policy
Ernst Wiechert
Inner Emigration
Opis:
National Socialism did not only constitute a political doctrine; it was also a kind of worldview that left its mark on German and pan-European culture of the 20th century. The drastic changes that were linked to Hitler’s takeover of power confronted writers and poets with a completely new reality and wholly new conditions of the creative process. Those who could not or would not emigrate had to submit themselves (voluntarily or involuntarily) to the policies and norms decreed by the National Socialists. National Socialism – a conglomerate of different ideologies and ideologemes – perverted certain middle-class values and ultimately aimed towards the total subjugation of all areas of life, culture being among them. The fact that the German middle-class partly shared the values propagated by the Nazis led to an overhasty and unjust assessment of the attitude of writers belonging to the so-called ‘Inner Emigration’. The article at hand outlines the principles of National Socialist cultural politics as well as its relationship to artists. The complicated creative situation of writers and poets in the Third Reich will be shown by representative examples.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2014, 10; 135-151
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Dichtung kann, in geheimnisvoller Weise, tiefste Ohnmacht spüren lassen und letzte Macht zugleich ausüben”. Rudolf Hagelstanges Sonettenzyklus „Venezianisches Credo” (1945)
“Poetry, in a mysterious way, can simultaneously impart deepest impotence and ultimate power”. Rudolf Hagelstange‘s cycle of sonnets “Venezianisches Credo” (1945)
Autorzy:
Thunecke, Jörg
Powiązania:
https://bibliotekanauki.pl/articles/967392.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The Third Reich
Sonnet Form
Rudolf Hagelstange
Inner Emigration
Opis:
The origin of Rudolf Hagelstange’s (1912–1984) cycle of sonnets "Venezianisches Credo" was Venice, while he was temporarily stationed in northern Italy in 1944 as a soldier. Twenty-four sonnets were written in the lagoon city, four more in Breganze, the remainder in Verona, where a limited edition was published in spring 1945, after some of the sonnets had already been distributed in military circles over some months. This contribution attempts on the one hand to analyze Hagelstange’s choice of the sonnet–form – a classical type of lyric poetry, guaranteeing tradition and continuity –, claiming that at that time sonnets had become a fashionable form of oppositional poetry; on the other hand, the content of the three dozen sonnets will be analyzed, in which, over long stretches discordance prevails. For the author initially presents a damning indictment of the criminal activities of the NS-regime, until he eventually proclaims – with reference to Schiller – that the contemporary spiritual and moral crisis can yet be overcome by an ‚other Germany‘. In the final analysis, Hagelstange brilliantly succeeded – by means of an interaction of continuity and dissonance – to merge aesthetic and ethical aspects and thereby managed to create one of the most outstanding lyrical documents near the end of World War II.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 179-192
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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