Temat: Karol Irzykowski - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Wzruszenie trwalsze niż ściany gmachów obróconych w gruz”. Między tradycją a nowoczesnością: Irzykowski wobec Żeromskiego
‘Emotion more lasting than great walls turned to rubble’. Between tradition and the modern: Irzykowski on Żeromski
Autorzy:: Panek, Sylwia
Powiązania:: https://bibliotekanauki.pl/articles/1041975.pdf
Data publikacji:: 2016-11-17
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Karol Irzykowski
Stefan Żeromski
literary criticism
Opis:: This paper shall discuss Karol Irzykowski’s views on the prose work of Stefan Żeromski. The shifting nature of the former towards the latter – author of Ludzie Bezdomni [The Homeless] 1899 – shall be examined; ones that changed from criticism to approval. In this context Irzykowski’s critical concept developed in his collection of essays, Czyn i słowo [Action and the Word] 1913, shall be taken into account and it shall also be argued that Irzykowski’s polemical discourse in respect to Żeromski was an integral part of his literary manifesto.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 283-308
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Il futurismo polacco nella critica letteraria dell’epoca
Polish Futurism in Literary Criticism of the Early Twentieth Century
Autorzy:: De Carlo, Andrea F.
Powiązania:: https://bibliotekanauki.pl/articles/28409110.pdf
Data publikacji:: 2016
Wydawca:: Associazione Italiana Polonisti (AIP)
Tematy:: Polish Futurism
Literary criticism
Stefan Żeromski
Snobbery and Progress
Karol Irzykowski
Opis:: The article analyses the critical voices raised against the young poets and artists who promoted Futurism in Poland during the first half of the Twentieth century. Futurist manifestos influenced the new Polish poetry, stimulating a lively debate among intellectuals of the calibre of Stefan Żeromski and Karol Irzykowski. In general, the coeval criticism of Polish Futurism focused on three main points: the lack of originality and servile imitation of foreign literary models; the repudiation of the past and national traditions; Futurism as an expression of ideologies such as Fascism in Italy and Bolshevism in Russia. In this article, specific attention is devoted to an analysis of the essay Snobizm i postęp (Snobbery and Progress, 1923) by Żeromski. The writer, criticising Polish imitators of Russian Futurism, affirmed that Polish literature and culture, in the context of national reconstruction after three partitions of Poland, needed to maintain its natural connection with the past and at the same time, without losing its national nature, to weave some universal suggestions into the plot of purely Polish themes. The goal of this article is to reveal that Żeromski and Irzykowski’s critical stance towards the Polish Futurists, which influenced the critics of the next generation, was dictated by a shallow analysis of Futuristic works and by their inability to understand Futuristic efforts to modernise Polish art and literature.
Źródło:: pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 61-76
2384-9266
Pojawia się w:: pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:: Biblioteka Nauki

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