Wszystkie pola: Chyla, Karolina - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Szkoła totalna i karnawał żakowski. O "Syzyfowych pracach" jeszcze inaczej
Autorzy:: Chyła, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/2029477.pdf
Data publikacji:: 2021
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: Stefan Żeromski
Syzyfowe prace
school
carnival
total institution
Published
Opis:: This paper is an attempt at an untraditional reading of one of Stefan Żeromski’s widely known novels, Syzyfowe prace. In most cases this work is interpreted as a representation of cruel trials which boys and young men in 19th century Poland had to experience inside a tsarist highschool, where they were not permitted to use their mother tongue and fell prey to severe persecution due to their nationality. However, in this article a Russian highschool in a provincial Polish town, so eloquently and vividly portrayed by Żeromski, is recognized as a form of a total institution, one of those described by Erving Goffman. Permanent supervision and systemic violence is simply inherent to that place, any national issues notwithstanding. Despite being so objectified and oppressed, students find some strategies of rebellion that enables them to live through this degrading experience. To analyze these forms of subversive protest, I use Mikhail Bakhtin’s concept of carnival and the culture of laughter.
Źródło:: Facta Ficta. Journal of Theory, Narrative & Media; 2021, 8, 2; 151-167
2719-8278
Pojawia się w:: Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Szaleństwo i literatura. O Dziennikach Stefana Żeromskiego w perspektywie afektywnej
Stefan Żeromski’s Diaries from the Affective Perspective
Autorzy:: Chyła, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/2036668.pdf
Data publikacji:: 2021-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Stefan Żeromski
madness
creativity
affect theory
private diaries
Opis:: Using the tools offered by affect theory, this article aims to present the theme of madness, its numerous incarnations and transformations in the text of the diaries that Stefan Żeromski left behind. Madness is depicted here as a phenomenon defying any kind of unambiguity; it can be anything from a secret of nature to be deciphered, through a creative frenzy of inspiration, to a state of apathy, sometimes interwoven with sudden ecstasy, triggered by the chronic hunger that Żeromski suffered as a young man, in other words: during his diarist period.
Źródło:: Przestrzenie Teorii; 2021, 35; 155-176
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Jak zwyciężyć nie walcząc? Dzienniki Żeromskiego a płeć pisania
How to Win without Combat? Żeromski’s Journals and Gender of Writing
Autorzy:: Chyła, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/2011081.pdf
Data publikacji:: 2021
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: Stefan Żeromski
private journals
writing
anxiety of influence
feminist critique
Opis:: This article presents Stefan Żeromski’s long journal-keeping practice used as a tool of more or less effective autotherapy and a private, self-governed course of creative writing. Making his way to Polish literature, Żeromski is first guided by his zealous and charismatic teacher from Kielce higschool, Antoni Gustaw Bem, who promotes an agonistic, harsh and aggressive vision of the cultural tradition and writing process which, for a modern ear, mirrors Harold Bloom’s anxiety of influence. However, his devoted and loving student finds another, milder perspective, built on enchantment, passion and the literary sense of belonging. Żeromski’s hot, somatic and extremely intimate attitude toward his work is illustrated by strikingly female writing metaphors such as novelist’s labor compared to the experience of pregnancy or to the activity of a spider persistently making its subtle web. In the second part of this article, the author aims to show that the critical discourse surrounding his profoundly involved literature, a discourse burdened with fear and abjection, bears a close resemblance to the methods of hushing and exorcising women’s voices identified as weird and hysterical.
Źródło:: Facta Ficta. Journal of Theory, Narrative & Media; 2021, 7, 1; 295-311
2719-8278
Pojawia się w:: Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Miasto utrapienia, pejzaż pamięci: Żeromski, Singer i żydowska Warszawa
The Dolent City, the Landscape of Memory: Żeromski, Singer and Their Jewish Warsaw
Autorzy:: Chyła, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/2015089.pdf
Data publikacji:: 2021
Wydawca:: Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:: Stefan Żeromski
Isaac Bashevis Singer
Jewish quarter in Warsaw
Opis:: In this article the author analyses Stefan Żeromski’s and Isaac Bashevis Singer’s fiction in search of contrasts and similarities in their images of 19th and early 20th century Jewish Warsaw. Singer portrayed it repeatedly in many of his works, such as In My Father’s Court (1966), Shosha (1978), Love and Exile (1984) and The Certificate (1992). Żeromski depicted it in two of his novels: Ludzie bezdomni [Homeless People] (1899) and Przedwiośnie [The Coming Spring] (1924). One would expect the differences to be huge and numerous and the resemblances rare and superficial. Singer memorialized a world that is no more, which was his own universe and heritage, while Żeromski was an outsider exploring an area that is mysterious, afflicted with severe poverty and in some ways out of bounds. Nevertheless, there are some intriguing analogies, particularly when Singer showed his streets, shops and houses through the eyes of a complete stranger or an incomer who perfectly remembers his childhood spent on Krochmalna Street but revisits to find it profoundly transformed—full of new thoughts, ideas and experiences.
Źródło:: Academic Journal of Modern Philology; 2021, 11; 9-19
2299-7164
2353-3218
Pojawia się w:: Academic Journal of Modern Philology
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Wielkie zmiany w małym mieście. Dobre i złe spotkania z nowoczesnością w Promieniu Stefana Żeromskiego
Small Town, Great Changes – Promień [The Ray] by Stefan Żeromski and Multidimensional Modernity
Autorzy:: Chyła, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/27309721.pdf
Data publikacji:: 2022
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: Stefan Żeromski
Promień [The Ray]
modernity
XIX-th – XX-th century
Promień
nowoczesność
przełom XIX i XX wieku
Opis:: W artykule przeanalizowano złożone i niejednoznaczne aspekty modernizacji,przedstawiony przez Stefana Żeromskiego w intrygującej, choć mało znanej powieści Promień (1898).
This article analyses complex and ambiguous aspects of modernisation, depicted by Stefan Żeromski in his intriguing but rather obscure novel Promień [The Ray] (1898). The writer chooses a provincial town for his scenery – although based on Kielce, it is hidden with a fictional name – which experiences an industrial revolution in miniature. A railroad built in the area, old, solid shops and enterprises brought to death by the modern way of trade and a shockingly radical local newspaper ran by the novel’s protagonists are just a few most striking symptoms of that inevitable and unsettling process of change.
Źródło:: Tematy i Konteksty; 2022, 17, 12; 312-329
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

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