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Wyświetlanie 1-2 z 2
Tytuł:
Przedstawienie irańskich końskich pancerzy w azerbejdżańskim romansie Varqa i Gulshah z początku 13 wieku. O sasanidzkiej? genezie elementu końskiego oporządzenia w okresie seldżuckim
Depiction of Iranian horse barding in the early 13th century Azerbaijanian epic, Romance of Varqa and Gulshah. On Sasanian origin of horse protection in the Seljuk period.
Autorzy:
Kubik, Adam
Powiązania:
https://bibliotekanauki.pl/articles/517644.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Sassanian Persia
Iran
History
Archaeology
Late Antiquity
Relief
Opis:
The richly illustrated 13th century Seljuk manuscript Varqa and Gulshah from Azerbaijan provides a number of lavish miniatures, some depicting armored warriors riding horses covered with richly decorated caparisons. The illustrations show that the long caparisons were multi-layered, an indication that they were designed to provide offer some protection for the mounts. Despite the scholars’ opposing opinions, the author maintains that caparisons were well established in Islamic armies as attested by literary sources and iconography. Moreover, the existence of rich terminology concerning different types of horse armor clearly evidences the relative popularity of horse protection. Although the bardings had been were known in by various cultures for in the millennia before the Seljuks, however, the direct inspiration for the appearance of caparisons at that time should must be associated with the Sasanian tradition. Furthermore, the article discusses protective properties qualities of caparisons in which these were provided in a variety of fashions. Firstly, protection was provided could be afforded simply by padding consisting of using a number of textile layers. For instance, metallic armor such as maille or leather armor such as lamellar could have been were stitched into the padded or fabric barding. The – the former is attested in the Islamic world but can be traced back to earlier Iranian traditions.; The evidence for the latter type comes is evidenced from Firuzabad reliefs. However, scattered metal plates attached to the caparisons in random patterns, do not seem to have had any protective function; value they and were merely a the part of decoration. Post-Sasanian origin of Seljuk protective caparisons should be found well evidenced and most probable.
Źródło:
Historia i Świat; 2014, 3; 61-71
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sasanian horse armor
Autorzy:
Skupniewicz, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/517641.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Archaeology
History
Iran
Late Antiquity
Relief army
Sassanian Persia
Opis:
The goal of the paper is to define general types and the evolution of horse armor employed by elite warriors of Sasanian Iran, basing on literary sources and iconographical evidence with minor reference to archaeological finds in wider Eurasian perspective. The horse armor was an important part of cavalry equipment already in the chariot warfare however its re-emergence in mounted combat occurred when heavy cavalry was developed. The article divides Sasanian horse armor into several groups: 1. One-piece body protection, which overall cover mounts body the way modern horse blankets do. Within the group one may find following subgroups: 1.a Caparisons – known from numerous works of art (rock reliefs illustrating scenes of mounted combat at Firusbad and Nakš e Rostam as well as the on so-called Shapur cameo currently held in Louvre) having long Near Eastern and Eurasian tradition. 1.b Scale barding – which in fact is a sort of caparison covered with metallic scales sewn onto textile horse blanket, testified by literary sources, known from archaeological evidence from Dura Europos (despite the fact that these examples belonged to Roman cavalry, it is clear that they were fashioned in Iranian manner). Scale bardings of the type are known also from the works of art like graffito from Dura Europos, Trajan’s column, sculpture of Khalchayan and late Parthian Tang e Sarvak frieze. 1.c Chain mail horse armor – lacking strong and direct evidence from Sasanian period, iconography which may depict horses protected with chain-mail is rather crude however despite hypothetical nature, this sort of horse armor is very likely employed in Sasanian warfare. 2. Bardings composed of multiple elements and fragmentary bardings covering a part of the mount. Again these this group can be divided into two sub-groups: 2.a Full lamellar/laminar barding – can be identified on the sculpture of Khalchayan and late Parthian frieze Tang e Sarvak as well as on the seals of Late Sasanian spahbedan. They find numerous Central Asian (Old Turkic) and Far Eastern refernces. 2.b Fragmentary barding, best known from Taq e Bostan sculpture of an equestrian figure but with Central Asian, Chinese and Byzantine references. Following phases of barding development in ancient and early mediaeval Iran can be determined: 1. Late Achaemenid when armored cavalry required some protection for horses after employing shock tactics and subsequent close combat. 2. Mid Parthian, influenced by invasions of the steppe dwellers initiated by Xiong Nu expansion. Developed locally later. 3. Late Sasanian – resulting from contacts with Turkic warriors who transmitted some Eastern military technologies to Iran and through Avar influence to Europe.
Źródło:
Historia i Świat; 2014, 3; 35-59
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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