Temat: Russian dramaturgy - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)
„The fad for Russia at the stage. Contemporary Russian dramaturgy on Polish stages (after 1989)
Autorzy:: Semczuk, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/482541.pdf
Data publikacji:: 2008-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: contemporary Russian dramaturgy
Russian literature
Opis:: Since the political tranformations in Poland in 1989, theatre has been the only area, not affectedby the hostile attitude towards Russian culture.Initially, that is the years 1989-1995, the changes made Russian literature disappear from thePolish artistic marked completely. Only the second half of the last 20th century decade balance to it.The slighttest fluctuactions have been noticed at the theatre, where Russian art is the second mostpopular after Polish.In the beginning of 21th century the new Russian literature and the new Russian drama are verypopular in Poland.
Źródło:: Acta Polono-Ruthenica; 2008, 1, XIII; 169-180
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Драматургия движения „Новая драма” и кризис идентичности: социокультурный и литературоведческий аспект
The Russian movement „New Drama and the identity crisis: socio-cultural and philological aspects
Autorzy:: Bolotyan, Ilmira
Powiązania:: https://bibliotekanauki.pl/articles/482249.pdf
Data publikacji:: 2009-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Russian literature
New Drama
contemporary Russian dramaturgy
Opis:: „New Drama” is the name of a theatrical-dramatic movement born in Russia in the end of XX beginning of XXI century. It brings together many authors, directors and actors. The article describes principal representations of the reality appearing in the contemporary Russian dramaturgy: the category of violence and the dramatic „image of the identity crisis”. Representations of four types of identification are discussed: essential, social, cultural and spiritual - which are the basis of the first typology of the New Drama’s conflict situations, characters and plots.
Źródło:: Acta Polono-Ruthenica; 2009, 1, XIV; 25-35
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

Informacja