- Tytuł:
-
Le parlé-chanté dans Phèdre de Jean Racine et Partage de midi de Paul Claudel
The « parlé-chanté » in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel - Autorzy:
- Deregnoncourt, Marine
- Powiązania:
- https://bibliotekanauki.pl/articles/483516.pdf
- Data publikacji:
- 2016
- Wydawca:
- Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
- Tematy:
-
the « parlé-chanté »
the operatic voice
Phèdre
Noon’s Sharing - Opis:
- In this article we will seek to answer how, in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel, the « parlé-chanté » is particularly significant. To do so, this article will be divided in three parts. In the first part, the « parlé-chanté » will be defined and linked to Arnold Schoenberg’s Sprechgesang. While the second part will issue on Phèdre by Jean Racine, the third and final part will focalize on Paul Claudel's Noon’s Sharing. By focusing on the two aforesaid plays we will try to prove that the operatic voice is always present in the acting choices and that the two playwrights accustomed the dramatic rules of their time.
- Źródło:
-
Quêtes littéraires; 2016, 6; 46-55
2084-8099
2657-487X - Pojawia się w:
- Quêtes littéraires
- Dostawca treści:
- Biblioteka Nauki
Artykuł