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    Wyświetlanie 1-6 z 6
    Tytuł:
    Poematy Cypriana Norwida. Uwagi edytorskie
    Cyprian Norwid's Poems. Editor's Remarks (transl. by Tadeusz Karłowicz)
    Autorzy:
    Sawicki, Stefan
    Powiązania:
    https://bibliotekanauki.pl/articles/2117017.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    poemat
    wydanie krytyczne
    poem
    critical edition
    Opis:
    The paper is the Editor's Introduction to Cyprian Norwid's Poems included in Volumes III and IV of the critical edition of the poet's Collected Writings prepared by Norwidologists from different academic centers and edited by the Learned Society of the Catholic University of Lublin: Volume III has been edited by S. Sawicki and A. Cedro, and Volume IV by S. Sawicki and P. Chlebowski. Both volumes will be published in 2008.
    Źródło:
    Studia Norwidiana; 2007, 24-25; 43-53
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Niektóre problemy edytorskie w dramatach Norwida
    Some Editorial Problems in Norwids Dramas (transl. by Tadeusz Karłowicz)
    Autorzy:
    Maślanka, Julian
    Powiązania:
    https://bibliotekanauki.pl/articles/2117016.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    edytorstwo
    dramat
    Norwid
    tekst
    edycja
    editing
    drama
    text
    edition
    Opis:
    The present paper contains information about dramas in editions of Cyprian Kamil Norwid's writings published up till now, and especially about editorial differences between them, mainly in the field of language, and to a lesser degree, in the field of punctuation. These results are then compared with the text of dramas prepared for a new edition of Norwid's works (Collected Works) that started to appear in 2007 under the imprint of the Learned Society of the Catholic University of Lublin. The Author of the present article has prepared dramas for the edition, taking the poet's autographs or (in case of their being lost) their first edition as the basis. It has turned out that a considerable number of corrections had to be made in the new edition of the text of Norwid's dramas, which is illustrated in the article by numerous examples.
    Źródło:
    Studia Norwidiana; 2007, 24-25; 31-41
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Z problematyki edytorskiej notatników i albumów Norwida
    From the Editorial Problems of Norwids Notes and Albums (transl. by Tadeusz Karłowicz)
    Autorzy:
    Chlebowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/2117015.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    edytorstwo
    edycja
    notatnik
    album
    tekst
    editing
    edition
    notes
    text
    Opis:
    In accordance with the title, the article is concerned with the editorial problems posed by the part of Norwid's work that is least known, that is his notes and albums,. The need of reflection on this domain of the poet's work appeared along with the new edition of the poet's Works. Within the edition Norwid's “portfolios” have been separated as individual volumes, which stresses both the qualitative and quantitative dimension of the phenomenon in the work of the author of On the freedom of speech (Gomulicki's edition of Complete Works included only the texts written with Norwid's own hand, excluding prints and illustrations – drawn both by the poet himself and by other people). On the one hand the article explains the reasons for such a decision, and on the other it undertakes a number of editorial questions as well as ones connected with the text that appear as a consequence of the assumptions that have been made. Apart from the problem of the autonomy of Norwid's notes and albums the question of the integral character of the collection has been touched upon; also, the problem of their final textological form, their contents (e.g. the question if inserts made by hand should be included, as they are not Norwid's own texts, but together with the notes and drawings they constitute a certain semantic and compositional whole). Ordering the illegible and sometimes complicated compositional design of the collection should be accompanied by reflection – which is shown by analyses – saying that in the case of Norwid's notes and albums (e.g. in the case of the so-called “his own summaries” or “the authors summaries”) excessive care taken of legibility and accessibility (an example being Gomulicki's edition) may lead to excessive “polishing”, and in consequence to upsetting the genological bases of the notes and albums. The problem is also raised of legibility of the notes and other sources Norwid used (often the notes are just excerpts from books he had read, and the drawings and water-colors are imitations of other artists' works). Selected issues from the domain of editing notes and albums show the specificity and stress the identity of this part of Norwid's work.
    Źródło:
    Studia Norwidiana; 2007, 24-25; 3-29
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rewolucja w pół drogi. O edycji prozy artystycznej Norwida w opracowaniu Rościsława Skręta
    A half-way revolution. On the edition of Norwid’s artistic prose by Rościsław Skręt
    Autorzy:
    Kruszewski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/2117255.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    edycja krytyczna
    modernizacje językowe
    Norwid
    proza
    critical edition
    language modernization
    prose
    Opis:
    The article is a review of the first volume of the critical edition of Norwid’s prose developed by Rościsław Skręt. The review focuses on the choice of works for editing and print, on establishing the status of source texts, determining the form of the texts for print, performing language modernization and associating the textual material with iconography. Examining the actions undertaken by the editor in all these dimensions, one can put forward a claim that his work tries to follow two contradictory editorial directions. The editor developed an innovative canon of Norwid’s prose and managed to avoid mistakes made by his predecessors. At the same time, one can observe that the editor restrained himself from departing too far from the solutions adopted by the previous editors. This latter tendency is particularly evident on the linguistic plane. Hence, one can describe the reviewed edition of the text as a half-way revolution.
    Źródło:
    Studia Norwidiana; 2016, 34; 225-238
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A half-way revolution. On the edition of Norwid’s artistic prose by Rościsław Skręt
    Autorzy:
    Kruszewski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/16729746.pdf
    Data publikacji:
    2020-05-06
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    critical edition
    language modernization
    Norwid
    prose
    edycja krytyczna
    modernizacje językowe
    proza
    Opis:
    The article is a review of the first volume of the critical edition of Norwid’s prose developed by Rościsław Skręt. The review focuses on the choice of works for editing and print, on establishing the status of source texts, determining the form of the texts for print, performing language modernization and associating the textual material with iconography. Examining the actions undertaken by the editor in all these dimensions, one can put forward a claim that his work tries to follow two contradictory editorial directions. The editor developed an innovative canon of Norwid’s prose and managed to avoid mistakes made by his predecessors. At the same time, one can observe that the editor restrained himself from departing too far from the solutions adopted by the previous editors. This latter tendency is particularly evident on the linguistic plane. Hence, one can describe the reviewed edition of the text as a half-way revolution.
    Źródło:
    Studia Norwidiana; 2016, 34 English Version; 228-240
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Krytyczne wydanie Promethidiona
    The critical edition of Promethidion
    Autorzy:
    Buś, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/16729443.pdf
    Data publikacji:
    2020-05-05
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    Sawicki
    poemat
    collage
    sztuka
    praca
    prawda
    sumienie
    proroctwo
    edycja krytyczna
    interpretacja
    piękno
    poem
    art
    work
    beauty
    truth
    conscience
    prophecy
    critical edition
    interpretation
    Opis:
    The article is concerned with the edition of Cyprian Norwid's Promethidion prepared by Stefan Sawicki. The recognized theoretician, historian and interpreter of literature appears here both as the author of a comprehensive monograph of Promethidion and as an experienced editor embracing the central categories of the poet's viewpoint and artistry, and, on the other hand, with a linguistic precision analyzing particular expressions and tropes. His discerning analysis, careful textological edition of the text and comprehensive interpretation of the poem serve each other. The edition, albeit designed for a broad group of readers, meets the requirements of a critical edition, gives a lot of precisely justified amendments, the necessary explanations, and a list of variants of the text. In the sphere of meanings and structures the poem glitters with variety and shows many aspects of the problems. “Concepts-keys” that are central to the poem are the concept of art (“with no limits”) whose definition is in many ways completed by the concepts of beauty, love, work, good and truth, “constantly approached as if from the side of the conscience”. They are made manifest in utterances by many subjects that have differentiated styles and genres, which is done by means of peculiar techniques (amplifications, approximations, speaking by negation assuming the form of a dialogue, the “counterpoint” technique, evoking the value “by negating anti-values”). However, the whole forms a cohesive “Norwidian collage”, and the image of a “superior speaking subject” appearing as an “image of a prophet of the contemporary Church” has a clear author's stamp. Hence, the message of the poem is perceived “as the voice of a poet: a real one, convinced that what he wants to convey to the society is just”
    Źródło:
    Studia Norwidiana; 2011, 29; 219-229
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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