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Wyświetlanie 1-2 z 2
Tytuł:
Trudny Norwid, trudna metodologia. Jak badać Norwida?
Difficult Norwid, Difficult Methodology. How to Study Norwid? (transl. by Jan Kłos)
Autorzy:
Kasperski, Edward
Powiązania:
https://bibliotekanauki.pl/articles/2117109.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
dystans historyczny
dystans hermeneutyczny
dystans poznaczy
hermetyzm
historia
interpretacja
krytyka
metodologia
Norwid
norwidologia
norwidolog
poznanie
recepcja
rekonstrukcja
relatywizacja
uniwersalizm
historical distance
hermeneutical distance
cognitive distance
hermeticism
story
interpretation
criticism
methodology
Norwidology
Norwidologian
knowledge
reception
reconstruction
relativisation
universalism
Opis:
Cyprian Norwid's literary biography, his literary and artistic endeavour show a boundary situation in the humanities and challenge the existing technique of study and methods of interpretation. This boundary situation was composed by the following elements: a) Norwid's peripheral in his own epoch that resulted in a lack of acceptance and communication, b) poverty and the struggle for survival, c) few publications during his lifetime, dispersal and loss of a part of his manuscripts, d) isolation during his sojourn abroad in France, Italy, and the United States, e) his hermetic language and thought, f) universalistic aesthetic and philosophical attitude that was in conflict with the positivistic and utilitaritarian tendencies of the epoch, g) an unusually broad and heterogenic group of sourcews, h) discontinuity and multifarious reception, i) combination of innovation and traditionalism The author confronts the writer's boundary situation with the current research standards and methodologies. In part I, he considers the influence of the historical, hermeneutic, and cognitive distance on the modes of research interpretation and presentation of Norwid; he discusses the methods and effects of taming and consuming his historical novelty, and puts together the real and historical presence in the writer's epoch with postmortem symbolical presence Part II analyses methods of the reconstruction of the “true Norwid” and stresses the impact of the writer's image, promoted as “true,” on the time, circumstances, and manner of the reconstruction itself. This part claims that if we make one of many Norwid's images “always and everywhere true,” then we have aspirations to cognitive exclusiveness, make it uniform and appropriate the poet's image. As a result, his interpretation is made rigid Part III discusses the tension between the poet's universalism – e.g. his declaration of eternal and universally valid truths – the historical genesis and the shape of this kind of messages typical of the epoch. The ahistorical relationship to the poet's declarations gives rise to a phenomenon that is called interpretation of “Norwid by way of Norwid” in Norwidology, a fact that should be deemed vicious circle from the methodological point of view Part IV Mythologies and Methodologies evaluates the usefulness of contemporary standard research methods in solving difficulties that compose the knowledge of Norwid. This part indicates the incommensurable character of cognitive and methodological presuppositions, which Norwid himself used in his interpretation and description of the world together with the presuppositions that are used in contemporary theories of knowledge and methodologies The final conclusion of the paper reads that the difficulties in studying Norwid make us aware that the author of Silence is not for the contemporary methodologies merely a passive “object” with which, as the “hermeneutics of violence” declares, one can make everything whatever one wills, but it is a challenge for them that unveils both their strong and weak points. He is therefore their critical partner, and at times also a constructive alternative
Źródło:
Studia Norwidiana; 2010, 27-28; 53-76
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pseudo-Norwid, czyli co się komu podoba
Pseudo-Norwid, or whatever you like
Autorzy:
Kasperski, Edward
Powiązania:
https://bibliotekanauki.pl/articles/16729536.pdf
Data publikacji:
2020-05-07
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Rzońca
premodernizm
Norwid
romantyzm
pre-modernism
Romanticism
Opis:
The present text critically discusses Wiesław Rzońca’s book Premodernizm Norwida – na tle symbolizmu literackiego drugiej połowy XIX wieku (Norwid’s Pre-modernism – Against the Background of the Literary Symbolism of the Second Half of the 19th Century) (Warszawa 2013). In the subsequent chapters the present polemics formulates the following charges against the book: 1). The division of Norwid’s work into “the mature period” and “the imma ture one” is unjustified and devoid of factual foundations; especially when in the allegedly “immature” period (until 1857) a lot of the poet’s undoubted masterpieces were written, also, the work after 1857 continued the earlier forms, ideas and motifs, and in this sense it was characterized by a relative – dynamic, flexible and open to changes – continuity. 2). One of Rzońca’s theses – an exceptionally doubtful one – puts Norwid’s allegedly “mature” works after 1857 outside Romanticism, which differs from the truth, both textual and historicalliterary, because Norwid till the end of his life drew on the Romantic tradition and traces of this practice can be discovered in most of his writings and poems, starting from his lectures On Juliusz Słowacki putting Byron (and not Baudelaire!) in the position of “poets’ Socrates”, and ending with Rzecz o wolności słowa (On the Freedom of Speech), perfectly well analyzed in the past by the late Zofia Stefanowska with respect to the Romantic influences retained in the poem, and with Milczenie (Silence), Ad leones!, Stygmat (Stigma) and Tajemnica lorda Singleworth (Lord Singleworth’s Secret). 3). Rzońca’s false diagnoses concerning Norwid’s relation towards Romantics and Romanticism result from a) accepting an extraordinarily narrow, static and basically false conception of Romanticism, reducing it personally to Mickiewicz and Byron, and ignoring the German, English, French, American, or even Polish Romanticism that was intellectually rich and creative (“not-well-enough-read” Krasiński or Słowacki plus the interesting Polish nationalist philosophy), and on which the whole 19th century, not only Norwid drew; b) the false (and grotesque) assumption that since Norwid drew on the European Romantics ample heritage, he necessarily deserves the strict etiquette of a “Romantic”, and the period of 1848-1857 should be absolutely associated with his “immaturity”. 4). Rzońca’s flagship theses about Norwid’s “pre-modernism” does not meet the conditions of sense, for anything you like may be associated with the concepts of “pre-modernism” or “modernism” that are used in the book. 5). The above charge also concerns the thesis about Norwid’s alleged “modernist symbolism”, as this kind of symbolism appeared only after the death of the poet. 6). Hence if it is possible to ascribe some significant historical-literary discovery to Rzońca, it is probably only the one creating Norwid as a posthumous symbolist. 7). Rzońca’s self-appraisal saying that his book presents “an attempt at a synthesis of Norwid’s mature work” (p. 9) should be assessed not only as an attempt – in an arrogant language, which Rzońca does not hesitate to use towards Norwid – decidedly “immature”, but as an unintentional parody of a “synthesis”. This is because Premodernism is a collection of subjective, not thought through impressions that say a lot about their author and his ambitions, but not much about the real, historical Norwid. Hence the title of the review: Pseudo-Norwid.
Źródło:
Studia Norwidiana; 2014, 32; 290-325
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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