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    Tytuł:
    Nadzieje i obawy edytorstwa
    The hopes and fears of editing
    Autorzy:
    Fert, Józef F.
    Powiązania:
    https://bibliotekanauki.pl/articles/969768.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    scholarly editing
    source criticism
    critical edition
    popular edition
    edytorstwo naukowe
    krytyka źródeł
    wydania naukowe
    wydania
    popularne
    Opis:
    An important and valuable phenomenon within the field of Polish studies is the emergence of a specialization – or even a faculty – of editing. This specialization can – or even should – appear on many classic faculties, as the need of editing, that is, the need to critically record and disseminate the results of research is inscribed into the ‘intellectual code’ of every faculty.
    Źródło:
    Wielogłos; 2012, 3, 13; 181-183
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poematy Cypriana Norwida. Uwagi edytorskie
    Cyprian Norwid's Poems. Editor's Remarks (transl. by Tadeusz Karłowicz)
    Autorzy:
    Sawicki, Stefan
    Powiązania:
    https://bibliotekanauki.pl/articles/2117017.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    poemat
    wydanie krytyczne
    poem
    critical edition
    Opis:
    The paper is the Editor's Introduction to Cyprian Norwid's Poems included in Volumes III and IV of the critical edition of the poet's Collected Writings prepared by Norwidologists from different academic centers and edited by the Learned Society of the Catholic University of Lublin: Volume III has been edited by S. Sawicki and A. Cedro, and Volume IV by S. Sawicki and P. Chlebowski. Both volumes will be published in 2008.
    Źródło:
    Studia Norwidiana; 2007, 24-25; 43-53
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Frédéric Chopin: „Trois Fugues de Luigi Cherubini mises en partition de piano”. Fac-similé et transcription présentés par Jean-Jacques Eigeldinger, Paris 2017 Société française de musicologie, ss. 67. ISBN 978-2-85357-259-0
    Autorzy:
    Śnieżek, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/28411994.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    edycja krytyczna
    muzyka fortepianowa
    critical edition
    piano music
    Źródło:
    Muzyka; 2018, 63, 4; 136-139
    0027-5344
    2720-7021
    Pojawia się w:
    Muzyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Wszystkość nadciąga...” O Gomulickiego edycji kompletnej „Pism” Norwida – kilka uwag
    “Things Get Nearer...”: A Few Remarks on Gomulicki’s Complete Edition of “Writings” by Norwid
    Autorzy:
    Chlebowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1519904.pdf
    Data publikacji:
    2019-07-01
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    complete writings
    critical edition
    editor
    publishing
    editorial methodology
    Opis:
    The article attempts to present in a synthetic way (also in the axiological aspect) the editorial work of Juliusz Wiktor Gomulicki. The editions of Norwid’s ouvre prepared by Gomulicki, especially the first complete edition of the poet’s writings, were published mainly in the years 1944–1989. Undoubtedly, Gomulicki’s greatest editorial success was the full coverage of Norwid’s writings. However, there were also some flaws, such as the excessive “biographisation” of his editorial commentaries, erroneous readings and peculiar, in the literary sense, interpretations. Furthermore, Gomulicki marginalised Norwid’s activity in the area of plastic arts (cf. his lithograph Solo). Also his genological classifications and categorisations, which had a great influence on the layout and form of the corpus of Norwid’s writings, raise some serious doubts. Finally, it is also impossible to recognize the critical and scientific character of this publishing endeavour, which Gomulicki willingly and constantly stressed.
    Źródło:
    Białostockie Studia Literaturoznawcze; 2019, 14; 251-273
    2082-9701
    2720-0078
    Pojawia się w:
    Białostockie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Das Hildebrandslied und seine erste wissenschaftliche Edition von Jacob und Wilhelm Grimm aus dem Jahre 1812
    Autorzy:
    Just, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2076681.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    epic
    critical edition
    alliteration
    metre
    Old High German
    Opis:
    This paper discusses the history of the first critical edition of the Hildebrandslied. The sole extant version of the famous Old High German epic, preserved only in fragments, was copied on the first and the last page of a codex dated to the 8th/9th c. and written in Fulda. The first scholarly edition of the Hildebrandslied was published in 1812 by the Grimm brothers who were also the first to recognize the poem’s alliterative verse form.
    Źródło:
    Kwartalnik Neofilologiczny; 2016, 3; 316-329
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Niektóre problemy edytorskie w dramatach Norwida
    Some Editorial Problems in Norwids Dramas (transl. by Tadeusz Karłowicz)
    Autorzy:
    Maślanka, Julian
    Powiązania:
    https://bibliotekanauki.pl/articles/2117016.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    edytorstwo
    dramat
    Norwid
    tekst
    edycja
    editing
    drama
    text
    edition
    Opis:
    The present paper contains information about dramas in editions of Cyprian Kamil Norwid's writings published up till now, and especially about editorial differences between them, mainly in the field of language, and to a lesser degree, in the field of punctuation. These results are then compared with the text of dramas prepared for a new edition of Norwid's works (Collected Works) that started to appear in 2007 under the imprint of the Learned Society of the Catholic University of Lublin. The Author of the present article has prepared dramas for the edition, taking the poet's autographs or (in case of their being lost) their first edition as the basis. It has turned out that a considerable number of corrections had to be made in the new edition of the text of Norwid's dramas, which is illustrated in the article by numerous examples.
    Źródło:
    Studia Norwidiana; 2007, 24-25; 31-41
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Z problematyki edytorskiej notatników i albumów Norwida
    From the Editorial Problems of Norwids Notes and Albums (transl. by Tadeusz Karłowicz)
    Autorzy:
    Chlebowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/2117015.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    edytorstwo
    edycja
    notatnik
    album
    tekst
    editing
    edition
    notes
    text
    Opis:
    In accordance with the title, the article is concerned with the editorial problems posed by the part of Norwid's work that is least known, that is his notes and albums,. The need of reflection on this domain of the poet's work appeared along with the new edition of the poet's Works. Within the edition Norwid's “portfolios” have been separated as individual volumes, which stresses both the qualitative and quantitative dimension of the phenomenon in the work of the author of On the freedom of speech (Gomulicki's edition of Complete Works included only the texts written with Norwid's own hand, excluding prints and illustrations – drawn both by the poet himself and by other people). On the one hand the article explains the reasons for such a decision, and on the other it undertakes a number of editorial questions as well as ones connected with the text that appear as a consequence of the assumptions that have been made. Apart from the problem of the autonomy of Norwid's notes and albums the question of the integral character of the collection has been touched upon; also, the problem of their final textological form, their contents (e.g. the question if inserts made by hand should be included, as they are not Norwid's own texts, but together with the notes and drawings they constitute a certain semantic and compositional whole). Ordering the illegible and sometimes complicated compositional design of the collection should be accompanied by reflection – which is shown by analyses – saying that in the case of Norwid's notes and albums (e.g. in the case of the so-called “his own summaries” or “the authors summaries”) excessive care taken of legibility and accessibility (an example being Gomulicki's edition) may lead to excessive “polishing”, and in consequence to upsetting the genological bases of the notes and albums. The problem is also raised of legibility of the notes and other sources Norwid used (often the notes are just excerpts from books he had read, and the drawings and water-colors are imitations of other artists' works). Selected issues from the domain of editing notes and albums show the specificity and stress the identity of this part of Norwid's work.
    Źródło:
    Studia Norwidiana; 2007, 24-25; 3-29
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rewolucja w pół drogi. O edycji prozy artystycznej Norwida w opracowaniu Rościsława Skręta
    A half-way revolution. On the edition of Norwid’s artistic prose by Rościsław Skręt
    Autorzy:
    Kruszewski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/2117255.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    edycja krytyczna
    modernizacje językowe
    Norwid
    proza
    critical edition
    language modernization
    prose
    Opis:
    The article is a review of the first volume of the critical edition of Norwid’s prose developed by Rościsław Skręt. The review focuses on the choice of works for editing and print, on establishing the status of source texts, determining the form of the texts for print, performing language modernization and associating the textual material with iconography. Examining the actions undertaken by the editor in all these dimensions, one can put forward a claim that his work tries to follow two contradictory editorial directions. The editor developed an innovative canon of Norwid’s prose and managed to avoid mistakes made by his predecessors. At the same time, one can observe that the editor restrained himself from departing too far from the solutions adopted by the previous editors. This latter tendency is particularly evident on the linguistic plane. Hence, one can describe the reviewed edition of the text as a half-way revolution.
    Źródło:
    Studia Norwidiana; 2016, 34; 225-238
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Commynes – Mémoires: l’émancipation syntactico-sémantique à l’origine d’un genre ?
    Commynes – Mémoirs: syntactico-semantic emancipation at the origin of a literary genre?
    Autorzy:
    Dupuy, Estéle
    Powiązania:
    https://bibliotekanauki.pl/articles/1368332.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Commynes
    autograph letters
    memoirs
    syntax
    cohesion
    diplomatic despatch
    critical edition
    stereotypes
    Opis:
    Was the Commynes’s syntactic cohesion (a man “not literary”, father of the genre of memoirs and diplomat of the fifteenth century which syntax has been often described as paratactic or uncohesive) influenced, according to the received idea, by his habit of the diplomatic despatch and was she perceived as uncohesive by his contemporaries? To answer his questions, respectively, we compare the lack of cohesion of the Memoirs with those of his autograph letters and then we search the headlines of the publisher Sauvage (1552) who propose a version pointed as more cohesive than that of the manuscript which serve of base to his edition. The results will show that the letters seem more cohesive than the Memoirs and that its Mémoirs’ s syntax is not underlined as embarrassing by its editor.
    Źródło:
    Romanica Silesiana; 2019, 16, 2; 289-305
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A half-way revolution. On the edition of Norwid’s artistic prose by Rościsław Skręt
    Autorzy:
    Kruszewski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/16729746.pdf
    Data publikacji:
    2020-05-06
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    critical edition
    language modernization
    Norwid
    prose
    edycja krytyczna
    modernizacje językowe
    proza
    Opis:
    The article is a review of the first volume of the critical edition of Norwid’s prose developed by Rościsław Skręt. The review focuses on the choice of works for editing and print, on establishing the status of source texts, determining the form of the texts for print, performing language modernization and associating the textual material with iconography. Examining the actions undertaken by the editor in all these dimensions, one can put forward a claim that his work tries to follow two contradictory editorial directions. The editor developed an innovative canon of Norwid’s prose and managed to avoid mistakes made by his predecessors. At the same time, one can observe that the editor restrained himself from departing too far from the solutions adopted by the previous editors. This latter tendency is particularly evident on the linguistic plane. Hence, one can describe the reviewed edition of the text as a half-way revolution.
    Źródło:
    Studia Norwidiana; 2016, 34 English Version; 228-240
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Epitalamium Antoniego Marcina Sienkiewicza dla Marii Zofii Sieniawskiej – chrześnicy króla Augusta II Sasa i cara Piotra I
    Antoni Marcin Sienkiewicz’s epithalamium for Maria Zofia Sieniawska, the goddaughter of king August II the Strong and tsar Peter the Great
    Autorzy:
    Botor, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2078330.pdf
    Data publikacji:
    2021-03-30
    Wydawca:
    Polska Akademia Nauk. Instytut Badań Literackich PAN
    Tematy:
    Antoni Marcin Sienkiewicz
    edycja krytyczna
    epitalamium
    Maria Zofia Sieniawska
    critical edition
    epithalamium
    Opis:
    This article presents critical edition of enlightenment period’s epithalamium of Antoni Marcin Sienkiewicz (1690–1752) titled “Konstelacyja pierwszych koronnego nieba planet” (“A constellation of the most brilliant planets of the crown sky”). The epithalamium was written in 1724 on the occasion of Maria Zofia Sieniawska’s wedding with Stanislaw Ernest Denhoff. Since some references in the text might be difficult for today’s readers, this article includes the necessary clarifications on mythological characters and the overview of Sieniawski’s and Lubomirski’s families. Moreover, the article presents a short historical note about the author’s biography (he was considered as the most prolific panegyrist of Polish nobility), as well as about Maria Zofia Sieniawska, to whom the work was originally dedicated.
    Źródło:
    Meluzyna. Dawna Literatura i Kultura; 2020, 2, 13; 81-127
    2449-7339
    Pojawia się w:
    Meluzyna. Dawna Literatura i Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Marcin Kromer, 'Musicae elementa', ed. and trans. into Polish by Elżbieta Witkowska-Zaremba, English trans. by Calvin M. Bower. Warsaw 2019 Instytut Sztuki Polskiej Akademii Nauk (= Monumenta Musicae in Polonia, seria C: Tractatus de musica), pp. 92. ISBN 78-83-65630-82-7
    Autorzy:
    Pirani, Giacomo
    Powiązania:
    https://bibliotekanauki.pl/articles/28328077.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Marcin Kromer
    edycja krytyczna
    XVI wiek
    traktat
    critical edition
    16th Century
    treatise
    Źródło:
    Muzyka; 2020, 65, 2; 189-195
    0027-5344
    2720-7021
    Pojawia się w:
    Muzyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kolacjonowanie przekazów wierszy Franciszka Dionizego Kniaźnina na podstawie wybranych liryków zawartych w autografie poety – dylematy edytorskie
    Collation of sources poems by Franciszek Dionizy Kniaźnin based on selected lyrics contained in the poet’s autograph – editorial dilemmas
    Autorzy:
    Bednarek, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/967990.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    critical edition
    autograph
    collation
    text’s variants
    autograf
    edycja krytyczna
    kolacjonowanie
    odmiany tekstu
    Opis:
    Franciszek Dionizy Kniaźnin has created manuscript for a few years. It was a kind of his poetica will. In this collection, titled Poezje Franciszka Dionizego Kniaźnina ręką własną pisane, author included works published in three previous collections volumes of verse as well as completely new poems. Reused works had many editorial alterations compared to original ones. First time published works had been totally unknown before. Poezje Franciszka Dionizego Kniaźnina ręką własną pisane was not published as printed, scientific edition yet. This article describes today’s editor dilemmas about making a critical edition of four first book contained in the first volume of autograph. Mainly it is focused on the problem of comparasion variants of particular texts, which often are very different.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 34, 4
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Uwagi o tomach trzecim i czwartym Dzieł wszystkich Cypriana Norwida
    Remarks on volume three and volume four of Complete Works by Cyprian Norwid
    Autorzy:
    Brzozowski, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/16729548.pdf
    Data publikacji:
    2020-05-07
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Cyprian Norwid
    wierszowana epika
    edycja krytyczna
    edytorstwo naukowe
    rhyming epic
    critical edition
    academic editing
    Opis:
    The article is a discussion of Volumes Three and Four of Complete Works by Cyprian Norwid, containing the poems by the author of Vade-mecum, edited by Stefan Sawicki, Adam Cedro and Piotr Chlebowski. The arrangement and the contents of the edition, the contents of individual parts of the critical apparatus (the editor’s notes, variations of the texts, explanations) were subjected to analysis. Moreover, the lessons and emendations suggested by the editors were analyzed in a wide range.
    Źródło:
    Studia Norwidiana; 2014, 32; 233-260
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Józef Elsner. Utwory fortepianowe / Piano Works, wyd. Jerzy Morawski, Warszawa 2016 (= Monumenta Musicae in Polonia, seria/ series E: Opera selecta), Instytut Sztuki Polskiej akademii Nauk, ss. 512. ISBN 978-83-65630-12-4
    Józef Elsner. Piano Works, ed. Jerzy Morawski, Warszawa 2016 (= Monumenta Musicae in Polonia, seria/ series E: Opera selecta), Instytut Sztuki Polskiej akademii Nauk, ss. 512. ISBN 978-83-65630-12-4
    Autorzy:
    Poniatowska, Irena
    Powiązania:
    https://bibliotekanauki.pl/articles/28408922.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Józef Elsner
    muzyka fortepianowa
    muzyka XIX wieku
    edycja krytyczna
    piano music
    nineteenth-century music
    critical edition
    Źródło:
    Muzyka; 2018, 63, 1; 140-143
    0027-5344
    2720-7021
    Pojawia się w:
    Muzyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The De haeresibus et synodis of Germanos I of Constantinople as a Source on Early Byzantine Heresies? Prospects of a Critical Edition
    Autorzy:
    Zieme, Johann Anton
    Powiązania:
    https://bibliotekanauki.pl/articles/2027702.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    De haeresibus et synodis
    Patriarch Germanus I of Constantinople
    critical edition
    Christian heresies
    Church Councils
    Byzantium
    Opis:
    A new, critical edition of the 8th-century treatise De haeresibus et synodis (CPG 8020) by Patriarch Germanus I of Constantinople is in progress; it will provide new insights, especially into the large extent of sources that were copied or paraphrased. The article takes a close look at three chapters that could be considered as sources for different Christian heresies (Manichaeism, Montanism and Christological dissenters) in 8th-century Byzantium and some of the first new text- and sourcecritical findings. The accounts on Manichaeism and Montanism are based on older, lost sources and can therefore not be consulted as historical sources on these heresies in the Early Byzantine age. The account of the Ecumenical Councils involved in the Christological controversies attributes faith formulas to Councils that did not actually issue them and thus must be dismissed as a historical source on the course of these controversies as well. Nevertheless all three chapters, like the rest of the treatise, testify to the views of an Early Byzantine theologian on heresies and Church Councils and to how he reached his views. This scope for further study is deduced from the character of the text itself and thus especially appropriate.
    Źródło:
    Studia Ceranea; 2021, 11; 493-512
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    'Tabulaturae Braunsbergenses-Olivenses', ed. Marcin Szelest, Vols. 1–3, Warszawa 2021 Wydawnictwo Naukowe Sub Lupa (= Fontes Musicae in Polonia, C/XXV.1–3), pp. 440 + 641 + 764. ISBN 978-83-66456-46-2
    Autorzy:
    Schöning, Kateryna
    Powiązania:
    https://bibliotekanauki.pl/articles/25806177.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    edycja krytyczna
    źródła muzyczne
    tabulatura organowa
    muzyka XVII wieku
    critical edition
    music sources
    organ tablature
    seventheenth-century music
    Opis:
    Review of critical edidion of Tabulaturae Braunsbergenses-Olivenses, ed. Marcin Szelest, Vols. 1–3, Warszawa: Wydawnictwo Naukowe Sub Lupa, 2021
    Recenzja edycji krytycznej Tabulaturae Braunsbergenses-Olivenses, red. Marcin Szelest, t. 1–3, Warszawa: Wydawnictwo Naukowe Sub Lupa, 2021
    Źródło:
    Muzyka; 2022, 67, 1; 170-173
    0027-5344
    2720-7021
    Pojawia się w:
    Muzyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wacława Potockiego Rozbój duchowny. Komentowana edycja krytyczna
    “Spiritual Warfare” by Wacław Potocki. Commented critical edition
    Autorzy:
    Czerniak, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/1597391.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Instytut Badań Literackich PAN
    Tematy:
    Wacław Potocki
    rycerz Chrystusowy
    edycja krytyczna
    Hieronim Wierix
    walka duchowa
    the knight of Christ
    critical edition
    Hieronymus Wierix
    spiritual warfare
    Opis:
    This paper presents the second critical edition of the poem “Rozbój duchowny” (“Spiritual warfare”) written by Polish poet from 17th century Wacław Potocki. The first edition, published in 1980, prepared by Jan Malicki, has some editorial mistakes, hence the poem was edited again. The commentaries explain biblical and mythological references, the meaning of Old-Polish words as well as the proverbs. The author also points out to the relationship between the text of the poem and work “Spirituale Christiani militis certamen” by Antwerp engraver Hieronymus Wierix and describes the theme of the knight of Christ as a leitmotiv in Potocki’s poems.
    Źródło:
    Meluzyna. Dawna Literatura i Kultura; 2020, 1, 12; 67-103
    2449-7339
    Pojawia się w:
    Meluzyna. Dawna Literatura i Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jako „przestroga przed demontażem demokracji”. Uwagi i refleksje na marginesie polskiej edycji krytycznej Mein Kampf Adolfa Hitlera, w przekładzie i opracowaniu Eugeniusza Cezarego Króla
    As ‘a Warning against the Dismantling of Democracy’. Notes and Reflections on the Margins of the Polish Critical Edition of Adolf Hitler’s Mein Kampf, Translated and Edited by Eugeniusz Cezary Król
    Autorzy:
    Bartnicka, Alicja
    Powiązania:
    https://bibliotekanauki.pl/articles/2032512.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Mein Kampf
    Adolf Hitler
    narodowy socjalizm
    III Rzesza
    edycja krytyczna
    II wojna światowa
    National Socialism
    Third Reich
    critical edition
    World War II
    Opis:
    Celem niniejszego artykułu jest omówienie oraz próba oceny opublikowanej nakładem wydawnictwa Bellona polskiej edycji krytycznej Mein Kampf Adolfa Hitlera. Przekładu i opracowania podjął się Eugeniusz Cezary Król – wybitny niemcoznawca, który wcześniej dokonał już wyboru i tłumaczenia Dzienników Josepha Goebbelsa. Przygotowane przez niego wydanie Mein Kampf jest pierwszym pełnym polskim przekładem pracy Hitlera, który dodatkowo opatrzono naukowym komentarzem i aparatem krytycznym.
    This article discusses and evaluates the Polish critical edition of Adolf Hitler’s Mein Kampf published by Bellona Publishing House. The translation and edition have been undertaken by Eugeniusz Cezary Król, an outstanding expert on German matters who has already selected and translated Joseph Goebbels’ Diaries. The edition of Mein Kampf prepared by him is the first complete Polish translation of Hitler’s work and has been provided with a scholarly commentary and critical apparatus.
    Źródło:
    Dzieje Najnowsze; 2021, 53, 3; 217-236
    0419-8824
    Pojawia się w:
    Dzieje Najnowsze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Krytyczne wydanie Promethidiona
    The critical edition of Promethidion
    Autorzy:
    Buś, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/16729443.pdf
    Data publikacji:
    2020-05-05
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    Sawicki
    poemat
    collage
    sztuka
    praca
    prawda
    sumienie
    proroctwo
    edycja krytyczna
    interpretacja
    piękno
    poem
    art
    work
    beauty
    truth
    conscience
    prophecy
    critical edition
    interpretation
    Opis:
    The article is concerned with the edition of Cyprian Norwid's Promethidion prepared by Stefan Sawicki. The recognized theoretician, historian and interpreter of literature appears here both as the author of a comprehensive monograph of Promethidion and as an experienced editor embracing the central categories of the poet's viewpoint and artistry, and, on the other hand, with a linguistic precision analyzing particular expressions and tropes. His discerning analysis, careful textological edition of the text and comprehensive interpretation of the poem serve each other. The edition, albeit designed for a broad group of readers, meets the requirements of a critical edition, gives a lot of precisely justified amendments, the necessary explanations, and a list of variants of the text. In the sphere of meanings and structures the poem glitters with variety and shows many aspects of the problems. “Concepts-keys” that are central to the poem are the concept of art (“with no limits”) whose definition is in many ways completed by the concepts of beauty, love, work, good and truth, “constantly approached as if from the side of the conscience”. They are made manifest in utterances by many subjects that have differentiated styles and genres, which is done by means of peculiar techniques (amplifications, approximations, speaking by negation assuming the form of a dialogue, the “counterpoint” technique, evoking the value “by negating anti-values”). However, the whole forms a cohesive “Norwidian collage”, and the image of a “superior speaking subject” appearing as an “image of a prophet of the contemporary Church” has a clear author's stamp. Hence, the message of the poem is perceived “as the voice of a poet: a real one, convinced that what he wants to convey to the society is just”
    Źródło:
    Studia Norwidiana; 2011, 29; 219-229
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Męczeństwo siedmiu braci machabejskich i ich matki wobec chrześcijańskiej tradycji hagiograficznej
    The Martyrdom of Seven Maccabean Brothers and their Mother in Christian Hagiographic Tradition
    Autorzy:
    Rusnak, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/451077.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Old Testament
    the Second Book of the Maccabees Maccabees
    martyrdom
    hagiography
    Piotr Skarga
    Samuel Dowgird of Pogowie
    critical edition
    Stary Testament
    Druga Księga Machabejska Machabeusze
    męczeństwo
    hagiografia
    Samuel Dowgird z Pogowia
    edycja krytyczna
    Opis:
    The article focuses upon the description of the massacre of seven Maccabean brothers and their mother, from the seventh chapter of the Second Book of the Maccabees, as one of the most important representational patterns for the chronologically later Christian hagiographic literature, and also outlines theological foundations, developed by the Fathers of the Church, for the inclusion of the heroes of the Jewish uprising from the second century B.C. in the category of martyrdom characteristic of Christianity. In the part devoted to the Old Polish reception of this theme, special attention is devoted to a separate literary rendition of the story, which is the only one of its kind, in A Pathetic Story of one Mother by Samuel Dowgird of Pogowie. A detailed analysis focuses on both placing this adaptation within the entire translation work of the Lithuanian author and the idea of its interpretation. The paper is complemented by a critical edition of Dowgird’s work.
    Źródło:
    Tematy i Konteksty; 2016, 6(11); 91-125
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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