Temat: Irish - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Porzucając przemoc: lojaliści wobec Porozumienia Wielkopiątkowego w dramatach Gary Mitchella
Forcing Change: The Challenges of Loyalist Paramilitaries in the Post-Good Friday Agreement Drama of Gary Mitchell
Autorzy:: Minogue, Megan W
Powiązania:: https://bibliotekanauki.pl/articles/967683.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Irish drama
Northern Ireland
Garry Mitchell
The Troubles
Opis:: While the momentous Good Friday Agreement of 1998 was welcomed by many, others firmly said ‘No’, perhaps none more adamantly than the men and women involved in Loyalist paramilitary organizations. As Gary Mitchell depicts in his plays As the Beast Sleeps and Trust, the traditional roles of the UDA and other Loyalist paramilitary organizations were forced to undergo abrupt changes in the wake of modern promises of peace and prosperity. As politics become more predominant, the foot soldiers of the past were forced to make a choice as to whether or not they would continue the armed struggle or give way to the terms of the Agreement. The clash between the armalite and the ballot box, Mitchell suggests in these plays, has not yet been settled.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 24, 2
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: “Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry
Autorzy:: Ostalska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/641384.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: contemporary Irish poetry
gender discourse
the Troubles
Northern Ireland
Opis:: This paper examines the literary representation of the beginnings of the Northern Irish Troubles with regard to a gender variable (women’s roles and functions ascribed to them, mostly punitively, by men ), in the selected poems by Heaney, Durcan, Boland, Meehan and Morrissey. The reading of Heaney’s “Punishment” will attempt to focus not solely on the poem’s repeatedly criticized misogyny but on analyzing it in a broader, historical context of the North’s conflict. In Durcan’s case, his prominent nationalist descent or his declared contempt for any form of paramilitary terrorism (including the IRA) do not seem to prevent him entirely from immortalizing female victims of the Troubles. Boland’s attitude seems the most unequivocal: the clear aversion to the language of death and rendering Irish women’s experiences (and children’s) in this discourse. The article concludes with analysis of Meehan’s “Southern” guilt for the situation of Catholics in the North with the simultaneous critique of perpetrated violence and Morrissey’s complicated standpoint: atheist/neutral/Protestant/communist and her striving for the impossible impartiality in a war-ridden and politically divided country. Trying to avoid systemic victimization of Irish women, the paper intends to analyze the historical and political circumstances which made them more susceptible to various forms of attacks at the beginnings of the Troubles, as reflected in the titular labels.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 84-106
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Nowa IRA jako przykład skrajnego nacjonalizmu
The New IRA as an example of extreme nationalism
Autorzy:: Woźniak, Martyna
Powiązania:: https://bibliotekanauki.pl/articles/1179144.pdf
Data publikacji:: 2020-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: New Irish Republican Army
terrorism
nationalism
Northern Ireland
Brexit
Nowa Irlandzka Armia Republikańska
terroryzm
nacjonalizm
Irlandia Północna
Opis:: Celem artykułu jest przybliżenie motywów oraz sposobów, jakimi posługuje się organizacja terrorystyczna New IRA. Nowa Irlandzka Armia Republikańska to organizacja terrorystyczna, która powstała w 2012 roku. Jest kontynuacją Irlandzkiej Armii Republikańskiej i jej późniejszych odłamów. Grupa ta dąży do wyzwolenia Irlandii Północnej spod „okupacji brytyjskiej” oraz połączenia obu Irlandii w „organiczną całość”. Sprzeciwia się Brexitowi i postawieniu granicy pomiędzy Irlandią Północną a Republiką Irlandii. W związku z tym zarzeka się, że zwiększy swoją aktywność.
The New Irish Republican Army is a terrorist organization that was founded in 2012. Is a continuation of the Irish Republican Army and its later fractions. This group seeks to free Northern Ireland from the “British occupation” and to unite both parts Ireland as an “organic whole.” They oppose Brexit and the border between Northern Ireland and the Republic of Ireland, announcing that they will increase their activity. The purpose of the article is to present the motives and methods used by the terrorist organization New IRA.
Źródło:: Refleksje. Pismo naukowe studentów i doktorantów WNPiD UAM; 2020, 22; 27-40
2081-8270
Pojawia się w:: Refleksje. Pismo naukowe studentów i doktorantów WNPiD UAM
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: The Strains of Strife: Understanding Conflict through Irish Songs (Europe) and Assamese Folk Songs (Asia)
Autorzy:: Choudhury, Sanghamitra
Tétrault-Farber, Jérémy
Powiązania:: https://bibliotekanauki.pl/articles/2120163.pdf
Data publikacji:: 2022-09-30
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: Assam
Folksong
Pratima Barua Pandey
Rajbanshi
Social Identity
Northern Ireland
Irish traditional music
Ulster Orange music
UK
Opis:: Folk songs encapsulate contemporary society’s cultural life. Folk songs have been used by many historians to better comprehend the culture and traditional consciousness of people who left just a few written records of their lives. As a result, folk songs can reveal a lot about their history, culture, values, and societal advancement. Folklore is a body of expressive culture that encompasses folktales, folk music, superstitions, beliefs, and other cultural expressions exclusive to a community. A folk song, on the other hand, is a song that belongs to a community’s or region’s folk music, and can have a variety of regional features. Folklore has been classified in a variety of ways, with Dorson (1972) dividing it into four categories: i) oral tradition, (ii) material culture, (iii) social folk customs, and (iv) traditional folk arts. This paper tries to explore the changing sensibilities in popular culture, particularly in the field of folk music, and the forms in which it is expressed and used as a tool to resist the status quo. This manuscript focuses on the folk traditions of traditional Irish music and Ulster Orange music in Northern Ireland and the co-existing folk music of the Koch Rajbonshis in the Assam region of North-Eastern India, trying to highlight the attached identity of the groups/community in both regions.
Źródło:: Reality of Politics; 2022, 21; 43-60
2082-3959
Pojawia się w:: Reality of Politics
Dostawca treści:: Biblioteka Nauki

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