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Wyszukujesz frazę "Late Roman Empire" wg kryterium: Temat


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Tytuł:
Droga na szczyt i droga w otchłań – kilka uwag o karierze Flawiusza Stilichona
Road to the top and road to the chasm – a few remarks of Flavius Stilicho’s career
Autorzy:
Wilczyński, Marek
Powiązania:
https://bibliotekanauki.pl/articles/612026.pdf
Data publikacji:
2018
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
późny antyk
kryzys cesarstwa rzymskiego na Zachodzie
Stilichon
kariera
arystokracja późnorzymska
Late Antiquity
the crisis of the Late Roman Empire
Stilicho
career
the Late Roman aristocracy
Opis:
The most important factors responsible for development of an impressive career of Flavius Stilicho were: his family ties with Theodosians’ dynasty, the way he reorganized the Roman army, military victories, how he drummed up senate’s support for his political aims and the balanced policy of using and stopping the barbarian tribes. Protecting emperor Honorius, cooperating simultaneously with pagan and Christian fractions in the senate, achieving military success and defending borders of the Roman Empire against barbarians raids, Stilicho de facto was reigning the state in the name of his son-in-law, Honorius. Paradoxically, the same factors contributed to the downfall of the master-in-chief in 404-408 A.D. The conflict with his wife, Serena, and his son-in-law, Honorius, the mutiny in the army called-up by the reforms of Stilicho, some disagreements with the senate caused by the case of Melania the Younger and compensation for Alaric and, at last, the invasion of barbarian tribes on Gaul in 406 A.D. destroyed the carefully built career of Flavius Stilicho. He didn’t decide to keep his high rank by triggering off a civil war, what differed him clearly from his followers, Flavius Aetius and Flavius Ricimer.
Źródło:
Vox Patrum; 2018, 69; 681-705
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kasna antika: dekadencija ili „demokratizacija“ kulture?
Late Antiquity: Decadence or “Democratization” of Culture?
Autorzy:
Milinović, Dino
Powiązania:
https://bibliotekanauki.pl/articles/636214.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Roman Empire
Late Antiquity
Roman art
democratization of culture
decadence
Opis:
In our age “without the emperor”, fascination with empires and with the emperor mystique continues. Take for witness Tolkien and his Return of the King, the third sequel of The Lord of the Rings, or the television serial Game of Thrones. In the background, of course, is the lingering memory of the decline and fall of the Roman Empire, “a revolution which is still felt by all nations of the world”, to quote Edward Gibbon. It comes as a surprise that in this dramatic moment of its history, in times marked by political, economic and spiritual crisis that shook the very foundations of the Empire during the 3rd century, historians and art historians have recognized the revival of plebeian culture (arte plebea, kleinbürgerliche Kultur). It was the Italian historian Santo Mazzarino, talking at the XI International Congress of the Historical Sciences in Stockholm in 1960, who introduced a new paradigm: the “democratization of culture”. In the light of the historical process in the late Roman Empire, when growing autocracy, bureaucracy, militarization and social tensions leave no doubt as to the real political character of the government, the new paradigm opened up fresh approaches to the phenomenon of decadence and decline of the Roman world. As such, it stands against traditional scenario of the “triumph of barbarism and Christianity”, which was made responsible for the fall of the Roman Empire and the eclipse of the classical civilization of ancient Greece and Rome. It is not by accident that the new paradigm appeared around the middle of the 20th century, at the time when European society itself underwent a kind of “democratization of culture”, faced with the phenomenon of mass culture and the need to find new ways of evaluating popular art. Today, more than anything else, the notion of “democratization of culture” in late Roman Empire forces us to acknowledge a disturbing correspondence between autocratic and populist forms of government. It may come as a shock to learn that the very emperors who went down in Roman history as villains and culprits (such as Caligula, Nero or Commodus), were sometimes considered the most “democratic” among Roman rulers. Do we need to feel certain unease at this historical parallel?
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 145-158
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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