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Wyświetlanie 1-2 z 2
Tytuł:
Przedstawienie irańskich końskich pancerzy w azerbejdżańskim romansie Varqa i Gulshah z początku 13 wieku. O sasanidzkiej? genezie elementu końskiego oporządzenia w okresie seldżuckim
Depiction of Iranian horse barding in the early 13th century Azerbaijanian epic, Romance of Varqa and Gulshah. On Sasanian origin of horse protection in the Seljuk period.
Autorzy:
Kubik, Adam
Powiązania:
https://bibliotekanauki.pl/articles/517644.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Sassanian Persia
Iran
History
Archaeology
Late Antiquity
Relief
Opis:
The richly illustrated 13th century Seljuk manuscript Varqa and Gulshah from Azerbaijan provides a number of lavish miniatures, some depicting armored warriors riding horses covered with richly decorated caparisons. The illustrations show that the long caparisons were multi-layered, an indication that they were designed to provide offer some protection for the mounts. Despite the scholars’ opposing opinions, the author maintains that caparisons were well established in Islamic armies as attested by literary sources and iconography. Moreover, the existence of rich terminology concerning different types of horse armor clearly evidences the relative popularity of horse protection. Although the bardings had been were known in by various cultures for in the millennia before the Seljuks, however, the direct inspiration for the appearance of caparisons at that time should must be associated with the Sasanian tradition. Furthermore, the article discusses protective properties qualities of caparisons in which these were provided in a variety of fashions. Firstly, protection was provided could be afforded simply by padding consisting of using a number of textile layers. For instance, metallic armor such as maille or leather armor such as lamellar could have been were stitched into the padded or fabric barding. The – the former is attested in the Islamic world but can be traced back to earlier Iranian traditions.; The evidence for the latter type comes is evidenced from Firuzabad reliefs. However, scattered metal plates attached to the caparisons in random patterns, do not seem to have had any protective function; value they and were merely a the part of decoration. Post-Sasanian origin of Seljuk protective caparisons should be found well evidenced and most probable.
Źródło:
Historia i Świat; 2014, 3; 61-71
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bronze mace with three rams heads from Ashmolean Museum, University of Oxford
Autorzy:
KUBIK, Adam Lech
AHMAD, Shah Nadeem
Powiązania:
https://bibliotekanauki.pl/articles/517619.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Central Asian Beliefs
Late Antiquity
Maces
Military History
Sasanian Beliefs
Sasanian Warfare
Sceptres
Opis:
The present study brings to light a new Sasanian mace in the Ashmolean Museum in Oxford, England, acquired in 1971 from the Bomford Collection. The bronze mace head is in the shape of three ram heads, has an iron shaft, and a bronze pommel in the shape of a hand holding a ball. The mace incorporates several important decorative motifs – the ram heads which can be linked to the royal farr and to Central Asian visual language; the pearl necklace which is another symbol of the royal farr, and the triple dot motif which may have links to the star Tishtriya, to Apam Napat, or to Buddhist symbolism. In addition to these elements there is the hand motif, whose meaning is still unknown but might be linked to Asian symbolic hand gestures. The mace or scepter was an important element of royalty and of religion in Iran and Central Asia and the example in the Ashmolean museum is an important addition in the study of Iranian visual language and royal image in the specific context of Indo-Iranian mutual influence. In the present authors' opinion, the present mace is likely to date, based on relations with other objects, from the 5th - 7th Centuries and is likely to originate from Eastern-Iran or is rooted in Eastern-Iranian artistic tradition.
Źródło:
Historia i Świat; 2015, 4; 157-174
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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