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Wyświetlanie 1-2 z 2
Tytuł:
Književnopovijesni modus procedendi Julija Benešića u zbirci Poljska lirika
Literary-Historic Modus Procedendi of Julije Benešić in the Collection Polish Lyricism
Autorzy:
Rogić Musa, Tea
Powiązania:
https://bibliotekanauki.pl/articles/487268.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Julije Benešić
Poljska lirika
Današnja Poljska
Croatian-Polish Literary Relations
| Julije Beneśić
Poljska lirika, Danasnja Poljska
hrvatsko-poljske knjiżevne veze
Opis:
Tijekom cijeloga svojega filoloskoga vijeka Julije Benesić prevodio je sustavno dvije vrste tekstova: remek-djela kanonskih poljskih pisaca (nad kojima je radio godinama i stalno ih prepravljao), smatrajući to svojim najvaźnijim knjiżevnim i kulturno- posrednickim poslom, no preveo je i niz kraćih djela, u hrvatskoj sredini slabije poznatih autora, kojima se bavio iz polonofilskoga nagnuća. U prevoditeljskom opusu posebno mjesto ima Poljska lirika, hrestomatija pet stoljeća poljske knjizevnosti, pothvat kojim je ujedinio i ostvario sve prevodilacke ciljeve, komunikacijske, pragmaticne, estetske i spo- znajne. Uza predgovor u zbirci, za razumijevanje Beneśićeva pogleda na povijest poljske knjiżevnosti vażni su i njegovi clanci u danas raritetnoj zbirci Danasnja Poljska, napose Poljska knjizevnost u borbi za slobodu i Slavenska ideja u Poljaka, te clanak Nacionalizam i patriotizam u knjizevnosti. Polazeći od pretpostavke da se ne może precijeniti vażnost Beneśićeve uloge u hrvatsko-poljskim vezama, pokuśat će se donijeti zakljucak, na temelju navedenih tekstova, u kojoj je mjeri Beneśićev prevoditeljski izbor i povjesnicarski posao u kulturnom posredovanju uspio, odnosno je li korespondirao s temama vażnima za hrvatsko knjiżevno i druśtveno okrużenje, i njegova, meduratnoga, i naśega doba.
During his entire work in philology Julije Beneśić had systematically translated two types of texts: masterpieces of canonical Polish authors (on which he had worked for years, constantly rewriting them), considering them to be his most important work as an author and as a cultural mediator, however he also translated a series of shorter works of authors who were not famous in Croatia, which he undertook out of his polo- nophilic tendencies. In his work as a translator, Polish Lyricism, a chrestomathy spanning five centuries of Polish literature, holds a special place. It is an undertaking that united and achieved all translational goals, communicative, pragmatic, aesthetic and cognitive. Along with the preface to this collection, for a better understanding of Beneśics view on the history of Polish literature, his articles in a hard-to-find collection Poland Today are also important, especially Polish Literature in the Struggle for Freedom and Slavic Idea among the Poles, as well as the article Nationalism and Patriotism in Literature. Starting with the assumption that Beneśics role in Croatian-Polish connections cannot be overestimated, we will try to come to a conclusion, based on the aforementioned texts, to what extent were Beneśić’s choice as a translator and his work as a historian successful, i.e. did they correspond with topics important to the entire croatian literary and social environment of his, interwar, period, as well as our own period.
Źródło:
Przekłady Literatur Słowiańskich; 2018, 9, 1; 249-264
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Protumodernost modernoga – pjesnički protusvijet Julija Benešića
Counter-Modernism of the Modern – the Poetical Counter-World of Julije Benešić
Autorzy:
Rogić Musa, Tea
Powiązania:
https://bibliotekanauki.pl/articles/636212.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Julije Benešić
free verse
Croatian modernism
Opis:
This article deals with the poetry of Julije Benešić (his collection Istrgnuti listovi – Torn Pages) in the context of Croatian modernist poetry based on three assumptions: the first, deductive one is that Benešić’s literary, literary-historical, theatrical and public personality is a potential metonymy of the entire Croatian culture of the first two decades of the 20th century; the second, literary-historical assumption is that the choice to use free verse can be read as a counter-modernist gesture against rationalism and structure of rhymed verse of Croatian modernist poetry; third, from the cultural-historical point of view, it is assumed that Benešić’s poetical profile is a reflection of his counter-modernist attitude that was shaped beyond the dominant poetical practices of modernism. The goal of this presentation is as much a cultural-historical as it is a literary-historical one, aimed at proving a thesis by which a small poetical contribution by Julije Benešić is synecdoche for the condition and the atmosphere of Croatian culture of the late modernism and the first interwar years. The notion of counter-modernism is historiographically restricted here and encompasses Benešić’s disputing statements in relation with the dominant paradigm in synchrony with the modernist period. The choice of free verse is understood as a statement of notion about the restraints of the poetics of rhymed verse of Croatian modernism. Since free verse was not part of the canon at the time, Benešić tried to use it to legitimize his own work and democratize the system of poetical competencies.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 221-235
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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