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Wyświetlanie 1-3 z 3
Tytuł:
Perswazyjna funkcja gestu ujmowania pod kolana w Iliadzie Homera
Autorzy:
Chruściak, Ilona
Powiązania:
https://bibliotekanauki.pl/articles/1186780.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Homer
Iliad
gesture
nonverbal communication
persuasion
knees
Opis:
The aim of this paper is to examine the gesture of clasping someone’s knees in act of supplication, which occurs several times in the Iliad. The singer applies this gesture, which must have been well known to the Homeric public, into the crucial and highly emotional scenes of the epic. The gesture of clasping someone’s knees originates from the battlefield and occurs in a variety of forms within the narrative. The paper traces the multiformity of the gesture and its evolution in oral poetry. It could be considered as a ritual gesture with a forceful persuasive power: one may state that the effective plea of the epic hero ought to incorporate the supplicant’s gesture.
Źródło:
Załącznik Kulturoznawczy; 2018, 5; 143-156
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A New Voice for an Ancient Story: Speaking from the Margins of Homer’s Iliad in Madeline Miller’s The Song of Achilles
Autorzy:
Struzziero, Maria Antonietta
Powiązania:
https://bibliotekanauki.pl/articles/2049073.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Madeline Miller
Achilles
Patroclus
Homer
hypertextuality
Iliad
re-writing
trauma
love
death
Opis:
Madeline Miller’s The Song of Achilles (2011) is an imaginative rewriting of Homer’s Iliad. The writer uses the strategy of transfocalization and enters the text from the point of view of Patroclus. His fresh look offers a new critical perspective both on the moral world of the epic and on Achilles, the great Greek hero whose complex personality and tragic hubris Patroclus observes with emotional understanding. Miller transforms the Homeric sparing narrative of the friendship between Patroclus and Achilles into a touch- ing love story built on their mutual devotion, and locates this narrative at the heart of a world of ruthless violence. This paper will consider the writer’s use of hypertextual adap- tation in the novel from the perspective of the change in the narrative focus of the source, and discuss her objectives and methodology.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(1); 133-152
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il ruolo del sacerdote in Omero
The Role of the Priest in Homer
Autorzy:
Bologna, Orazio Antonio
Powiązania:
https://bibliotekanauki.pl/articles/1929073.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
rola kapłana
Chryzes – kapłan Apollina
Chryze – sanktuarium Apollina
wojna trojańska
Homer
Iliada
Odyseja
the role of the priest
Chryses – priest of Apollo
Chryse – the sanctuary of Apollo
the Trojan War
Iliad
Odyssey
Opis:
In this short work we mention the different roles played by the priest and by the king in the religious and political fields. At the time of Homer these two figures were distinct, but, not infrequently, were in violent opposition, as we read in the first canto of Iliad. In ancient times, however, the religious duties, along with political ones, were concentrated in the hand of one man, as we deduce from passages of Homeric poems, from hints to the places of Hesiod and from vestige of the ancient East world. In the course of time, however, the King is interested, exclusively, in politics and the priest in religion, so that, with the passing time, they become two separate entities, each in its specific role. But often the priest, strong of his influence on the masses and on the same king, centralizing the powers in his person, passes his limits, and to reach one’s aims, invokes the curse and the revenge of the gods on his antagonist, until to humiliate him in front of his subjects.
Źródło:
Roczniki Humanistyczne; 2012, 60, 3; 5-20
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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