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Wyświetlanie 1-2 z 2
Tytuł:
Holocaust Reminiscenses in Digital Media Culture and Cultural Institutions (Development of Critical Thinking and Media Literacy)
Autorzy:
Moravčíková, Erika
Jakubovská, Kristína
Jakubovská, Viera
Hudecová, Ingrida
Powiązania:
https://bibliotekanauki.pl/articles/52495235.pdf
Data publikacji:
2023
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
Collective Memory
Critical Thinking
Cultural Institution
Holocaust
Media Literacy
Reminiscence
Opis:
The authors of the article analyse the problem of individual and collective memory through the prism of The Holocaust reminiscence. They are aware that we are living in a time when living memories of the grave crimes and catastrophes of the 20th century are fading away, as well as the complex political, social and cultural processes, taking place at present, are becoming intensified in the context of the War in Ukraine. These events and processes once again highlight the social importance of individual and collective memory and the need for its conscious formation through media and intercultural education. The aim of the authors’ endeavour is to explore four forms of The Holocaust reminiscence, : 1/ reminiscence in the form of reconstruction (authentic representation of the past); 2/ reminiscence as (re)interpretation (remembrance that refers to the past but is interpreted in the context of current findings); 3/ reminiscence as prevention and civic engagement (education and educational programmes that promote tolerance and moral qualities); 4/ reminiscence as a tool for cultural identity formation (forming collective identities and promoting social inclusion). The study will include interpretations of selected works from the field of performing arts and case studies from media culture. Attention will also be focused on particular proposals for media-educational and cultural-pedagogical activities which can be used in cultural institutions and in media education in order to develop media literacy and critical thinking.
Źródło:
Media Literacy and Academic Research; 2023, 6, 1; 139-154
2585-8726
2585-9188
Pojawia się w:
Media Literacy and Academic Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„I will survive” – reprezentacja Holocaustu w sztuce współczesnej
„I will survive” – Representation of the Holocaust in Contemporary Art
Autorzy:
Maciudzińska-Kamczycka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/919851.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
(critical) art
memory
public space
Christian Boltanski
Shimon Attie
Rafał Jakubowicz
Rafał Betlejewski
Opis:
 Jane Korman, a Jewish artist, filmed the video „Dancing Auschwitz” on a trip to former concentration camps with her three children and her father, Adolek Kohn, who is a Holocaust survivor. The film shows three generations of an Jewish family dancing to the Gloria Gaynor song “I Will Survive” in front of Holocaust land marks in Poland, including infamous rail tracks and “Arbeit Macht Frei” sign and a memorial in Łódź, where Adolek Kohn and his wife spent most of his youth during World War II. This video is a demonstration of the will to survive. Moreover, Korman’film shows other places in Poland like The Main Market Square in Kraków, a Polish synagogue or one of the bus station from eastern Poland. These places may represent the sites and the traces of the History in the contemporary Polish reality which has been radically transformed after Auschwitz. Memories are a way to remain connected to the past. The great power of the images, the clichés of the unimaginable trauma of the Holocaust, is still in our imagination and in the landscape of Polish cities. In my presentation I will not only try to explain the abovementioned case but I will focus also on some others examples of the idea. One of the Polish projects that bring about associations with the Holocaust and the memory of Nazi camps is „Swimming Pool” („Pływalnia”, 2003) by Rafał Jakubowicz (projection, two videos, postcard). By projecting the Hebrew equivalent of the word „swimming pool” on the wall of the former synagogue (in 1940 the Nazis converted synagogue into a swimming pool for the Wehrmacht), the artist managed to reactivate this place, to revive its memory and transform it into a living monument. In his video, entitled „Swimming Pool”(13 min.), Jakubowicz is showing the interior of the building that provokes the associations with the concentration camps.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 83-105
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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