- Tytuł:
- Przeświecanie idei Boga w sztuce, czyli o symbolice katedry gotyckiej w Nostalgii Andrieja Tarkowskiego
- Autorzy:
- Przybysz, Hanna
- Powiązania:
- https://bibliotekanauki.pl/articles/2131270.pdf
- Data publikacji:
- 2021-09-01
- Wydawca:
- Polskie Towarzystwo Religioznawcze
- Tematy:
-
Andrei Tarkovski
Nostalghia
the idea of God in art
Hegel
symbolism of light
Gothic cathedral
mysticism in art film
metaphysics in art film - Opis:
- “Nostalghia” (1983) by Andrei Tarkowski is an outstanding materialization of Hegel’s concept of a work of art. Te flm is that pretense which is a bridge between perceptually perceptible matter and inexpressible idea. It is a work of art that, in a mediated way, abolishes the dialectics of sensory and conceptual experience and becomes in itself a beauty shining through a metaphysical, even mystical thought, elusive and elusive. Nothing essentially defnes Tarkowski’s cinema, and in particular “Nostalgia”, whose main symbolic heroine is a gothic temple that embodies the idea that shines through through the symbolism of light. Inexpressible for centuries, intuition of the Soul, God, Creator – is realized through the gothic cathedral. Tere is a great return to the sources, to the Absolute – to the worlds of Plato, Pseudo-Dionysius Aeropagita and divine light. Te idea behind Tarkowski found a material, architectural medium, which with its majesty expresses the heart and soul – speaking in silence with eternity. Perhaps a work of flm art, as a synthesis of arts, can be the most perfect medium known to man, which allows, by uniting a variety of rich means of expression, to capture and visualize the inexpressible. Te idea of God.
- Źródło:
-
Przegląd Religioznawczy; 2021, 3/281; 55-66
1230-4379 - Pojawia się w:
- Przegląd Religioznawczy
- Dostawca treści:
- Biblioteka Nauki
Artykuł