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Wyszukujesz frazę "Stefan Witwicki" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Chopin and the Warsaw literati - part two
Autorzy:
Nowicka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/780415.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fryderyk Chopin
Stefan Witwicki
Dominik Magnuszewski
aesthetics of early romanticism
folk tradition
fragment
generation
Opis:
Chopin’s life in Warsaw fell at a time of important phenomena and processes in history, the arts, aesthetics, etc. This article deals with the artistic and social milieu to which the composer belonged and looks at the question of the common artistic imagination and aesthetic ideas elaborated within that environment, based on the example of Chopin and two poets: Stefan Witwicki and Dominik Magnuszewski. Chopin’s relationship with Witwicki, which gave rise to his songs to the poet’s texts and lasted into their time in exile, is considered in respect to discussion on folk culture that was on-going at that time. That culture was treated as a sign of the nobly archaic or else as a manifestation o f modern art, of the “art of the future”. These convictions did not function as alternatives; their overlapping characterised various aspects of early romanticism. The output of Magnuszewski, meanwhile, shows the transformation of traditional figures of rhetoric into Romantic means of expression. It displays a style of writing that constitutes an act o f Romantic hermeneutics in respect to the language of tradition. Avoiding simple comparisons of works of very different artistic level and significance, the author analyses Chopin’s relationships with the two poets by reference to the generational experience - as variously understood - of creative artists born during the first decade of the nineteenth century, which connected artists of different levels of talent and varying individual fortunes.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 31-52
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Napłakać się z Chopinem. Stefana Witwickiego śpiew przez łzy
Crying with Chopin. The sorrowful songs of Stefan Witwicki
Autorzy:
Łoboz, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2012712.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Stefan Witwicki
Fryderyk Chopin
pieśń
romantyzm w muzyce
muzyczność literatury
song
the Romantic trend in music
musicality in literature
Opis:
The article focuses on the artistic collaboration of the Romantic poet Stefan Witwicki with Frederic Chopin. Chopin’s compositions called Polish Songs  (op.74) are the most noteworthy example of the correspondence of music and literature in Polish Romanticism. The first seven songs inspired by Witwicki’s lyrics were created between 1828 and 1831 (the composer, however, had never played them during his concerts). The fact that Chopin’s songs combine both the sentimental and the insurgent tradition is essential for the understanding of the compositions. The interpretation of the selected poems of Witwicki shows that one can distinguish at least three types of nostalgia present in his works. They are as follows: nostalgic love, the nostalgic feeling connected with the collapse of the November Uprising and nostalgia caused by parting with family. It was observed that  Chopin and Witwicki easily succumbed to the feeling of nostalgia. Witwicki dedicated his Pastoral Songs to Chopin in 1830 and the composer began to write music for ten of Witwicki’s songs. His first composition was called The Wish. After leaving Warsaw, Chopin continued his work and composed A Fickle Maid, The Messenger, The Warrior, Drinking Song, Witchcraft. Other songs such as Troubled Waters, The Bridesgroom Return, The Ring, and Spring were written in Paris in the years 1838 – 1840. Witwicki’s death in 1847 came as a great shock for Chopin, he often complained about his loneliness. The close relationship of Chopin and Witwicki manifested itself not only in their artistic collaboration but also in their private lives.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 363-379
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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