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    Wyświetlanie 1-2 z 2
    Tytuł:
    The Role of Jane Wilhelmina Stirling in Fryderyk Chopin’s Life and in Preserving Memory and Legacy of the Composer
    Autorzy:
    Pieńkowska, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/513928.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    Jane Wilhelmina Stirling
    Fryderyk Chopin
    Romantic music
    Chopin’s heritage
    Opis:
    The role of Jane Wilhelmina Stirling in Fryderyk Chopin’s life as well as in preserving his legacy is nowadays underestimated. Jane Stirling was not only Chopin’s pupil, but also his patron. She organized a concert tour to England and Scotland for him and tried to support the composer financially. Moreover, she defrayed the costs of the composer’s funeral and erecting his gravestone. After his death, she focused on what Chopin had left passing away. It is thought that she purchased most of the items from his last flat; she acquired also the last piano the composer had played. She tried to protect the autograph manuscripts he had left, and attempted to arrange the publication of compositions that had been retained only in a sketch form.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2017, 1(32) Eng; 5-27
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Slowacki’s Chopin
    Autorzy:
    Seweryn, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/780413.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Juliusz Słowacki
    Fryderyk Chopin
    music
    literature
    Romantic poetry
    Slowacki’s letters to his mother
    Romantic melancholy
    Opis:
    Supposed analogies between Fryderyk Chopin and Juliusz Słowacki form a recurring thread that runs through the subject literature o f Romantic culture. Legions of literati, critics, literary scholars and musicologists have either attempted to find affinities between Chopin and Słowacki (on the level of both biography and creative output) or else have energetically demonstrated the groundlessness of all analogies, opinions and assumptions. Consequently, stereotypes have been formed and then strengthened concerning the relations between the two creative artists, particularly the conviction of Slowacki’s dislike of Chopin and his music, which - in the opinion of many scholars - the poet simply did not understand. Considerations of this kind most often centre on a famous letter written by Słowacki to his mother in February 1845. However, a careful reading of this letter and its comparison with Slowacki’s other utterances on the subject of Chopin shows that opinions of the poet’s alleged insanity, petty-mindedness or lack of subtlety in his contacts with Chopin’s music are most unjust. The analysed letter is not so much anti-Chopin as anti-Romantic. It inscribes itself perfectly in the context of the thinking of “the Słowacki of the last years”, since the poet negates crucial aesthetic features o f Romantic music, but at the same time criticises his own works: W Szwajcarii [In Switzerland] and, in other letters, Godzina myśli [An hour of thought] and the “picture of the age”, the poetical novel Lambro. It also turns out that what Słowacki says about the polonaises tallies with the opinions of musicologists and musicians writing about “late Chopin”.
    Źródło:
    Interdisciplinary Studies in Musicology; 2010, 9; 53-68
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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