Temat: French poetry - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Come tradurre Białoszewski? Considerazioni a margine di alcuneversioni italiane, francesi e russe
Autorzy:: Pascale, Lucia
Powiązania:: https://bibliotekanauki.pl/articles/2081220.pdf
Data publikacji:: 2017
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Miron Białoszewski
poetry
translation
Polish
Italian
French
Russian
Opis:: How to translate Białoszewski? Remarks on selected Italian, French and Russian translations – The article aims at analysing the translation of Miron Białoszewski’s poetry through the comparison of the Italian, French and Russian versions of some of his works. Before dealing with this matter, some brief references are made to the author’s biographical profile and poetics – which are an indispensable premise to study his poems. Then the reception of Białoszewski as a poet in Italy, France and Russia is shortly considered.
Źródło:: Kwartalnik Neofilologiczny; 2017, 4; 477-487
0023-5911
Pojawia się w:: Kwartalnik Neofilologiczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Sztuka poetycka Mariana Pankowskiego — między żywiołem polskim i frankofońskim
Marian Pankowski’s art of poetry: between Polish and Francophone environment
Autorzy:: Walczak-Delanois, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/690273.pdf
Data publikacji:: 2015
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Marian Pankowski
Sanok
Bruksela
matka
poezja
wiersz
tłumaczenie
język francuski
zmysły
ciało
obraz
Brussels
mother
poetry
poem
translation
French
senses
body
image
Opis:: Marian Pankowski’s (1919–2011) literary output is rich in all literary genres. Nevertheless, relatively little has been written on his poetry, which is the subject of this study. Shaped by his personal experience, both as a human being and as a reader, Pankowski’s poems reflect the clash he is facing everyday trying to master French and become a part of the French-speaking world. In his lyrical, carefully thought out form (alliterations, metaphors, similes), which is an explicit reference to the avant-garde and to a Polish group of experimental poets “Skamander”, there is no place for talkativeness present in prose. The analysis of some pieces of Pankowski’s less known or even unknown poetry presented in this study proposes an alternative way of reading his literary texts. The authoress points out some poetic images build upon sensuous, yet controlled, perception of the world, based mainly on the sense of hearing and sight. The sense of touch, however, is completely suppressed, as if suggested by intensifying the sense of sight. For the poet, his own corporality is a taboo. Therefore, he seems to be transposing it into the represented word. Pankowski’s poetry, unjustly associated only with his early works, is worth getting acquainted with. It is interesting, instructing and intriguing with its plasticity and language.
Źródło:: Prace Polonistyczne; 2015, LXX; 233-259
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: L’image de la France et des français dans l’histoire et la culture Polonaise dans la première partie du XIXe siècle
The image of France and French in Polish literature from 1812 to 1864.
Autorzy:: Krawczykowski, Anaïs
Powiązania:: https://bibliotekanauki.pl/articles/690342.pdf
Data publikacji:: 2015
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Literature
History
Linguistic
Romanticism
Stereotype
Image
France
French
Polska
Polish
Paris
Belgium
Brussels
Wielka Emigracja
Adam Mickiewicz
Juliusz Słowacki
Napoléon Bonaparte
Testimony
Poetry
Literatura
historia
lingwistyka
Romantyzm
obrazy
stereotypy
Francja
Francuzi
Polska
Polacy
Belgia
Bruksela
Paryż
Napoleon Bonaparte
świadectwa
poezja
Opis:: This master thesis focuses on the vision the Poles had of France and French folk from 1812 and 1864. As seen in the work, those two dates coincide with landmarks in Polish history. The conclusion shows that stereotypes are numerous and very often contradictory, yet, it is obvious that France and French are occupying a significant place in polish literary life at that time. The study includes text analysis (mostly in Polish), contemporary testimonies, as well as few pictures analysis. In a first part, Poland between French influence and interference, we will see what images of France and French, the Poles built on the basis of linguistic borrowings and the adoption of a certain style of life « à la française ». The second part, Napoléon I in Polish imaginary: « Prometeusz czy Atylla ? » deals with the perception the Poles have of Bonaparte, probably the most famous and emblematic French personality at that time. The third part, the image of France and French seen through the Polish emigration (Wielka Emigracja) is about the common destiny of the Polish and the French nation throughout the XIXth century.
Źródło:: Prace Polonistyczne; 2015, LXX; 157-176
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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