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    Wyświetlanie 1-3 z 3
    Tytuł:
    Individualization and Oedipalization in Reza Servati’s Adaptation of William Shakespeare’s Macbeth: An Expressionist Reworking
    Autorzy:
    Javidshad, Mahdi
    Powiązania:
    https://bibliotekanauki.pl/articles/1812149.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Shakespeare
    Servati
    adaptation
    minimalism
    Expressionism
    Opis:
    This article investigates Reza Servati’s Macbeth, an Iranian prize-winning adaptation of Shakespeare’s Macbeth, to discuss the way the adaptor prunes the source text aiming at presenting his distinctive reading of Shakespeare’s play. First, this study is concerned with the way Servati minimalizes the source text and how the process of minimalization serves the adaptor’s preoccupation with the psychological complexities of the characters. Second, it is discussed how Servati’s changes to the source text takes the Renaissance inclination for individualism a step forward. Third, it is argued that the individualism in Servati’s adaptation is aimed at Oedipalization of the play, an attempt that shows the influence of Freudian psychoanalysis. Finally, this article investigates the way Servati’s adaptation can be considered as an expressionist reworking of Shakespeare’s Macbeth by making the individualization of the plot subservient to the expression of the typical course that everyman goes through.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 127-142
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Expressionistic Eidology: Paradigm of the Archetype
    Autorzy:
    Âstrubecka, Galina Ìvanìvna
    Powiązania:
    https://bibliotekanauki.pl/articles/441063.pdf
    Data publikacji:
    2013
    Wydawca:
    Fundacja Naukowa Katolików Eschaton
    Tematy:
    Expressionism
    stylistic universal
    eidology
    archetype
    tanatography
    V. Stefanyk
    V. Pidmohylny
    Opis:
    The article “Expressionistic Eidology: Paradigm of the Archetype” is part of the research project - “Expressionism in Ukrainian Literature”. The aim of the study is to highlight the archetype as an expressionistic and stylistic universal. Expressionism has been treated here primarily as poetics, with the focus on the aesthetic nature of the word and on the author’s spiritual intentions. The objective of the article has been to broaden and complement the scope of representations about theoretical fundamentals of expressionism in literature. It enhances the chance of a deeper understanding of the nature and character of this artistic phenomenon. First of all, it has been brought about by the shift of literary vectors in the axiological expressionistic paradigm from the universal, ontological basis and of the role of the phenomenon to social and historical grounds; consequently, it results in the of narrowing the semantic and chronological scope of expressionism. The methodological background of the research draws upon the studies by Ukrainian and European scholars such as V.Budny, O.Valtsel, H.G.Gadamer, C.P.Estes, M.Ilnytsky, U.Kovaliv, M.Moklytsia, R.Pihmanets, L.Ushkalov, I.Franko. The structural-typological method is used for writing this article. The key findings of the research comprise emphasis on expressionism as poetics with focus on the aesthetic nature of the word and the author’s spiritual intensions. The article highlights the idea of literary expressionism as a certain primal essence established in the profundity of human spirit, independent of conscious activity, and of social and historical conditions, but it is objectified via a human being (an artist) due to intensive inner work that is reflected in the fundamental changes of the structure of consciousness. The article underlines the paramount importance of the archetype for expressionism as a unique opportunity to reach the ultimate expression of feelings, emotions and experience concentrated in one entity as evidence that a person is receptive to mystical powers which create the universe and it proves that the celestial idea as a regulatory standard is hidden in expressionism. The Life-Death antinomy is represented as one of the dominant units in the archetypal system of expressionism; since it creates the most emotional intensity and increases the dynamics of the text. To support these ideas the phenomenological data from the works of Ukrainian prose writers such as Vasyl Stefanyk (1871-1936) and Valerian Pidmohylny (1901-1937) have been used. The results of the research focus on emphasizing one of the expressionistic universals such as the archetype, and on finding the motivational statement of this idea through analysis of V.Stefanyk and V. Pidmohylny’s conceptual foundations. The results of the research may be employed in the study of literary theory and history of literature as well as might be of use for further development of literary studies (for scholars and students). The novelty of the article includes recognition and evaluation of the archetype as one of the fundamental categories in literary expressionism.
    Źródło:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 105-116
    2299-9922
    Pojawia się w:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Interwar works by Izrael Lejzerowicz in the context of the “new art” milieu’s accomplishments in Łódź
    Autorzy:
    Gadowska, Irmina
    Powiązania:
    https://bibliotekanauki.pl/articles/593808.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Jewish art
    Lejzerowicz
    art in Łódź
    Expressionism
    religious syncretism
    sztuka żydowska
    sztuka w Łodzi
    ekspresjonizm
    synkretyzm religijny
    Opis:
    The article attempts to demonstrate associations between works by Izrael Lejzerowicz and avant-garde artists working in Łódź during the interwar period. Lejzerowicz's painting is sometimes connected with a trend called Jewish Expressionism, although many of his works are closer to Symbolism or even to naturalism. However, this text concerns only those artist’s paintings and drawings that reveal his fascination with new directions in the art of the first half of the twentieth century: Expressionism, Cubism, Futurism and even Constructivism.
    Artykuł stanowi próbę wykazania związków pomiędzy twórczością Izraela Lejzerowicza i innych awangardowych artystów działających w Łodzi w okresie międzywojennym. Malarstwo Lejzerowicza łączy się niekiedy z nurtem tzw. żydowskiego ekspresjonizmu, choć wiele z jego prac bliższych jest symbolizmowi czy wręcz naturalizmowi. Niniejszy tekst dotyczy jednak wyłącznie tych obrazów i rysunków artysty, w których ujawniają się jego fascynacje nowymi kierunkami w sztuce I połowy 20 wieku – wspomnianym już ekspresjonizmem, kubizmem, futuryzmem a nawet konstruktywizmem.
    Źródło:
    Art Inquiry. Recherches sur les arts; 2017, 19; 205-219
    1641-9278
    Pojawia się w:
    Art Inquiry. Recherches sur les arts
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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