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Wyszukujesz frazę "Blanchot" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Testimony of Death: From Extermination Camps to Clinical Practice: A Discussion with Winnicott, Blanchot and Derrida
Autorzy:
Legrand, Dorothée
Powiązania:
https://bibliotekanauki.pl/articles/451367.pdf
Data publikacji:
2020-08-05
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
death
memory
extermination
psychoanalysis
Winnicott
Derrida
Blanchot
Opis:
Is there any witness to death? As detailed by Jacques Derrida, any testimony is detached from the direct perception of the event it reports. Thus, a testimony may report one’s encounter with death, not only with the death of the other, but also with one’s own death, even though it can never by experienced as such. In particular, reports from “survivors” ought to be taken un-metaphorically as they confront us with what Maurice Blanchot related as “the encounter of death with death.” In line with such testimonies, Donald Woods Winnicott helps us here in considering an “anterior death,” a death that already happened without being experienced as such and which may haunt the subject until it remembers it. But how may one remember a past that has never been present? And how may one remember death without dying? In dialogue with Maurice Blanchot, we are guided toward a manner of considering silence as an oblivious remembrance of that which can be brought back from death.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2020, 4, 2; 102-113
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Georges Bataille – wypowiedzieć Niemożliwe
Georges Bataille – Expressing the Impossible
Autorzy:
Kruszelnicki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1038673.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Georges Bataille
the Impossible
inner experience
language
Derrida
Blanchot
Opis:
The paper discusses Georges Bataille’s endeavor to express “the Impossible” by means of specific language employed first and foremost in his works of literary fiction (L’Histoire de l’oeil (Story of the Eye), Madame Edwarda, Le bleu du ciel (Blue of Noon). This is carried out by first providing a general outline of Bataille’s philosophical thought with due attention drawn to the aporias that open up before all projects of heterology inasmuch as they seek to both approximate and communicate the experiences that elude rational thought and language which traditionally works at its service. What follows is a description and explication of the literary and performative means which Bataille employs in his fiction in order to authenticate his depictions of the “inner experience” and the figure of “the Impossible”. Several of the most prominent theoretical approaches to the specificity of Bataille’s transgresssive écriture are referred to and further contrasted with the philosopher’s consistent dissatisfaction with the limitations that language and rational, sense-oriented thought poses to the task of voicing the essence of the “inner experience”. The article concludes with the argument that even literature cannot free itself from pragmatic utility resulting from the structural limitations of language. What literature can achieve, however, is to point to the Impossible and inexpressible, and endlessly invoke and respond to it. Regarded in this way, Bataille’s revelatory language can be considered in a wider, French poststructuralist context, which emphasises the position of Heidegger as a reference point for Derrida and Blanchot.
Źródło:
Przestrzenie Teorii; 2020, 33; 59-84
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koniec wieku poetów? O zszyciach literatury i filozofii
The End of the Age of Poets? Stitching Together Literature and Philosophy
Autorzy:
Zawadzki, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/32049694.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
logos and mythos
categories of philosophy
poetics
transcendentalism
dialectics
hermeneutics
deconstruction
Plato
Aristotle
Kant
Hegel,
Hegel
Dilthey
Nietzsche
de Unamuno
Heidegger
Adorno
Blanchot
Derrida
De Man
Ricoeur
Schegel
Novalis
Mallarmé
Opis:
The article presents an attempt to outline, from a mainly typological and partly historical perspective, what the author considers the most important varieties of the relationship between philosophy and literature (which is, of course, understood here in a working and broad sense, as poesis). In the first of these varieties, for which the fundamental significance is Plato’s gesture of excluding poets from the state, the philosophical logos defines itself in opposition to literature, or mythos. In the second, which appears to predominate from Aristotle to the 18th century, the relationship between philosophy and literature takes on a more neutral character: the former provides the latter with motifs, themes, topics, mainly related to moral philosophy in the broadest sense, while the latter provides the former with discursive modes, such as genre. Modern aesthetics and the philosophy and theory of literature (fundamentally different from the tradition of the great poets and rhetoricians of the 16th and 17th centuries), which emerged together with transcendental philosophy and its reception in German Romanticism, contributed both to the increased interest among philosophers in literature and to a clear embedding, or even closing, of literature in philosophical notions, which originated mainly in the tradition of transcendentalism and dialectical thought. Finally, the beginning of the twentieth century is distinguished, in most of the major continental philosophical traditions, by a tendency to seek, or to find, in literature the most important partner of philosophical thinking, and sometimes even the identity of philosophy.
Źródło:
Przestrzenie Teorii; 2022, 37; 121-144
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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