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    Wyświetlanie 1-4 z 4
    Tytuł:
    Niezwykły klejnot wiary, czyli o duchowej bliskości pietyzmu i Oświecenia. Na przykładzie poezji religijnej Hansa Adolpha Brorsona (1694–1764)
    The Rare Jewel of the Faith, That is On the Spiritual Ties Between Pietism and the Enlightenment — as Reflected in the Religious Poetry of Hans Adolph Brorson (1694–1764)
    Autorzy:
    Szelągowska, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/579116.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    pietism
    enlightenment
    Danish literature
    hymn
    Opis:
    This paper tries to present Pietism as a current and set of ideas linked to the Enlightenment, as a culture focused on individualism and “subjectification”, as well as on the need to dismantle the old authorities and hierarchies. Such a way of thinking is visible in the religious poetry at that time, with the Danish pastor Hans Adolph Brorson. His main work The Rare Jewel of the Faith (Troens rare Klenodie, 1739), a collection of hymns used in the Danish and Norwegian church till today, belongs to the canon of the Danish literature.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2017, 60, 4 (124); 111-124
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Canons and Contemporary Danish Literature
    Autorzy:
    Mai, Anne-Marie
    Powiązania:
    https://bibliotekanauki.pl/articles/1162433.pdf
    Data publikacji:
    2016-11-10
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    duński kanon kultury
    literary canons
    Danish literature
    Danish Educational Canon
    Danish Cultural Canon
    kanon literacki
    literatura duńska
    duński kanon edukacyjny duński kanon kultury
    Opis:
    This article deals with recent Danish literature in the light of the discussion about canons occasioned by the publication of the two ministerial canons: Undervisningskanon (Educational Canon, 2004) and Kulturkanon (Cultural Canon, 2006). The article argues that recent Danish literature challenges traditional work categories and the concept of the author on which the two canons are based, and discusses which works and texts in recent Danish literature ought to belong to a future canon.
    Źródło:
    Folia Scandinavica Posnaniensia; 2016, 19; 109-131
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Med sort humor om en sort fremtid. Om humorens rolle i nordiske dystopier
    With dark humor about a dark future. On the role of humor in Nordic dystopias
    Autorzy:
    Stahr, Radka
    Hastenplug, Anne Marlene
    Powiązania:
    https://bibliotekanauki.pl/articles/27314088.pdf
    Data publikacji:
    2021-06-18
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    dansk litteratur
    dystopi
    sort humor
    Danish literature
    dystopia
    dark humor
    Opis:
    This article analyses the relationship between black humor and dystopian literature. In dystopia, humor can appear on the surface as language or situational comics, but there is also a deeper link between these two literary phenomena: they confront the reader with an unexpected notion in order to bring him to a critical reflection. There are many dystopias in the Nordic literature that use comic elements. Three of them are discussed in this article: Axel Jensens Epp (1965), Lena Anderssons Duck City (2006) and Kaspar Colling Nielsens Den danske borgerkrig 2018–24 (2013). The analysis shows that classic black humor is enriched with other tragicomic, satirical or surrealistic elements and significantly contributes to the critical tone of the text. In all cases humor is used for the same purpose, and this is a critique of superior power (the so-called superiority theory). Therefore, humor can be considered not only as a stylistic means, but also as a principle of construction of the dystopian works.
    Źródło:
    Folia Scandinavica Posnaniensia; 2020, 29; 19-29
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kvindelige arketyper og kompositorisk sammensmeltning. Om nogle paralleller mellem Blixens fortælling ”De standhaftige slaveejere” og Munchs piktoriale model
    Female archetypes and compositional fusion. On some parallels between Blixen's short story “De standhaftige slaveejere” and Munch's pictorial model
    Autorzy:
    Stahr, Radka
    Powiązania:
    https://bibliotekanauki.pl/articles/27314167.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Karen Blixen
    Edvard Munch
    intermedialitet
    piktorial model
    dansk litteratur
    intermediality
    pictorial model
    Danish literature
    Opis:
    This article analyses the hitherto unexplored influence of Edvard Munch on Karen Blixen's work. Blixen was a great connoisseur of art and can therefore be assumed to have known Munch's work. In the short story “De standhaftige slaveejere” we find several parallels to the so-called “Munch's pictorial model”, i.e. a set of common features of his work (specifically his expressionist phase). Most striking is the similarity of the characters to those in Munch's painting Kvinden i tre stadier, which Blixen adopts both in terms of their appearance and their archetypal roles. She is particularly inspired by the colour connotations associated with the characters portrayed in the painting, and creates the figure of a beautiful and innocent girl in a white dress accompanied by an ascetic governess in black. Even the male character in Blixen's short story recalls Munch's archetype of the weak, melancholic man who is about to be destroyed by women. We also find a significant parallel in relation to the typical composition in Munch's paintings, where the individual figures are merged into one. Blixen makes use of this composition in the concrete description of the figures in her story; at the same time, on an abstract level, it is possible to interpret both figures as one multidimensional figure.
    Źródło:
    Folia Scandinavica Posnaniensia; 2022, 32; 4-18
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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