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Tytuł:
Naród, rodzina, męskość: literackie wizje czeskiego patrioty w XIX w.
NATION, FAMILY, MASCULINITY: LITERARY VISIONS OF A CZECH PATRIOT´S LIFE IN NINETEENTH CENTURY
Autorzy:
Filipowicz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/705124.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Nationalism
Masculnility
Czech literature
Opis:
It is the aim of this article to examine the relations between the conception of masculine bourgeois family life and Czech nationalism. This conception can be reconstructed on the basis of Czech literary production of the middle of nineteenth century. This research focuses on the period in which fundamental changes were taking place in European thinking on gender order also within family life. The article attempts to prove that this literary production was convincing the male readers that there was no possibility to combine being a family man and being a good Czech patriot.
Źródło:
Pamiętnik Słowiański; 2012, 62, 1-2; 43-58
0078-866X
Pojawia się w:
Pamiętnik Słowiański
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metaphysical Yearning – A Czech Tradition
Autorzy:
Galmiche, Xavier
Lipszyc, Adam
Sławek, Tadeusz
Mierzwa, Piotr Sylwester
Powiązania:
https://bibliotekanauki.pl/chapters/990962.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
alternative spirituality
religiosity
Czech culture
Czech literature
Catholicism
Opis:
This paper intends to give a wide panorama of alternative spirituality as a basic feature of modern Czech culture. Although the image of Czechia as the most dechristianized country in Europe is very popular, this must be considered a stereotype. Despite the fact that secularization of Czech society and culture has been a long-term process, the metaphysical thirst which could be manifested in the culture has not been eradicated. Instead, it has been redirected towards new forms of searching for transcendence. A fundamental episode of this reflection on religiosity took place in around 1900, when opportunities for spirituality beyond confession (any confession, not only the Catholic one) were considered and the role of Churches was questioned. It was also the time when original experiments were performed by artists in order to synthesize different spiritual ideas (e.g. František Bílek’s ‘mystical syncretism’). The author of this article argues that there is an ‘underground river’ of Catholicism in the relationship one can have with the sacred in everyday life. Analyzing different examples of literary works, he shows how Czech writers are rooted in spiritual tradition, even those who are not associated with this idea (e.g. Karel Čapek). Other examples of ‘classical’ Czech authors are also given in the text demonstrating how sensitive they were to spirituality and transcendence. Although such writers as Vítězslav Nezval reduced or marginalized spirituality, this tendency was balanced by artists who manifested their metaphysical needs (e.g. Vladimír Holan and his ‘metaphysical existentialism’). Different forms of spiritual experiences can be observed throughout the 20th century in Czech literature and they find echoes in the works of authors of the neo-avant-garde, for example in the post-baroque writing of Bohumil Hrabal.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 189-197
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gry z czasem, pamięcią i historią: O prozie Milady Součkovej [Games with time, memory and history: About the prose of Milada Součková]
Autorzy:
Woźniak, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/643811.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
memory
history
prose
Czech literature
avant-garde
Opis:
Games with time, memory and history: About the prose of Milada SoučkováThe article discusses selected short stories by the Czech avant-garde writer Milada Součková. The author presents a brief interpretation of certain primary themes in the writer’s work, such as the themes of memory and history as a kind of framework of Součková’s writing. Another aspect of the article indicates subjects related to specific historical events that constitute for Součková a backdrop for presenting so-called alternative history which is combined with the microcosm of the characters in her stories. Gry z czasem, pamięcią i historią: O prozie Milady SoučkovejW artykule omówione zostały wybrane opowiadania czeskiej pisarki awangardowej Milady Součkovej. Autorka szkicu przedstawia interpretację stałych motywów w twórczości tej pisarki, takich jak motyw pamięci i historii, jako swoistej klamry ujmującej pisarstwo Součkovej. Kolejnym aspektem artykułu jest wskazanie na funkcjonowanie wątków związanych z konkretnymi wydarzeniami historycznymi, stanowiącymi tło do zaprezentowania tzw. historii alternatywnej, łączącej się z mikroświatem przedstawionych postaci.
Źródło:
Studia Litteraria et Historica; 2017, 6
2299-7571
Pojawia się w:
Studia Litteraria et Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Milady Součkovej prywatne archiwum pamięci (na podstawie opowiadania Rok šestašedesátý ze zbioru Neznámý člověk)
Milada Součková’s Private Memory Archive (Based on the Short Story Rok šestašedesátý from the Collection Entitled Neznámý člověk)
Autorzy:
Woźniak, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/1068066.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
memory studies
Milada Součková
memory
Czech literature
Czech avant-garde
Opis:
This article presents an analysis of one of the short stories authored by Czech writer – Milada Součková: the short story Rok šestašedesátý included in the collection entitled Neznámý člověk (published in 1962, written in 1943). The introduction addresses the issues related to the clarification of the concept of a memory archive and the concept of the archive itself. Its characteristics, i.e. a certain arrangement of the collection, its permanent structure and three essential aspects of archiving are indicated: searching, saving and storing. These aspects are also typical of the structure of the analysed prose authored by Milada Součková. The next part of the article (Neznámý člověk as a private archive of memory) pertains to the entire above-metioned volume of the stories whose characteristic motif is the motif of memory linked with space, time and history. In the further parts of the article, the author goes on to the structural and interpretative analysis of the story she is interested in. She draws attention to such aspects as memory figures, i.e. time and space, thematic associations, memory carriers and memory traces and places. In conclusion, she draws attention to three components of the Milada Součková’s private memory archive: the memory of the language, the memory of the father and the memory of the historical events taking place in 1866.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 273-289
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Experience of Faith in Czech Literature after the Turn of 1989 on the Example of Angel by Jáchym Topol and Mefitis by Martin Komárek
Autorzy:
Sosnowska, Danuta
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/985674.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
postmodernism
anticlericalism
postsecularism
antiecclesiasticism
invisible religiosity
Czech literature
Opis:
After the turning point of 1989, the subject of religiosity was undertaken in Czech literature by the younger generation of writers born in the 1960s. Their presence on the literary scene was noticed at the time and described as a distinctive phenomenon. These writers dealt with religious ideas in a way that ignored Catholic dogmas, religious tradition and the instructions of the Church; they also mixed together religious threads derived from foreign cultures and cults, including non-European ones. These tendencies, as well as the characteristic literary forms preferred by the writers, such as pastiche, parody and irony, justified a postmodern interpretation of this literary topic. The postmodern reading, which is still popular, could be also related to the widespread millenarian moods of the 1990s. My paper aims to present a different interpretation of this phenomenon using the framework of postsecular thought. In this approach, the non-doctrinal, non-traditional descriptions of religious experience which can be found in Czech literature of the 1990s turns out to involve peculiar contact with the transcendental sphere, or a struggle for such contact, or an expression of metaphysical yearnings. The issue is raised of how such religious expressions belong to the modern experience of faith and how they belong to the Czech tradition of religiosity. In addition, two novels by Czech writers are analyzed as an example of the postsecular approach to the issue: Angel by Jáchym Topol and Mefitis by Martin Komárek.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 256-268
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyrk jako parodia komunizmu. Powieść "Kloktat dehet" Jáchyma Topola
Autorzy:
Siedlecka, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/677562.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Czech literature
communism
Prague Spring
circus
parody
Jáchym Topol
Opis:
Circus as parody of communism. Gargling with Tar by Jáchym TopolThis article deals with humanism in Jáchym Topol’s novel Gargling with Tar (Kloktat dehet, Prague, 2005). The Czech writer’s perspective is close to the concepts of German philosopher Peter Sloterdijk, who claims that the Romans were not only the authors of the idea of humanitas but also the inventors of bloody games such as circuses. In Topol’s novel, the circus is a holistic political project. The novel refers to the ideas developed in Russia in the 1920s, when a large number of circus theories and artistic manifestos were formulated. The circus was then officially recognised as the most important form of social entertainment (together with cinema) and it gained religious, aesthetic and political functions. By using the grotesque, fantasy and parody (Czechoslovakia as a giant circus), Topol’s novel creates an alternative narrative about the Prague Spring and “normalisation”. New meanings for notions such as progress, revolution and community are also revealed. Cyrk jako parodia komunizmu. Powieść Kloktat dehet Jáchyma TopolaArtykuł analizuje pojęcie humanizmu w powieści Kloktat dehet Jáchyma Topola (Praga 2005). Czeski pisarz jest bliski koncepcji Petera Sloterdijka, który pisał, że Rzymianie oprócz idei humanitas stworzyli także krwawe igrzyska – cyrki. W powieści Topola cyrk to projekt polityczny, w którym widać wyraźne nawiązania autora do koncepcji formułowanych od lat dwudziestych XX wieku w Związku Radzieckim, kiedy cyrk (obok kina) propagowano jako najważniejszą gałąź sztuki łączącą wszystkie grupy społeczne. Wykorzystując groteskę, fantastykę, ale przede wszystkim parodię (figura wielkiego cyrku socjalistycznego) autor Kloktat dehet buduje alternatywną historię Praskiej Wiosny i czechosłowackiej „normalizacji”, w której nowych sensów nabierają pojęcia postępu, rewolucji i wspólnoty.
Źródło:
Slavia Meridionalis; 2014, 14
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Several Narrative Strategies in Yiddish and Czech Stories
Autorzy:
Holý, Jiří
Powiązania:
https://bibliotekanauki.pl/articles/30148708.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Yiddish literature
Czech literature
Sholem Aleichem
Leybush Peretz
Ivan Olbracht
Ladislav Grosman
Opis:
This article deals with six short stories written in Yiddish and Czech analyzing their narrative strategies. In The German by Sholem Aleichem the limited first-person perspective of the story makes it impossible to look into the inner world of the German. Similar characters are presented in Aleichem’s Hard Luck and Elijah the Prophet. At the end of Hard Luck a dialogue breaks the limited perspective. The main character of Isaac Leybush Peretz’s The Shtrayml seems to be a type of naive narrator; in fact, in the last part of the story, he expresses the author’s irony and social criticism. The German by Aleichem probably inspired The Miracle with Julčaby Czech author Ivan Olbracht. Here, however, the protagonist’s perspective is sometimes extended by the author’s perspective. In Ladislav Grosman’s The Bride the contrast between the characters’ and the readers’ expectations is presented by the significant change of the narrator’s point of view. The peripheral narrator concentrated on private life becomes the author’s narrator who knows the future.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 24; 295-315
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Česky psaná literatura jako medium paměti (a zapomnění) Hlučínska
Czech Written Literature as a Medium of Memory [and Oblivion] of Hlučín Region
Autorzy:
Střelec, Karel
Powiązania:
https://bibliotekanauki.pl/articles/636177.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czech literature
collective memory
Hlučín Region
20th century ideologies
Opis:
The following paper is based on the concept of literature and mediality of memory (Astrid Erll) which deals with the function of literary texts in creating and maintaining collective memory. Using these methodological incentives, it focuses on the determination and characterization of ways in which Czech literary works co-create and preserve the memory of the 20th century Hlučín Region, as well as, vice versa, the ways involved in suppressing some layers of memory and oblivion. The area described is selected, inter alia, because of its discontinuous and multi-layered memory influenced by geopolitical changes in Central Europe. The study thus provides a more detailed view of how artistic literature, as a medium of collective memory, can function within the phenomena of the so-called abused memory and memory work (Paul Ricoeur).
Źródło:
Poznańskie Studia Slawistyczne; 2019, 16; 257-266
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Аксиология «Русского» В прозе Ярослава Рудиша
Axiology of “Russian“ in the prose of Jaroslav Rudiš
Autorzy:
Artemov, Andrej
Powiązania:
https://bibliotekanauki.pl/articles/1374162.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Jaroslav Rudiš
Czech literature
prose
axiology
Russia as a concept
Opis:
The article is devoted to the assessment of the “Russian” aspect in Czech history and culture based on the prose of Jaroslav Rudiš. Jaroslav Rudiš, one of the most prominent contemporary Czech writers, was born in Turnov (1972). Since the publishing of “The Sky under Berlin” (2002), his work has positively attracted the attention of critics and has won a wider community of readers, which is evidenced by several reprints of his books and a considerable interest in the new one. Jaroslav Rudiš distinguishes himself from the other modern Czech authors by the ability to soberly, aptly and relevantly describe the problems of contemporaries. His characters are people who personally experienced the “whiff ” of the history and felt changes in Czech society over the second half of the 20th century. Despite the fact that Rudiš does not write explicitly about Russia, does not talk about the eternal themes of Russian philosophy and culture and does not discuss positive or negative aspects of Russian influence on international politics, he shows the impact of the “Russian” aspect on the course of the newest Czech history quite accurately and ironically, although infrequently. Russia and the “Russian” in the prose of the author are mentioned in connection with the events in the lives of individual heroes who perceive the Russian aspect as given and periodically interacting with their lives depending on the circumstances. The views of his characters are ambiguous: they are not strictly negative with regard to important events, but they are not thoughtlessly positive, when the breathtaking spirit and depriving rational thinking of the wonderful creative ability of the Russian soul are praised. The tonality of Rudiš’s prose is comparable to Dovlatov’s irony of the “Reserve” or to the poetry of the Yerofeyev’s “Moscow − Petushki”. The study of Rudish’s prose was carried out by the method of excerpt from the available Czech texts of the writer. Axiological characteristics (more than 120 citations from 7 works of the author) relevant for representing the image of the “Russian” in Czech literature were analyzed from the point of view of imagological criteria.
Źródło:
Przegląd Wschodnioeuropejski; 2020, XI, 2; 227-238
2081-1128
Pojawia się w:
Przegląd Wschodnioeuropejski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neviditelná krajina v Nezvalově poezii 20. let
The invisible landscape in Vítězslav Nezvals po etry of the 1920s
Autorzy:
Čolakova, Žoržeta
Powiązania:
https://bibliotekanauki.pl/articles/908773.pdf
Data publikacji:
2018-08-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czech literature
poetry
landscape
Vítězslav Nezval
česká literatura
poezie
krajina
Opis:
What is noticeable in the 1920s, when Czech modern poetry and Vítězslav Nezval in particular express their avant-garde quests through the felicitous poetic program, is the aesthetic distancing from the romantic melancholy and respectively from the interpretation of landscape as an object of contemplation and a mediator between the human soul and the universe. The preference of poetism for civilization diversity and metropolitan dynamics and its superficial disregard for nature are the reasons why this aspect of Vítězslav Nezval’s poetry has remained outside the field of literary research so far. The main objective of this paper is to discover and outline the manifestations of artistic treatment of nature in Nezval’s poetry even when he denies its place in modern poetry in general. The paper focuses on those transformational processes of anti-mimetic nature through which the image of the landscape is no longer perceived as a reflection of the real entities of nature but as a fictional entity based on the principle of collage.
Źródło:
Bohemistyka; 2018, 2; 137-150
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Text-obydlí – unikát ve spektru české poezie?
Text-dwellings - unique in the spectrum of the Czech poetry?
Autorzy:
Polách Balonová, Markéta
Powiązania:
https://bibliotekanauki.pl/articles/1627426.pdf
Data publikacji:
2021-04-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czech literature
experimental poetry
Miloslav Topinka
česká literatura
experimentální poezie
Opis:
Studie Text-obydlí – unikát ve spektru české poezie se zabývá druhou sbírkou Miloslava Topinky, jejíž první vydání v letech 1970 bylo zničeno a reedice se sbírka dočkala až roku 1991. Ve své druhotině již básník naplno využívá experimentální postupy (vystavění textu jako obytného prostoru, proměna slov v krysy aj.), díky čemuž se sbírka Krysí hnízdo stává jedinečnou a vymyká se obecným tendencím české poezie 20. století a 21. století.
The The study Text-obydlí – unikát ve sprektru české poezie (The text-dwelling – rarity in spectrum of czech poetry) deals with Miloslav Topinka’s second poetry collection, whose first edition (1970) was destroyed and its re-edition was not published util 1991. In his second collection the poet uses experimental procedures (construction of text as a living space, words transformation into rats etc.) that make the collection Krysí hnízdo a unique work that stands out from general tendencies of Czech poetry of the 20th and 21st centuries.study Text-obydlí – unikát ve sprektru české poezie (The text-dwelling – rarity in spectrum of czech poetry) deals with Miloslav Topinka’s second poetry collection, whose first edition (1970) was destroyed and its re-edition was not published util 1991. In his second collection the poet uses experimental procedures (construction of text as a living space, words transformation into rats etc.) that make the collection Krysí hnízdo a unique work that stands out from general tendencies of Czech poetry of the 20th and 21st centuries.
Źródło:
Bohemistyka; 2021, 2
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O znaczeniach biblioteki w „Adelheid“ Vladimíra Körnera. Studium przypadku
On the meanings of library in “Adelheid” by Vladimír Körner. A case study
Autorzy:
Ćwiek-Rogalska, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2012802.pdf
Data publikacji:
2018-06-03
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
biblioteka
literatura czeska
wysiedlenia
Vladimír Körner
Adelheid
library
Czech literature
displacements
Opis:
The author, starting with Umberto Eco’s thesis on libraries that hide and allow to find meanings, analyses the meaning of library space and works it contains in the novel Adelheid by a Czech writer Vladimír Körner (1967). She assumes that they can be read both at the level of the textual world analysis and used to interpret the behaviour of the protagonists and their relationship, as well as at the non-textual level, as riddles hidden by the author for readers to solve.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.2; 195-205
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z Hrabalem wśród zwierząt
With Hrabal Among Animals
Autorzy:
Soliński, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1450114.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
animal studies
literatura czeska
zwierząta
polowanie
natura
Czech literature
animals
hunting
nature
Opis:
Artykuł jest próbą odczytania tzw. zwierzęcej prozy Bohumila Hrabala w kontekście i przy wykorzystaniu niektórych pojęć współczesnych animal studies, szczególnie tych, które bezpośrednio lub pośrednio, odnoszą się do problematyki szeroko rozumianego polowania. Przez prozę zwierzęcą autor rozumie te utwory czeskiego pisarza, w których bohaterami – nierzadko protagonistami czy też narratorami – są zwierzęta dzikie, udomowione, hodowlane, a także ptaki ze szczególnym uwzględnieniem gołębi miejskich i pocztowych. W całej prozie zwierzęcej Hrabala zauważalne jest rozdarcie jej ludzkich narratorów i bohaterów pomiędzy poczuciem winy wobec braci mniejszych a przekonaniem, że powrót do stanu, kiedy zwierzęta rządziły się swoimi prawami, który określić by można mianem naturalnego, to klasyczny przykład myślenia życzeniowego.   
The article aims to interpret the so-called ‘animal prose’ by Bohumil Hrabal using some of the contemporary tools developed within animal studies, especially those that directly or indirectly address the broadly understood question of hunting. By ‘animal prose’ the author of this article understands these works by the Czech writer whose protagonists or narrative personae are wild, domesticated and breed animals, including the domestic and homing pigeons. All Hrabal’s works show a discernible tension in the human protagonists, torn between the species guilt and the realization that a return to the natural state is a classic example of wishful thinking.
Źródło:
Białostockie Studia Literaturoznawcze; 2020, 17; 99-112
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tělesnost a moderní doba: příklad ruralismu
Corporeality and The Modern: The Example of Czech Ruralist Prose
Autorzy:
Derková, Vladimíra
Kotásek, Miroslav
Powiązania:
https://bibliotekanauki.pl/articles/2193790.pdf
Data publikacji:
2022-12-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czech literature
Ruralism
Modernism
Corporeality
Identity
česká literatura
ruralismus
moderna
tělesnost
identita
Opis:
Článek se věnuje kulturním proměnám, jimiž prochází v moderní době lidská tělesnost. Pojmenovává hlavní okolnosti, formující dobové pohledy na problematiku těla, přičemž zdůrazňuje prosazování i laickou recepci medicínského a psychologického diskurzu, jež jsou propojeny se zájmy politickými. Přinejmenším stejná závažnost je přisuzována novým vizuálním a hromadně sdělovacím médiím – především fotografiím a novinám. Na obecnější uvedení do relevantních znaků moderny ve vztahu k lidské tělesnosti navazuje konkrétní analýza textů Františka Křeliny a Václava Prokůpka. Tato analýza umožňuje poukázat na relevantnost literárního diskurzu i v konkurenci nových, moderních reprezentačních médií.
The article focuses on cultural changes that the human body goes through in Modernism. It points at the main features of the current disourse of the body. It stresses the importance of medicine and psychological discourses of the time and their link with political discourse of nationality. The same relevance is found regarding the new visual massmedia – especially newspapers and photography. The general outline of the most relevant features of Modernity in connection with the human body is followed by a particular analysis of ruralist prose by František Křelina and Václav Prokůpek. The analysis points at the relevancy of literature disourse facing competition from new modes of representation (especially visual ones).
Źródło:
Bohemistyka; 2022, 4; 525-542
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
[Rev.:] Evropská dimenze česke a polské literatury. Europejski wymiar literatury czeskiej i polskiej. Sborník příspěvků z literárněvědné konference konané v Opavé ve dnech 10.-11.11.2010, edtor Libor Martinek, Slezská Univerzita v Opavé, Filozoficko-Přírodovědecká Fakulta, Ústav Bohemistiky a Knihovnictví, Kabinet Literárněvědné Komparatistiky, Opava 2011, 336, [2] s.
The European Dimension of Czech and Polish Literature. Proceedings of the Literary Conference held in Opava on 10-11.11.2010
Autorzy:
Tytko, Marek Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/440951.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Polish literature
Czech literature
the Bible
religion
Religious and sacred poetry
religious literary culture
European literature
Opis:
The review contains a short descriptions of the content of a book entitled European dimension of Czech and Polish literature, edited by Libor Martinek from the Silesian University in Opava (Czech Republic). A reviewer shows problems (problematique) of this international book, that concern olad and contemporary literatures of these two nations.There are twenty eights papers written by different authors from Poland and Czech Republic. Some of them involve motifs of old Czech and Polish religious poetry or old religious literary culture, eg. Maciej Kazimierz Sarbiewski), Tomaš Halik and the Bible of Brześć.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 133-136
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 37

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