- Tytuł:
- Why did Cyprian Norwid tear the memorial drawing from Egypt he had received from Juliusz Słowacki? On the Private Nature of Czarne kwiaty (Black Flowers)
- Autorzy:
- Szczeglacka-Pawłowska, Ewa
- Powiązania:
- https://bibliotekanauki.pl/articles/624378.pdf
- Data publikacji:
- 2018
- Wydawca:
- Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
- Tematy:
-
Cyprian Norwid
Black Flowers
Juliusz Słowacki - Opis:
- The article treats of the issues of privacy and informality in Cyprian Norwid’s Czarne kwiaty [Black Flowers]. The poet wrote about events from the lives of individuals whose status was public. He wrote, among others, about informal meetings, universalising their meaning. He published the piece in a monthly insert to Czas daily newspaper. A question arises whether Norwid had the right to unveil the privacy of these people. Did he ask them to let him exploit very private moments from their lives? A scene from the drama, where the narrator (the author of Czarne kwiaty) cuts a souvenir drawing from Juliusz Słowacki – he sends one half to Poland and keeps the other to himself – reveals the quintessence of the piece. By cutting the drawing from Egypt Norwid made it into two pieces; at the same time he destroyed a souvenir from Słowacki and, in a certain sense, those things that were the most private in relationships with particular people.
- Źródło:
-
Colloquia Litteraria; 2018, 4
1896-3455 - Pojawia się w:
- Colloquia Litteraria
- Dostawca treści:
- Biblioteka Nauki
Artykuł