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Wyświetlanie 1-2 z 2
Tytuł:
The Influence of the Catholic Church in Cracow on the Cathedral Chapter of Vilnius from the Fifteenth through Eighteenth Centuries
Autorzy:
Kasabuła, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/2149988.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Catholic Church
Polska
Lithuania
Cracow
Vilnius
Diocese of Cracow
Diocese of Vilnius
cathedral chapter
cathedral
bishop
prelate
canon
Opis:
Like the entire Diocese of Vilnius, the Cathedral Chapter of Vilnius drew considerably from the experience of the ecclesiastical environment of the Diocese of Cracow, which had already existed for four centuries when the Vilnius Chapter began and was establishing and organizing its own institutions and structures. Although the Diocese of Vilnius had remained part of the organizational structures of the ecclesial province of Gniezno from the beginning of the fifteenth century, it looked to Wawel and not to Wzgórze Lecha’s example. From the fourteenth century onward, Vilnius and Cracow were the capital cities of the Polish-Lithuanian state. For this reason, it was fitting that both of the dioceses, including their cathedral chapters, were organized, looked, and functioned similarly. When the local Church was being established and organized in Lithuania, Cracow naturally served as a model for Vilnius because the local church in Cracow had already existed for more than four centuries and was, therefore, more organized, dynamic, and greatly exposed to the world in every respect than the ecclesiastical environment of Gniezno. This was also due to the fact that the Diocese of Cracow was at the center of royal power: it supported the throne of the Commonwealth directly; it sanctioned the court’s actions; it provided the monarch with expert and intellectual help necessary to conduct internal politics and engage in diplomacy. It is also significant that the person responsible for establishing the Church in Lithuania was, in fact, Lithuanian—King Władysław II Jagiełło was the first Jagiellonian to ascend the Polish throne. His successors continued his policies in the religious realm in Lithuania. It is not surprising, therefore, the Jagiełłoes were solicitous to ensure that Vilnius enjoyed the proper place in the hierarchy of Polish-Lithuanian dioceses under their jurisdiction in accordance with the belief that “Vilnius annot stand out from Cracow.” The Lithuanian King Władysław II Jagiełło provided materially for the Church in Vilnius, and he ensured that the capital of the Grand Duchy of Lithuania had the proper position within the structures of the Polish-Lithuanian state, which has becoming increasingly more integrated. Although the Diocese of Vilnius drew from the Diocese of Cracow’s example, it did not blindly imitate it. After it had been established and organized, the Vilnius Cathedral Chapter was able to develop its own models, unique identity, and manner of functioning as a completely self-sufficient corporation that no longer needed to refer so strongly to the model of Cracow.
Źródło:
Rocznik Teologii Katolickiej; 2021, 20; 89-101
1644-8855
Pojawia się w:
Rocznik Teologii Katolickiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kilka uwag na temat datowania, autorstwa i historii obrazu Zaśnięcie Matki Boskiej w zbiorach Muzeum Książąt Czartoryskich w Krakowie
Some Notes on the Dating, Authorship and History of the “Dormition of the Virgin Mary” in the Princes Czartoryski Museum in Cracow
Autorzy:
Spodaryk, Adam
Powiązania:
https://bibliotekanauki.pl/articles/23310819.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Izabela Czartoryska née Flemming
Princes Czartoryski Museum in Cracow
Gothic House in Puławy
Puławy
Cracow
Michael Lancz von Kitzingen
Master Georgius
church of St. Michael on the Wawel Hill
Cracow cathedral
Wawel
Sylwester Ożarowski
Izabela z Flemmingów Czartoryska
Muzeum Książąt Czartoryskich w Krakowie
Dom Gotycki w Puławach
Kraków
Michał Lancz von Kitzingen
Mistrz Jerzy
kościół św. Michała na Wawelu
katedra krakowska
Opis:
Obraz Zaśnięcie Matki Boskiej, pochodzący z kolegiaty św. Michała na Wawelu, obecnie w Muzeum Książąt Czartoryskich w Krakowie (nr inw. MNK XII-341), był wielokrotnie omawiany w literaturze przedmiotu, ale przyjęte w nauce poglądy na temat jego datowania i autorstwa powielają ustalenia z 1956 r. W artykule podjęto próbę ponownego rozpatrzenia tych kwestii na podstawie lepiej obecnie rozpoznanych źródeł pisanych, wyników badań konserwatorskich oraz fotografii w podczerwieni. Autor dowodzi, że omawiany obraz powstał ok. roku 1522 i jest dziełem Michała Lancza z Kitzingen. Ponadto w tekście omówiono dzieje obrazu i historię jego konserwacji.
The painting Dormition of the Virgin Mary, acquired from the collegiate church of St. Michael on the Wawel Hill and currently in the Princes Czartoryski Museum in Cracow (inv. no. MNK XII-341), was many times discussed in specialist literature, but the accepted scholarly views on its dating and authorship replicated the findings of 1956. This article constitutes an attempt at a reconsideration of these issues on the basis of written sources, which by now have been more thoroughly studied, the results of conservation research, as well as infrared photographs. The author argues the painting in question was executed ca. 1522 and should be attributed to Michael Lancz von Kitzingen. In addition, the author discusses some issues in the history of the paining and the course of its conservation over the years.
Źródło:
Biuletyn Historii Sztuki; 2023, 85, 3; 47-82
0006-3967
2719-4612
Pojawia się w:
Biuletyn Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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