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    Wyświetlanie 1-3 z 3
    Tytuł:
    Możliwy wpływ doktryny na Biblię na przykładzie Eucharystii
    How Church doctrine could influence the Bible – a case study of Bible verses concerned with Eucharistic theology
    Autorzy:
    Wardęga, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/1335326.pdf
    Data publikacji:
    2018-11-16
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    doktryna
    Eucharystia
    Biblia
    przekład
    Reformacja
    Kontrreformacja
    doctrine
    Eucharist
    Bible
    translation
    Reformation
    Counterreformation
    Opis:
    Celem artykułu jest pokazanie, że sformułowanie pewnych wersetów w przekładzie Biblii mogło być dostosowane do doktryny tego odłamu chrześcijaństwa, z którego dane tłumaczenia się wywodzą. W tym celu porównane zostaną różne wersje niektórych spośród 68 wersetów Nowego Testamentu, na których opiera się doktryna o Eucharystii. Eucharystia była jednym z zagadnień, które budziły spory między katolikami a protestantami, zwłaszcza w czasie Reformacji protestanckiej. W trakcie badań wziąłem pod uwagę najważniejsze przekłady Nowego Testamentu pochodzące z okresu Reformacji: protestancką Biblię Gdańską z 1606 roku i katolicką Biblię Jakuba Wujka z 1599 roku.
    The aim of the article is to show that the wording of certain verses in Bible translations may have been shaped to suit the doctrine of those branches of Christendom which produced these translations. This will be done with the use of versions of certain of the verses from the New Testament to which relates the Catholic doctrine of the Eucharist, as the form and meaning of these verses have been battlegrounds of a theological struggle between Catholics and Protestants – most violent during the time of the Protestant Reformation. In the research I used two most important Polish translations of the New Testament made in the age of the Reformation: the Protestant Biblia Gdańska (1606) and the Catholic Biblia Jakuba Wujka (1599).
    Źródło:
    Translatorica & Translata; 2018, 1; 71-80
    2657-5817
    Pojawia się w:
    Translatorica & Translata
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konfesja. Kilka uwag o znaczeniu terminu oraz jego używaniu i nadużywaniu w polskiej literaturze historycznoartystycznej
    Confession. A Few Remarks on the Meaning of the Term and its Use and Abuse in Polish Historical-Artistic Literature
    Autorzy:
    Krasny, Piotr
    Walczak, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1953485.pdf
    Data publikacji:
    2006
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    ołtarz
    konfesja
    kontrreformacja
    mensa
    relikwie
    nastawa ołtarza
    altar
    confessio
    confession
    Counterreformation
    relics
    retable
    Opis:
    A tendency has recently appeared in Polish art-historical literature, initiated most certainly by Szczęsny Dettloff, to treat the term confession in a very broad sense. One understand here all the altars that contain bigger relics, or almost complete bodies of saints. Now Ryszard Mączyński's book crowns this tendency, for it numbers several dozen “modern Polish confessions,” which most often have the form of an altar with relics laid in an ornamented coffin lifted up above a mensa. This form of an “altar-confession” is decisively different from the description of confessio contained in Milanese Archbishop St. Charles Boromeo's Instructiones fabrica et supellectilis ecclesiasticae of 1577, which is commonly thought to be the most important regulation of the principles of Catholic sacred art in the period after the Trident Council. He stated that the confessio should have the form of a crypt under on altar, containing the relics of a saint. Now confessions whose shape correspond to this definition were encouraged by Boromeo himself (in S. Prassede's church in Rome, in the cathedral, and in S. Fedele's church in Milan), and the bishops under his influence (e.g. Cardinal Gabriele Paleotti in the cathedral in Bologna). The famoust confession erected during the Counterreformation was St. Peter's confession in the Vatican Basilica (Carlo Maderno, completed in 1616). The altar and the baldachin put up over this wide crypt were never described in the 17th century as integral elements of the confessio, but as autonomic structures, supplementing the ornamentation of the tomb of the first pope. In the Italian texts of the Counterreformation period we do not find any transposition of the term confessio on the altar in which the bigger relics are laid over the floor, in the mensa, or in the retable. This type of altars were not called confessions even in the Polish sources until the end of the 18th century. Most often they were simply described as tombs or saints' mausoleums. Therefore it seems that referring the term confession to them is obviously anachronic and can make difficult in the future to study the sources of the artistic ornamentation of the saints' cult in Polish Kingdom of the Counterreformation period. The scope of the term confession, recently propagated by Mączyński, also decisively diverges from the definition of the term, as it is assumed in the most important West European artistic lexicons. We mean those lexicons that have the same scope of the term in relation to the Counterreformation epoch as it was assumed by Boromeo. We can do nothing but to adjust the Polish meaning of the confession to the standard accepted by scholars in other countries. If we allow ourselves to be free in acquiring universal artistic terms, we can be separated in the history of art from scientific discussion that is going on in other countries. A tendency has recently appeared in Polish art-historical literature, initiated most certainly by Szczęsny Dettloff, to treat the term confession in a very broad sense. One understand here all the altars that contain bigger relics, or almost complete bodies of saints. Now Ryszard Mączyński's book crowns this tendency, for it numbers several dozen “modern Polish confessions,” which most often have the form of an altar with relics laid in an ornamented coffin lifted up above a mensa. This form of an “altar-confession” is decisively different from the description of confessio contained in Milanese Archbishop St. Charles Boromeo's Instructiones fabrica et supellectilis ecclesiasticae of 1577, which is commonly thought to be the most important regulation of the principles of Catholic sacred art in the period after the Trident Council. He stated that the confessio should have the form of a crypt under on altar, containing the relics of a saint. Now confessions whose shape correspond to this definition were encouraged by Boromeo himself (in S. Prassede's church in Rome, in the cathedral, and in S. Fedele's church in Milan), and the bishops under his influence (e.g. Cardinal Gabriele Paleotti in the cathedral in Bologna). The famoust confession erected during the Counterreformation was St. Peter's confession in the Vatican Basilica (Carlo Maderno, completed in 1616). The altar and the baldachin put up over this wide crypt were never described in the 17th century as integral elements of the confessio, but as autonomic structures, supplementing the ornamentation of the tomb of the first pope. In the Italian texts of the Counterreformation period we do not find any transposition of the term confessio on the altar in which the bigger relics are laid over the floor, in the mensa, or in the retable. This type of altars were not called confessions even in the Polish sources until the end of the 18th century. Most often they were simply described as tombs or saints' mausoleums. Therefore it seems that referring the term confession to them is obviously anachronic and can make difficult in the future to study the sources of the artistic ornamentation of the saints' cult in Polish Kingdom of the Counterreformation period. The scope of the term confession, recently propagated by Mączyński, also decisively diverges from the definition of the term, as it is assumed in the most important West European artistic lexicons. We mean those lexicons that have the same scope of the term in relation to the Counterreformation epoch as it was assumed by Boromeo. We can do nothing but to adjust the Polish meaning of the confession to the standard accepted by scholars in other countries. If we allow ourselves to be free in acquiring universal artistic terms, we can be separated in the history of art from scientific discussion that is going on in other countries.
    Źródło:
    Roczniki Humanistyczne; 2006, 54, 4; 67-97
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zbór ewangelicko-reformowany w Oksie (ok. 1566–1679) i jego pastorzy
    The Reformed Congregation at Oksa (c. 1566–1679) and Its Pastors
    Autorzy:
    Bem, Kazimierz
    Powiązania:
    https://bibliotekanauki.pl/articles/2211973.pdf
    Data publikacji:
    2021-01-01
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Oksa
    Małopolska
    protestanci
    kalwinizm
    Rejowie
    duchowni kalwińscy
    kontrreformacja
    Lesser Poland
    Protestantism
    Calvinism
    Rej family
    Reformed clergy
    Counterreformation
    Opis:
    W siedemnastowiecznej Małopolsce wśród kalwińskich wspólnot ważną funkcję pełnił zbór w Oksie. Przez ponad sto lat (ok. 1566–1679) był nie tylko siedzibą zgromadzenia ewangelicko-reformowanego, ale także jednym z ważniejszych małopolskich ośrodków, ze szkołą, murowanym kościołem i jako miejsce obrad wielu synodów. Posługę pełniło tu kilku wybitnych pastorów, jak Franciszek Stankar Młodszy (1562–1621) i Jerzy Laetus (1609–ok. 1656), którzy sprawowali opiekę duchową nad rodziną patronów – Rejów – oraz mieszczanami ewangelikami. Artykuł systematyzuje losy tegoż zboru oraz koryguje pojawiające się na jego temat nieścisłości, w szczególności dotyczące okresu po 1660 r., przybliżając także okoliczności jego likwidacji w 1679 r.
    The Reformed congregation in Oksa played an important role in the history of 17th century Calvinism in Lesser Poland. Throughout its over 100 years of existence and under the continued patronage of the Rej family the town was not only the place of numerous synods, the location an impressive church edifice, a Reformed school but also the seat of may influential pastors of the Church: Franciszek Stankar the Younger (1562–1621) and Jerzy Laetus (1609–c. 1656). The article traces the history of the congregation, the clergy who ministered there, its last 20 years and the circumstances surrounding its suppression in 1679.
    Źródło:
    Odrodzenie i Reformacja w Polsce; 2021, 64; 71-103
    0029-8514
    Pojawia się w:
    Odrodzenie i Reformacja w Polsce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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