- Tytuł:
-
MADONNA WSPÓŁCZESNOŚCI – MIGRANT MOTHER, CZYLI MATKA TUŁACZKA. ANALIZA IKONOGRAFICZNA
THE MADONNA OF MODERNITY – THE MIGRANT MOTHER. AN ICONOGRAPHIC ANALYSIS - Autorzy:
- Wolak, Urszula
- Powiązania:
- https://bibliotekanauki.pl/articles/580297.pdf
- Data publikacji:
- 2013
- Wydawca:
- Polska Akademia Nauk. Czytelnia Czasopism PAN
- Tematy:
-
ICON
PHOTOGRAPHY
ANALYSIS
DENOTATION
CONNOTATION
SYMBOL
DOROTHEA LANGE
FLORENCE THOMSON
MIGRANT MOTHER - Opis:
- In this article I would like to present an iconographic analysis of the Migrant Mother, a photograph by Dorothea Lange, in the context of social change in the United States of the 1930s. For this purpose I use appropriate tools and the theories of Klaus Rieser, Charles Sanders Peirce, and Roland Barthes. I also read and interpret Lange’s photograph from the feminist perspective. In this article the Migrant Mother thus constitutes a fascinating object of academic inquiry, as well as a starting point for the deliberations on the harsh words of Jean Baudrillard who said: “You assume you are photographing a given thing for your own pleasure, but in fact it wants its picture taken and you are only a figure in its staging, secretly moved by the self-advertising perversion of the surrounding world (...) All metaphysics is swept away by this reversal of situation in which the subject is no longer master of the representation, but merely a function of the world's objective irony”. I try to polemicize with the words of Baudrillard, “the high priest of postmodernism” analyzing the Migrant Mother.
- Źródło:
-
Studia Migracyjne - Przegląd Polonijny; 2013, 39, 2(148); 71-84
2081-4488
2544-4972 - Pojawia się w:
- Studia Migracyjne - Przegląd Polonijny
- Dostawca treści:
- Biblioteka Nauki
Artykuł