- Tytuł:
-
Pojęcie i doświadczenie czasu w polskiej sztuce konceptualnej
The Concept And Experience Of Time In The Art Of Polish Conceptualism - Autorzy:
- Zdanowicz, Maciej H.
- Powiązania:
- https://bibliotekanauki.pl/articles/424647.pdf
- Data publikacji:
- 2012
- Wydawca:
- Akademia Sztuk Pięknych w Gdańsku
- Tematy:
-
In my paper I analyse the art of selected Polish conceptual artists
whose art and creative strategies clearly attempt to analyse the essence of time
I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞)
Natalia LL's recordings (Permanent recordings of time)
Zdzislaw Jurkiewicz's Saturn and Jupiter Ways
and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time
In the presented analyses
I refer to the psychological and philosophical concept of perception and aperception
as well as an anthropological understanding of time
In my view
conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist
With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term
CONCEPTUALISM
CONCEPTUAL ART
ROMAN OPALKA
NATALIA LL
ZDZISLAW JURKIEWICZ
STANISLAW DROZDZ
PERCEPTION
APERCEPTION
TIME
SPACETIME
NOTATION
RECONSTRUCTION
DOCUMENTATION - Opis:
- In my paper I analyse the art of selected Polish conceptual artists, whose art and creative strategies clearly attempt to analyse the essence of time. I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞), Natalia LL's recordings (Permanent recordings of time), Zdzislaw Jurkiewicz's Saturn and Jupiter Ways, and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time. In the presented analyses, I refer to the psychological and philosophical concept of perception and aperception, as well as an anthropological understanding of time. In my view, conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist. With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term.
- Źródło:
-
Sztuka i Dokumentacja; 2012, 6; 141-147
2080-413X - Pojawia się w:
- Sztuka i Dokumentacja
- Dostawca treści:
- Biblioteka Nauki
Artykuł