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Wyszukujesz frazę "Byzantine" wg kryterium: Temat


Wyświetlanie 1-12 z 12
Tytuł:
The Iconographic Motif of a Griffin and a Hare on the So-called Saracenic-Sicilian Casket from the Wawel Cathedral Treasury in Cracow
Autorzy:
Garnczarska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/682324.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
griffin
hare
Islamic
Byzantine
casket
Opis:
The article examines a kind of community of aesthetic tastes that was connecting Arab and Byzantine courtly culture. This community concerned the secular and luxurious works of art. The silver casket, called a Saracenic-Sicilian, from the Wawel Cathedral Treasury in Cracow will serve as the starting point to gain a true appreciation of the complex artistic relationship between the Byzantine Empire and the Islamic world in the Middle Ages. It appears highly probable that the casket was created in the twelfth century. It was published at once after the discovery (8th March 1881) and since then, researchers argue about the place of origin of the box. Some suggest that the casket could be a product of Arabic or Persian art, while others propose either Byzantine or Sicilian workshops. What is more, even an thorough stylistic and iconographic analysis does not allow for an unambiguous resolution of the problem of provenance of the Wawel box. Lack of a resolution suggests that this piece of art was directed to a member of the cosmopolitan elite of – Arabic or Byzantine – court, which took delight in sophisticated and expensive luxury items. It is worth noting that in this case, matter of religion did not play a crucial role. For this reason, the depicted scenes and decorative details have an universal character. In order to present this specific synthesis of Arabic and Byzantine secular art, the motifs of a griffin and a hare, decorating the casket will be considered.
Źródło:
Studia Ceranea; 2015, 5; 59-72
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Byzantine spirit of the Undead and its legacy in the Sick Man of Europe
Autorzy:
Tešan, Jesenko
Davison, Joan
Powiązania:
https://bibliotekanauki.pl/articles/450259.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Zielonogórski. Oficyna Wydawnicza
Tematy:
Byzantine
Ottoman
liminality
demos
millets
Opis:
This paper examines the source and consequences of permanent liminality in the political-legal administration of the Byzantine Empire. The paper argues ambiguous and incomplete identities of individuals, groups, and society associated with certain authoritarian political arrangements and consequent arrested liminal period(s) contributed to the decline of the Empire. Further, and significantly, the unresolved situation of disaggregated identity, or spirited away demos, persisted in the Ottoman Era and continues to infect contemporary socio-political affairs in regions in the Balkans and other countries of the former Soviet Union which now seek to balance the interests of a nation-state with the diversity of Europe. The paper does not consider the Orthodox Spirit, but rather analyzes the role of pseudo-intellectuals and sophists who derail the democratic and philosophical Hellenist traditions with authoritarian policies and tools. The research compares and links the institutional attempts of the Byzantine and Ottoman Empires to manage and manipulate differences and distinctions through mechanisms such as theatricalization and the millets. The argument concludes that these strategies created the basis for the perpetualization of the sick man of Europe to the extent they focused on juggling the distinctions and identities of the empires rather than pursuing the development of the democratic self. Thus, in liminality is revealed and contained undead and viral authoritarian spirits, sometimes manifested in populist or extremist ethnic leaders, whose technologies trick the demos and disrupt the democratic imagination.
Źródło:
Przegląd Narodowościowy – Review of Nationalities; 2018, 8; 21-38
2084-848X
Pojawia się w:
Przegląd Narodowościowy – Review of Nationalities
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Byzantine seals in the Tunay Demran Collection
Autorzy:
Seibt, Werner
Ünal, Ceren
Powiązania:
https://bibliotekanauki.pl/articles/2033320.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Byzantine
seal
Magnesia
Manisa Museum
Turkey
Opis:
The Collection of Tunay Demran, officially registered in the Manisa Archaeological Museum, contains seven seals, six of lead and one of silver, and one blank. Manisa, the Byzantine Magnesia Anelios on Mount Sipylos, with its fertile lowland and strategic location in Western Anatolia, has been home to different civilizations over the centuries, including the Lydian Kingdom, one of the most important ancient civilizations. In the 13th century, it became one of the more important cities of the Nicene Empire (established after the Latin invasion in 1204) and the seat of Ioannes III Doukas Vatatzes, who located an actively working mint there. Later on, the city and its environs came under the rule of the Beylik of Saruhan and the Ottoman Empire. There is a rich archaeological record of civil and religious architecture in Manisa and its surroundings, still awaiting full investigation. The article presents Demran’s collection of seals and explores potential ties with the archaeological remains of historical Magnesia.
Źródło:
Polish Archaeology in the Mediterranean; 2021, 30(2); 513-523
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Avgia Church (Batumi, Georgia)
Autorzy:
Mamuladze, Shota
Kamadadze, Kakhaber
Kakhidze, Emzar
Powiązania:
https://bibliotekanauki.pl/articles/1774442.pdf
Data publikacji:
2021-06-25
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Byzantine
western Georgia
Avgia
early Christian church
Opis:
The church discussed in the paper is situated in Avgia, on the outskirts of Batumi. It is an early Christian period hall-type church with northern and southern wings. The ground plan of the whole structure resembles the well-known layout of the croix libre. The whole building is 23.85 m long and 19.0 m wide – including the arms. It has a projecting semi-circular apse whose radius is 6.05 m. The main space of the church is divided into three parts. It consists of a transverse hall, which may have operated as a narthex, a hall, and an altar apse. The floor of the structure was covered with pinkish lime mortar, a mixture of small pebbles and ceramic powder. The only central entrance to the church was located on the west side. The northern annex had an entrance in the north-western corner, and the southern one – in the south-eastern corner. The church seems to have been built of rubble stone. The construction style, layout, and archaeological evidence from the site narrow down its chronology to the 5th and 6th centuries AD.
Źródło:
Światowit; 2020, 59; 177-188
0082-044X
Pojawia się w:
Światowit
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ioannis Motsianos and Karen S. Garnett (Eds), "Glass, wax and metal: lighting technologies in late antique, byzantine and medieval times", Oxford: Archaeopress, 2019 – book review
Autorzy:
Chrzanovski, Laurent
Powiązania:
https://bibliotekanauki.pl/articles/1634104.pdf
Data publikacji:
2020-01-15
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
lighting technologies
Byzantine
late antique
medieval
wax
Źródło:
Polish Archaeology in the Mediterranean; 2019, 28(1); 671-673
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Paganism to Christianity. General Remarks on the Religious Changes in Petra (1st–6th Cent. AD)
Autorzy:
Al-Nasarat, Mohammed
Powiązania:
https://bibliotekanauki.pl/articles/682535.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Church
Christianity
paganism
Petra
Byzantine
religion
Southern Jordan
Opis:
The aim of this paper is to shed some light on the period of Petra’s passage from paganism to Christianity, which saw the deterioration of pagan beliefs and the struggle for survival between paganism and Christianity. The recognition of Christianity as the official religion of the Byzantine Empire in 313 AD did not mean that paganism had disappeared from Petra. In fact, most of the Nabataean temples in the city remained open until the second half of the 4th century AD, when the city was hit by the earthquake of 363. It was this event that had the greatest impact on the abandoning of the city’s temples, such as the Temple of the Winged Lions, the Temple of Qasr el-Bent and the Great Temple. The historical and archaeological evidence confirms the construction of a numer of churches in Petra, which received considerable attention from the Christian clergy and the administration of the city during the 5th and 6th centuries AD.
Źródło:
Studia Ceranea; 2018, 8; 209-236
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Superbia Genueńczyków w połowie XIV wieku w oczach bizantyńskich i weneckich historyków i kronikarzy
Superbia of the Genoese in the mid-14th century in the eyes of Byzantine and Venetian historians and chroniclers
Autorzy:
Karpow, Siergiej Pawłowicz
Powiązania:
https://bibliotekanauki.pl/articles/689027.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
-
Genoa
Venice
Byzantine
Black Sea
Tana
Crimea
historiography
chronicle
politics
ideology
Opis:
The article treats the approach of the Byzantine and Italian historians and chroniclers of the 14th–17th centuries to the problem of claims of the Republic of Genoa to establish its monopoly in trade and navigation in the Black Sea area. It seemed to be one of the causes of the war between Venice and Genoa in 1350–1355 that dramatically affected the Byzantine Empire. The author studies terminology of various writers defining political aspirations of the Genoese Republic.
-
Źródło:
Przegląd Nauk Historycznych; 2017, 16, 1
1644-857X
2450-7660
Pojawia się w:
Przegląd Nauk Historycznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Northern kʻustak administrative units of the Sasanian Iran in 6th century CE
Autorzy:
KHACHATRYAN, Henrik
Powiązania:
https://bibliotekanauki.pl/articles/2142403.pdf
Data publikacji:
2022-08-28
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Sasanians
northern kʻustak
military-administrative units
Khosrov Anushirvan
Byzantine
the marzpanate of Armenia
Opis:
In the 6th century CE, the Sasanian empire was divided into four administrative units already during the second reign of Kavad I, however, it was during the time of Khosrov Anushirvan that these regions were transformed into the military-administrative units – kʻustaks, where the administrative power belonged to the padgospan and the military to the spahbed. The northern kʻustak or kʻust-i-Kapkoh was included the marzpanates: Armenia (divided into the three military-administrative units – Tanutirakan gund, Vaspurakan gund, Syunikʻ), Georgia, Albania and the šahrs: Adharbādhakān, Gīlān, Dlmunkʻ, Zanjān, Ghazvīn, Ṭabaristān and Ray. This paper reviews the administrative of the northern kʻustak based on the Classical Armenian, Arabic and Persian primary sources.
Źródło:
Historia i Świat; 2022, 11; 155-163
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Bizantynizm i ,,styl bizantyjski” w dyskursie komitetu troski o rosyjskie malarstwo ikonowe (1901 – 1918)
“Bizantynism” and “Bizantian style” in the Discurse of the Committee for Care on Russian Icon Painting (1901-1918)
Autorzy:
Walczak, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2139260.pdf
Data publikacji:
2022-10-03
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Komitet Troski o Rosyjskie Malarstwo Ikonowe
Bizancjum
styl bizantyjski
wzorce
stylizacja
Mikołaj II
Nikodim Kondakow
Committee for Care on Russian Icon Painting
Byzantine
Byzantine style
patterns
styling
Nicholas II
Nikodim Kondakov
Opis:
Głównym celem niniejszego artykułu jest pokazanie odniesień do sztuki bizantyjskiej, które pojawiają się w dyskursie Komitetu Troski o Rosyjskie Malarstwo Ikonowe (ros. Комитет попечительства о русской иконописи, 1901-1918), a także wskazanie ich funkcji ideologicznych. Autor stara się pokazać, czy i w jaki sposób wzorce bizantyjskie były wykorzystywane w publikacjach tej instytucji (przede wszystkim w podlinniku ikonopisarskim Nikodima Kondakowa). Udowadnia, że zastosowanie nawiązań do sztuki bizantyjskiej było elementem postulowanego przez Mikołaja II programu odrodzenia religijnego, a także doskonale wpisywało się w teocentryczną utopię, stworzoną przez tego cara.
The main purpose of this article is to indicate the references to Byzantine art that appear in the discourse of the Committee for Care on Russian Icon Painting (in Russian: Комитет попечительства о русской иконописи, 1901-1918) and to point to their ideological functions. The author tries to show whether and how Byzantine patterns were used in the publications of this institution (above all, in the Nikodim Kondakov icon podlinnik). She proves that the use of references to the art of Byzantium was an element of the program of religious revival postulated by Nicholas II, and perfectly matched the theocentric utopia created by the tsar.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2022, 29, 1; 233-240
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Terracotta oil lamps from the excavation at the Bey 004 site (Beirut, Lebanon)
Autorzy:
El Masri, Maha
Powiązania:
https://bibliotekanauki.pl/articles/1634089.pdf
Data publikacji:
2020-01-04
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Beirut
Bey 004
clay oil lamps
Canaanite
Greek
Roman
Byzantine
Islamic
imported lamps
Opis:
The excavation of site Bey 004 in the urban center of Beirut was done as part of a major salvage-archaeology operation in the 1990s, in preparation for the redevelopment of the city after the Lebanese Civil War. War destruction had given archaeologists the opportunity to investigate the topography, history and everyday life of Beirut over the millennia since its establishment and before a new city would be built on top of the ruins in the 21st century. Terracotta oil lamps, like tableware, are a sensitive guide to the passage of time and cultures, spanning the ages the 5th century BC through the 9th century AD, from Persia to Islam. The article reviews the assemblage from the Bey 004 site, broken down by a local site typology that reflects major periods of occupation, and relates it to existing typologies of ancient Near Eastern lamps from the Canaanite to the Islamic.
Źródło:
Polish Archaeology in the Mediterranean; 2019, 28(1); 423-459
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Painted decoration of water jars from Byzantine Athribis in the Egyptian Delta
Autorzy:
Południkiewicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1707854.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Athribis
Byzantine
Coptic
Egypt
Kom Sidi Youssuf
painted decoration
pottery
Tell Atrib
water jars
Opis:
Water jars are easily recognizable as a type owing to the strainer fitted into the neck of these vessels. This form was distinguished in the assemblage coming from the Polish excavations around Kom Sidi Youssuf in Tell Atrib, the site of ancient Athribis in the Nile Delta. The discussed vessels were made of Nile silt and richly painted on the surface. The article focuses on the decoration of these water containers, presenting a catalogue of motifs: geometrical, vegetal, zoomorphic, human and others. The set is dated to the 6th–7th century AD based on the excavation context and comparative studies of the so-called Coptic painted pottery from Egypt.
Źródło:
Polish Archaeology in the Mediterranean; 2016, 25; 781-798
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W poszukiwaniu sztuki rodzimej. Dyskusja wokół recepcji ruskiego malarstwa sakralnego końca XIX i początku XX wieku w Galicji Wschodniej
Looking for native art. A discussion on the reception of the Ruthenian church painting of the end of the 19th century and the beginning of the 20th century in Eastern Galicia
Autorzy:
Rudenko, Ołech
Powiązania:
https://bibliotekanauki.pl/articles/1954060.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
sztuka ruska
Galicja Wschodnia
kultura
dyskusja
bizantyński
rodzimość
ikona halicka
Ruthenian art
Eastern Galicia
culture
discussion
Byzantine
nativeness
Halicz icon
Opis:
The article shows research for the sources of the Ruthenian art at the break of the 19th century that became the basis for formation of the Ukrainian art. To form one's own art it was necessary to use the models from the past epochs, i.e. to refer to history. Native art needed not only contents, but also formal iconographic types and motifs that could be followed by Ukrainian painters. Historiographic reception of Ruthenian art, and first of all reaching for the art of the 15th-17th centuries, provided responses to those needs and shaped the vision of native painting with national values, based on religious tradition. In the discussion we are dealing, when we take under consideration literature in two languages, Polish and Ukrainian, with works written on “two different sides” with respect to national interests of the authors who fought for ideas confirming their national identity in the press, in reviews of exhibitions and in monographic works, in which thinking about particular works often led to very interesting general considerations of religious and national art; with the texts written by native art lovers expressing their admiration of its originality, as well as by works written by professional researchers, like M. Sokołowski or W. Podlacha. The Polish side begins this intensive discussion in connection with staging the Archeological Exhibition in 1885. Then the Ukrainian side, especially after the Archeological-Bibliographical Exhibition put on by the Stauropigial Institute in Lvov in 1888, speaks more frequently about this issue and looks for an explanation that would be proper for its own culture. The discussion resulted in distinguishing the native old-Ruthenian art that formed the foundations for the national art. It also showed that the Ruthenian painting had overcome the Byzantine canon, and under the influence of the West it started to develop in an original way. This was appreciated and it discovered possibilities for an artistic creative individuality, and using the achievements of the icon and the Halicz painting it also paved the way towards a revival of the Ukrainian art.
Źródło:
Roczniki Humanistyczne; 2004, 52, 4; 419-450
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-12 z 12

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