- Tytuł:
-
Mikołaj Sęp Szarzyński, ‘Sonnet III: To the Holy Virgin’
Wokół Mikołaja Sępa Szarzyńskiego i jego sonetu III Do Naświętszej Panny. Próba syntezy - Autorzy:
- Marinelli, Luigi
- Powiązania:
- https://bibliotekanauki.pl/articles/2087515.pdf
- Data publikacji:
- 2021
- Wydawca:
- Polska Akademia Nauk. Czytelnia Czasopism PAN
- Tematy:
-
Polish literature of the 17th century
Baroque poetry
sonnets
Virgin Mary
Luis de Granada (1504–1588)
Mikołaj Sęp Szarzyński (? – c. 1580)
Mikołaj Sęp Szarzyński
sonety
poezja baroku - Opis:
- Most of what we know about Mikołaj Sęp Szarzyński (? – c. 1580) and his work is plausible conjecture that cannot be fully verified. The small volume published twenty years after his death, Rytmy – a single extant copy was found accidentally in the early 1800s – represents his uncertain legacy. Yet not only is Sęp Szarzyński the second greatest pre-modern Polish poet after Kochanowski, but, owing to his sonnets and other compositions of his early maturity, he can be considered the creator of a new style that, under the influence of late Italian Petrarchism, brings Polish poetry closer to mannerism and, for some commentators, to the Baroque. This article will focus in particular on Sonnet III (‘To the Holy Virgin’). While drawing on Dante and Petrarca, the sonnet resonates with the themes and styles of contemporary Spanish Marian literature. Sonnet III is the cornerstone of Sęp Szarzyński’s sonnet cycle (the first in Polish literature) that marks the artistic culmination of a ‘passage’ to modernity, in which an attitude of doubt and the attendant “grammar of uncertainty” (cf. Jan Błoński) constitutes the writer’s main stylistic and existential signature.
- Źródło:
-
Ruch Literacki; 2021, 3; 309-343
0035-9602 - Pojawia się w:
- Ruch Literacki
- Dostawca treści:
- Biblioteka Nauki
Artykuł