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    Wyświetlanie 1-3 z 3
    Tytuł:
    W uniwersum „nie ma”. Transmedialne „prawdy” Mariusza Szczygła wobec przemian poetyki reportażu literackiego
    In the universe of “not there”. Mariusz Szczygieł’s transmedia truths vs changes in the poetics of literary reportage
    Autorzy:
    Frukacz, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/511369.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    literary reportage
    media convergence
    transmedia storytelling
    Mariusz Szczygieł
    Opis:
    The paper concerns the documentary project focused on the books Projekt: prawda [Project: Truth] and Nie ma [Not There] by Mariusz Szczygieł. The publications are discussed in terms of the characteristics of a transmedia story in which the original books develop through a narrative connection to a complex of complementary press, internet, stage and audio sources. The author provides an overview of the main components of Szczygieł’s project and an analysis of the interaction programmed between them. She subsequently refers this to the assumptions of what is referred to as transmedia genology in order to show the changes in the poetics of Polish literary reportage under the influence of media digitisation and convergence.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 217-233
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między "Ustami Italji" a brzegiem Nervi. Przypadek Kazimiery Alberti
    Between "The Mouth of Italy" and the Nervi banks. The case of Kazimiera Alberti
    Tra "La bocca dell’Italia" e le sponde del Nervi. Il caso di Kazimiera Alberti
    Autorzy:
    Janas, Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/784412.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    memory
    geopoetics
    literary reportage
    memoria
    geopoetica
    reportage letterari
    pamięć
    geopoetyka
    reportaż literacki
    Opis:
    Nell’articolo si fondono diverse prospettive interpretative. La prima si concentra sul volume di poesie Usta Italji, pubblicato negli anni ‘30, nel quale Kazimiera Alberti, inconsapevolmente, preannuncia il suo futuro. Le “escursioni poetiche” tra le varie città italiane, rafforzate da elementi di stampo autobiografici, mostrano una soggettività letteraria tutta femminile. Il discorso biografico rappresenta una cornice per le esperienze affettive quali malinconia, tristezza e passione. Oggi chiameremmo tale esperienza legata ad un dato luogo come “poetica dello spazio”, nella quale gli elementi reali si collegano a quelli immaginari. La seconda parte dell’articolo è dedicata al soggiorno di Kazimiera Alberti in Italia. Soggiorno che certamente non può essere trattato come un semplice viaggio di piacere o a fini turistici. L’analisi del codice della memoria culturale dà vita ad una rappresentazione convincente dello sforzo con cui il poeta cerca un proprio modo di “vivere” in un mondo che si divide tra il tragico passato polacco e la sicurezza della terra italiana. Le riflessioni sulla lettera di Kazimiera Alberti indirizzata a Maria Grabowiecki non possono essere trattate come una mera procedura d’interpretazione, ma anche, e soprattutto, un impulso per cogliere, per quanto sia possibile, il fulcro centrale del lavoro dell’Alberti. Si tratta di un gesto di ri-creazione, un tentativo di ri-apertura del mondo verso i grandi miti culturali; una passione creativa la cui evocazione poetica diventa reale come l’isola “immaginaria” di Capri.
    The article conjoins several interpretative perspectives. The first one focuses on Kazimiera Alberti’s volume of poetry entitled Usta Italji [The Mouth of Italy] published in the 1930s, in which Alberti unconsciously predicts her future. Her poetic excursions into Italian cities, enhanced by autothematic tropes, reveal the writerly-feminine subjectivity. What the biographical discourse delineates there is the frame for affective experiences, such as melancholy, sadness, and passion. This experience of the place would be identified today as the poetics of space, in which actual addresses merge with made up after-images. The second part of the article is devoted to Kazimiera Alberti’s experience of living in – and not only sightseeing – Italy. An analysis of the cultural memory code makes it possible to accurately portray the effort with which the poet seeks an original way of inhabiting the world that spans between the tragic Polish past and the Italian space of salvage. A reflection on Kazimiera Alberti’s letter to Maria Grabowiecka becomes not only an interpretative procedure but also – and primarily – a trigger to discuss the (arguably) central theme in Alberti’s oeuvre: the gesture of re-creation. This gesture stands for the attempt to re-create the world in the language of great cultural myths, or for the creative passion whose poetic evocation is Capri – an island equally real and “made up” or imagined.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2019, 1; 39-69
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między literackością a podmiotowością. Nowy wymiar „skażenia” polskiego reportażu (na przykładzie Zapisków na biletach Michała Olszewskiego)
    Between Literariness and Subjectiveness. The New Dimension of Contamination in Polish Reportage (Based on Zapiski na biletach by Michał Olszewski)
    Autorzy:
    Frukacz, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/510803.pdf
    Data publikacji:
    2013
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    contemporary Polish reportage
    literariness
    subjectiveness
    genre blurring
    literary genetics
    Opis:
    The purpose of this article is to redefine the category of “contamination”, entrenched in the tradition of literary reportage. Due to the process of genre blurring, the original meaning of the term (the one connected with the presence of creational elements in the reporter’s writings) has now been replaced by a more complex definition. The author creates the hypothesis that the “contamination” of contemporary reportage is caused also by the increase of subjective and emotional factors in journalistic narration. To illustrate this assumption, the article provides an analysis of the book Zapiski na biletach. Written by the Polish reporter Michał Olszewski the book serves as an example of genetic changes of the reportage convention.
    Źródło:
    Postscriptum Polonistyczne; 2013, 1(11); 153-166
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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