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Wyszukujesz frazę "history and translation" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Obraz Turka osmańskiego — między mitem, historią a przekładem (na marginesie dwóch powieści historycznych Wery Mutafczijewej)
Образът на Османеца — между мита, историята и превода (за два исторически романа на Вера Мутафчиева)
Representations of Ottoman Turks — between myth, history and translation (about two historical novels of Vera Mutafchieva)
Autorzy:
Kovacheva, Adriana
Powiązania:
https://bibliotekanauki.pl/articles/487104.pdf
Data publikacji:
2011-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Vera Mutafchieva
mit
historia i przekład
myth
history and translation
Opis:
.В настоящата статия са поставени два основни проблема. Първият е свързан със ситуирането на повествователната стратегия на представяне на османеца в романите "Случаят Джем" и "Последните Шишмановци" в рамките на българския исторически и литературен контекст от 60-те и 70-те години на ХХ век. Образите на мюсюлманите и турците в историческите романи на Вера Мутафчиева не могат да бъдат разглеждани без контекста на възрожденската и фолклорна традиция на представяне на османските турци. В така начертаните аналитични контекстови полета се очертават три важни конфликтогенни теми, чиeто пресъздаване може да послужи като критерий за оценка на полския превод на романа "Случаят Джем" — темата за Изтока и Запада, темата за многоетничността в Османската империя и темата за българските стереотипи за турците, исляма, за епохата на османско управление и за собствената национална идентичност. Вторият засяга полския прочит на горепосочените романи на Мутафчиева, изразен в превода. Анализът на някои значими детайли показва, че в полската езикова версия образът на османските турци не следва акцентите на оригинала и елиминира неговите локални начения, а следователно — нивелира заложените в него ключови за интерпретацията му конфликти и противоречия.
This paper raises two main questions. The first one is how to situate the strategy of representation of Ottoman Turks in historical novels of Vera Mutafchieva "The Djem Affair" and "The Last Shishmans" in the frames of bulgarian historical and literary context of the ‘60s and ‘70s of the 20th century. It is not possibile to describe this strategy without reference to the impact of folklore and nineteenth century tradition of representing the Muslims and Turks. In this context fields three themes that causes conflicts are distinguished and their interpretation in the translation of the novel could be used as a criterium for the translation’s evaluation. These themes are the notion of East and West, the topic of multiethnicity in Ottoman Empire and bulgarian stereotypes of Turks, Islam and national identity. The second question is how the Polish translator interpreted above mentioned historical novels of Mutafchieva. The analysis of some important details shows that the polish translation of "The Djem Affair" do not follow original emphases and thus eliminate some local meanings of the novel, which means that it obliterates some of its key conflicts and contradictions.
Źródło:
Przekłady Literatur Słowiańskich; 2011, 2, 1; 61-79
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja przekładu artystycznego Dory Gabe i jej odzwierciedlenie w korespondencji z Anną Kamieńską
Dora Gabe’s Notion of Literary Translation and its Reflection in Her Letters to Anna Kamieńska
Autorzy:
Kowaczewa, Adriana
Powiązania:
https://bibliotekanauki.pl/articles/511099.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
history of translation
contemporary Polish poetry contemporary Bulgarian poetry
letters and correspondence as biographical materials
Opis:
Dora Gabe’s concept of translation as a product and creative practice was formed by her cooperation with one of the most prominent Bulgarian scholars – Boyan Penev. Later on, after Penev’s death, the poetess has changed and modified her understanding of the process of translation significantly. In this article the author claims that a corporeal experience of the process of translation, spontaneity and a consciously recognized need to cooperate with the author are the most important characteristics of Gabe’s own translational project. Gabe’s long-lasting correspondence with Anna Kamieńska shows all those characteristics and proves that in the late period of Gabe’s work translation was a way to establish a feeling of com-munion and transgress her cultural and artistic identity.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 257-273
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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