Temat: Haiku - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Widzialny porządek” czy „ukryty wymiar”? Haiku-images Stanisława Grochowiaka
‘Visible Order’ or ‘Secret Dimension’? On Haiku-images by Stanisław Grochowiak
Autorzy:: Krawczyk, Anna
Powiązania:: https://bibliotekanauki.pl/articles/510745.pdf
Data publikacji:: 2012
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Stanisław Grochowiak
haiku
Jacek Yerka
magic realism
Opis:: The article is dedicated to Haiku-images, the last poetic work of Stanisław Grochowiak. The author attempts to show how difficult it is to read oriental type of poetry, even if we know its structure and philosophical base. The only thing that we can do is to find common places between haiku and European tradition. The author points to grotesque, surrealism, imagism and magic realism. There are similarities between Grochowiak’s last poetic work and Jacek Yerka’s magic realism in painting. This leads to conclusion that Haiku-images is still an im-portant poetic voice concerning reality and world we live in.
Źródło:: Postscriptum Polonistyczne; 2012, 1(9); 197-214
1898-1593
2353-9844
Pojawia się w:: Postscriptum Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Legacies of Resistance. Emerson, Buddhism, and Richard Wright’s Pragmatist Poetics
Autorzy:: Patterson, Anita
Powiązania:: https://bibliotekanauki.pl/articles/35192504.pdf
Data publikacji:: 2023
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: transpacific
pragmatism
haiku
Buddhism
Richard Wright
Ralph Waldo Emerson
modernism
African American literature
John Dewey
T. S. Eliot
Opis:: Emerson’s affinity with Buddhism has been the source of much controversy, and his adaptation of the doctrine translated as Buddhist “indifference” has been construed as stifling resistance to social injustice. I will revisit this topic, explaining why Emerson figures so prominently in discussions of Buddhism by the philosopher D. T. Suzuki and the British scholar R. H. Blyth, in order to develop a context for analyzing modes of resistance in Richard Wright’s late haiku-inspired poetry. A central question raised in critical debates is whether or not Wright turns away in these poems from the social and political concerns of his earlier works. I will show that their significance and force as protest poetry is considerably stronger when regarded in light of Wright’s “tough-souled pragmatism” and an Emersonian pragmatist tradition elaborated by scholars such as Cornel West, James Albrecht, and Douglas Anderson, a tradition characterized by East-West intercultural exchange that includes John Dewey and Ralph Ellison. Contextualized and enriched by this tradition, the poem Wright selected out of the 4000 to open his collection, “I am nobody,” can be read as alluding to Ellison’s allusion to Emerson in Invisible Man, protesting what Dr. Martin Luther King Jr. would some years later memorably describe as “a degenerating sense of ‘nobodiness’” in his celebrated “Letter from Birmingham City Jail.” I will conclude with a brief consideration of how Wright’s creative engagement with Buddhism in the work of T. S. Eliot illuminates Emerson’s vastly neglected contribution to the development of high modernism.
Źródło:: Review of International American Studies; 2023, 16, 2; 159-176
1991-2773
Pojawia się w:: Review of International American Studies
Dostawca treści:: Biblioteka Nauki

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