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Wyszukujesz frazę "Czesław Miłosz," wg kryterium: Temat


Tytuł:
Antologia Miłosza
Anthology of Czesław Miłosz’s Poetry
Autorzy:
Olejniczak, Józef
Powiązania:
https://bibliotekanauki.pl/articles/511756.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
poetry,
anthology
Opis:
The author of the article offers insights into the process of preparing an anthology of Czesław Miłosz’s poetry by composing a list of major challenges that either a scholar or a critic undertaking such task must face. Paradoxically, the author stresses the fact that either a mere synthesis or a complete anthology of Miłosz’s oeuvre is rendered impossible by its sheer magnitude, plurality of poetic voices, generic diversity and thematic richness. In con-clusion, the author enumerates the most important features of Miłosz’s poetry, such as its unrelenting subjectivity (as in the case of the strong, subjective poetic voice, always rooted in poet’s autobiography) and numerous and persistent dichotomies: intuitive seer versus labouring artisan; mystic versus hard working rationalist; Darwinist versus naturalist; roman-tic versus anti-romantic; detached historian versus a subject of history musing over its meaning, and last but not least, an erudite poet versus a naive, spontaneous one.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 201-209
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Białorusi
Reception of Czesław Miłosz’s Works in Belarus
Autorzy:
Kazłouskaya, Maryna
Pushkina, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511758.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Belarus,
reception
Opis:
The article is dedicated mainly to the reception of Czesław Miłosz’s works in Belarus. Analyzed here is the history of Belarussian translations and some strategies of translation determining the selection of certain poems and essays. The article also aims to elucidate the specificity of readers response to Czesław Miłosz’s poetry and prose as well as to describe Belarussian literary research on the works of the Polish writer.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 285-290
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najnowsze bułgarskie przekłady Czesława Miłosza
New Bulgarian Translations of Czesław Miłoszs Works
Autorzy:
Bachnewa, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/511311.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz
Bulgarian perception of Miłosz
Opis:
Significant for the history of the reception of the Polish poet in Bulgaria are the book published in the Czesław Miłosz year: It (translated by Silvia Borisova and Kamen Rikev). The volume It is discussed from the point of view of the faithfulness of the translation of the poet’s specific philosophical interests. The translation of Native Realm is also of significance to the Bulgarian perception of Miłosz. The artistic value of the translation (Родната Европа, 2012) done by Margreta Grigorova and Mira Kostova is considered with reference to the various meanings of the notion of what it means to be European.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 163-175
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialogiczny proces rekonstrukcji. Polifonia Czesława Miłosza jako krok w stronę poetyckiej apokatastazy
The Dialogic Process of Restoration: Czeslaw Milosz’s Polyphony as Movement toward Poetic Apokatastasis
Autorzy:
Jastremski, Kim
Powiązania:
https://bibliotekanauki.pl/articles/510841.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
polyphony,
apokatastasis,
dialogue
Opis:
In “The Dialogic Process of Restoration: Czeslaw Milosz’s Polyphony as Movement toward Poetic Apokatastasis,” Kim Jastremski explores Milosz’s use of polyphonic poetry as a defense against nihilism in its connection of Self and Other, which has the potential to develop into poetic apokatastasis. She argues that what is typically referred to as Milosz’s polyphony is not interchangeable with the term “internal dialogue.” She typologizes Milosz’s polyphony in three sub¬ groups: 1) poems of internal dialogue; 2) poems of external dialogue; and 3) alter ego poems.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 99-118
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Litwie
Reception of Czesław Miłosz’s Works in Lithuania
Autorzy:
Dalecka, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/511019.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
Lithuania, translation
Opis:
Research on Czesław Miłosz’s works conducted in Lithuania, although not very intense, is mainly focused on the Lithuanian issues. One major trend prevails among Lithuanian re-searchers – an attempt to treat a substantial part of Miłosz’s works as autobiographical. Lithuanian translations of the works of Czesław Miłosz were explored in the article. The author poses the question whether works of the Nobel Laureate in any way shape and develop self-awareness of the inhabitants of Lithuania and if they help them to comprehend the diversity of the country as well as its complicated history, multiculturalism and multilingualism.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 277-284
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ameryka widziana oczyma Czesława Miłosza
America Seen through the Eyes of Czesław Miłosz
Autorzy:
Geambaşu, Constantin
Powiązania:
https://bibliotekanauki.pl/articles/511563.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
essay,
America, imagology
Opis:
The article discusses several “curiosities of American spirit” on the basis of the volume of essays A View of San Francisco Bay: the duality of Americans (based on hesitation between success and despair), nihilism noticed especially among the representatives of the younger generation, arrangement of spatial hierarchy, tearing America into two hostile camps (pure, noble minds and simple people’s minds), arrogance of one’s own “I” (being the fundamental cause of great achievements in technology and science), dissonance between biblical spirit and technological progress etc. Besides their cognitive value, Miłosz’s essays are also a great lesson of imagology on America perceived by the comparatist’s eyes.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 47-52
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leśne tropy Czesława Miłosza
Czesław Miłosz’s Forest Traces
Autorzy:
Szawerna-Dyrszka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/511213.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
forest traces,
biography
Opis:
The theme of this article has been suggested by Miłosz himself, who published in his Sub-jects to Let (the second part of Road¬ side Dog) the short essay Las [The Forest]. Author plaits the net of associations connected with the forest, which leads to reflection that this apparently obvious and exploited by generations of poets topic can still produce various contexts: geographical, natural, economic, political, cultural and literary ones as well as those of sym-bolic, mythical, historical and biographical character. This last context leads back to Miłosz, as a consequence of the reflection that the forest serves as a kind of symbolical frame for many plots present in his life and creativity. From a biographical and literary point of view, the poet leaves the forest. However, in 1997 (when Road¬ side Dog was published), toward the end of his long life, Miłosz returns to the forest in his poetry. He writes a separate text about it. There is a wide range of forest traces (literal, metaphorical, symbolical) between those two moments. They can be noticed in other books by Miłosz.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 53-62
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miejsca traumy w Świecie Miłosza
The Spots of Trauma in The World by Czesław Miłosz
Autorzy:
Kłosiński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/511233.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
The World,
interpretation
Opis:
The author is searching for the spots or cracks through which concealed trauma reveals itself in The World by Miłosz, a text which most of the interpreters described as idyllic. Close reading of Miłosz’s text shows that it is driven by unconscious repression that works to conceal the symptoms of traumatic experience by covering them with a simulation of a house¬ sanctuary. Author is trying to re¬ read The World, paying close attention to these spots and the fact that the date closing the book – April 1943 – is not just an ironic point, but a mark of experience that could not be erased or repressed from memory. The author also points to the intertextual relation between The World and other Miłosz’s texts, and shows how by comparing different types of poetic imagery related to the same memory, one can depict the work of unconscious repression.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 139-154
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Kłopoty z opisem rzeczy” , czyli (nie)możliwość mimesis w epoce relatywizacji podmiotu
“Problems with Depicting Things”. The Impossibility of Mimesis in the Epoch of the Relativization of the Subject
Autorzy:
Nieukerken van, Arent
Powiązania:
https://bibliotekanauki.pl/articles/511283.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
essay,
America,
imagology
Opis:
At first sight it appears that Miłosz’s poetry shares many features with modernist and post-modernist poetics. One of its main themes is the impossibility of verifying the veracity of man’s sensual impressions (i.e. their referring to an ‘external’ world), which seems to un-dermine the traditional concept of literature as ‘mimesis’. However, Miłosz expressly reject-ed the postmodernist point of view that literature as ‘mimesis’ is merely a textual effect. Even when the speakers in his poems expressly deny the possibility of recreating the exter-nal world of man’s sense-impressions by means of language, they seem to achieve the very thing they wanted to deny. One of Miłosz’s favourite devices in the poetry of his middle period was the so-called ‘irony of self-betrayal’. But this negative way of affirming the cove-nant between the self and the world did not satisfy him in the long run. Wishing to over-come the antinomies of mimesis he attempted to work out a poetical strategy allowing him to describe the astonishing richness of being more directly. This strategy required a meta-physical justification. The veracity of man’s sensual and intellectual involvement with the world turned out to be rooted in the religious perspective of ‘apokatastasis’. ‘Time past’ and ‘time present’ are one in a process that both redeems and transcends time, without annihilat-ing the moments of which it consists. Miłosz’s long poems of the sixties and seventies should therefore not be simply understood as ‘literature’ or independent ‘works of art’ (poésie pure) that could be separated from other forms of being. In fact they are part of a process of redemption that occurs ‘here and now’, although it remains unclear when it will be completed. For that reason Miłosz’s longer poems should be read as ‘open texts’ or – but in a sense opposite to the postmodernist idea of ‘unfinishedness’ – ‘work in progress’. They purport to present the manifold phenomena of a man’s existential autobiography simultaneously.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 65-98
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słów kilka o mistrzu pokonanej rozpaczy
A Few Words about the Master Who Conquered Despair
Autorzy:
Sabo, Roman
Powiązania:
https://bibliotekanauki.pl/articles/511441.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
function of poetry
Opis:
Why does Miłosz so often suggest in his poetry that he has concealed something essential from his readers? What is the intended meaning of the frequent phrase of Miłosz’s: if only I told you all about myself? Why this persistent reference to some unnamed feature, truth, wisdom, revelation? Is this, as some critics tend to believe, a part of a creative strategy, some sort of a subversive play with the reader? Is this a strategy employed in order to create a dark counter¬ argument to luminous poetry of grateful existence? Or is it, as the author of the article suggests, a deliberate strategy to entice the reader to undertake a meticulous contemplation of Miłosz’s attitude towards the social function of poetry? Sabo suggests that Miłosz, who due to historical and social reasons, put so much stress on the utility aspect of the poetic vocation, was actually a poet who was most interested in a pure poetry unyoked from any specific cause, except the cause of relentless expression of gratitude.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 155-164
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz na Ukrainie
Czesław Miłosz in Ukraine
Autorzy:
Nachlik, Ołesia
Powiązania:
https://bibliotekanauki.pl/articles/511604.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
translation,
reader
Opis:
The article is dedicated to the reception of Czesław Miłosz’s works in Ukraine at the beginning of democratic transformations and today. The author concentrates attention mostly on two aspects: translations and critical and journalistic discourse. This enables her to indicate the specificity of the way the Polish thinker and writer’s works have been received by Ukrainian readers. Having analyzed the above mentioned issues in diachronic perspective, the author is able to present changes and main tendencies in Ukrainian reception of Czesław Miłosz’s works over time.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 291-313
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czeladnik i mistrz. Czesława Miłosza spotkania z Oskarem Władysławem Miłoszem
A Journeyman and a Master. (Czesław Miłoszs Encounters with Oskar Władysław Miłosz)
Autorzy:
Bernacki, Marek
Powiązania:
https://bibliotekanauki.pl/articles/511245.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Oskar Miłosz
Czesław Miłosz
Czeladnik
Dobroć
poem
Opis:
The theme of the article is multi¬ facted description of Czesław Miłosz's long lasting fascina-tion by the person and deeds of his distant relative Oskar de Lubicz Miłosz. The two poets met for the first time in Paris in 1931. Ever since then Miłosz being impressed by poetic and dramatical works of his uncle, attempted to popularize them among the readers in Poland and abroad. He wrote essays about him and translated his French poems into English and Polish. The crowning of this process was a poem Czeladnik (A Journeyman) (from a volume Druga przestrzeń, 2004) and a poem Dobroć (Goodness) – according to Agnieszka Kosińska the very last poem completed by Miłosz before his death.
Źródło:
Postscriptum Polonistyczne; 2011, 2(8); 191-206
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialog Miłosza z Mickiewiczem
Dialogue between Miłosz and Mickiewicz
Autorzy:
Delaperrière, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511622.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Adam Mickiewicz,
dialogue,
intertextuality
Opis:
The author asserts that a dialogue between Miłosz and Mickiewicz sheds light not only on the great Polish Romantic, and even Polish Romanticism as such, but also on the personality of the author of The Land of Ulro. It is a difficult and full of contradictions dialogue, that used to be interpreted in relation to the uneasy history of the 20th century. The author of the article does not attempt to weaken the role of historical events in Miłosz’s spiritual evolution; she underlines, however, such aspects of his dialogue with Mickiewicz that reveal the deepest similarities and are not subjected to changeable interests. That is how Miłosz’s hesitations can be understood, as his disputes with Mickiewicz are time-bound, but both poets meet also in timeless sphere.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 233-246
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zniewolony umysł – zmiana biegunów recepcji
The Captive Mind – the Change in the Modes of Reception
Autorzy:
Pawelec, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/510849.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
The Captive Mind,
reception
Opis:
This article presents the changes through history in the reception of The Captive Mind by Czesław Miłosz. The book was published in 1953, first of all for the foreign readers. There were editions in English, French, German, Italian, Spanish, Swedish. However, it mainly evoked emotions of Poles at home and on emigration. After the 1989, with the first legal mass edition, we observed a decrease of interest in Poland for the Miłosz’s text. It has become a classical work, it kept up didactic function. On the other hand, the world response argues, through universal interpretations and new translations in 21th century (a Belorussian, Russian, Turkish, Catalan, Serbian), that the Miłosz’s propositions are current and attractive outside Poland, in other geopolitical conditions.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 183-190
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O trudnej sztuce czytania Miłosza (ze zrozumieniem) słów kilka
A Few Words on Difficult Art of Reading (and Understanding) Miłosz’s Works
Autorzy:
Lewandowski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/511061.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
City Without a Name,
interpretation
Opis:
The article aims to initiate a discussion on reading and interpreting poetic works by Czesław Miłosz. Discussing an example of City Without a Name the author of the article presents the deficiences of so far dominant interpretations. He also presents the specific reception of poet’s works among literary critics.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 191-199
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

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