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Wyszukujesz frazę "Pluta, Nina." wg kryterium: Autor

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    Wyświetlanie 1-4 z 4
    Tytuł:
    Lo indecible: el motivo del libro, texto y relato en la narrativa de Ricardo Piglia
    Autorzy:
    Pluta, Nina
    Powiązania:
    https://bibliotekanauki.pl/articles/700541.pdf
    Data publikacji:
    2006
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    The poetics of the para sensation novel written, among others, by Ricardo Piglia, consisting in looking for a lost book is examined by Nina Pluta. The author draws the conclusion that the very narration scheme is a pretext to reflection on the unsaidness which shows the borderline between the language and literature. Keywords: para-thriller; the motif of a book lost; ineffability; boundaries of language; boundaries of literature
    Źródło:
    Romanica Silesiana; 2006, 1
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    El secreto, el mal y el miedo El género criminal rehecho en 2666 de Roberto Bolaño
    Autorzy:
    Pluta, Nina
    Powiązania:
    https://bibliotekanauki.pl/articles/700672.pdf
    Data publikacji:
    2010
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    Roberto Bolaño, a Chilean author who passed away in 2003, tackles the problem of evil using a criminal convention which underwent profound changes in the second half of the 20th century. One of its most popular types nowadays is the metaphysical detective story, in which the investigation is complicated by various cognitive riddles reflecting the Postmodernist intellectual disputes. Bolaño’s last novel - which is the subject of this article - is titled 2666 and was published in 2004. It is a metaphysical detective story set in Northern Mexico which focuses on the country’s current social problems. In the novel, crime and evil are not a metaphor for the human intellectual cognition, as they are tightly connected with the political injustice that main characters experience on a day to day basis. Key words: Postmodern fiction, Spanish-American fiction, detective genre, the evil.
    Źródło:
    Romanica Silesiana; 2010, 5
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Investigación” de los misterios familiares en el contexto de la historia reprimida (Ricardo Piglia, Edmundo Paz Soldán, Rodrigo Rey Rosa)
    Autorzy:
    Pluta, Nina
    Powiązania:
    https://bibliotekanauki.pl/articles/700803.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    This paper analyses contemporary Spanish American novels whose plots are motivated by a private investigation into the mysteries that lead to collective memory. In the second half of the 20th Century many Latin American countries were being torn apart by civil wars, guerilla wars and dictatorships. The societies in these countries (Argentina, Chile, Bolivia and Central American countries) have not yet come to terms with their personal and collective wounds and crimes. Recent history has not yet been totally restored. The official versions of history have been distorted and the heroes of the novels analyzed here begin their private investigation of facts, which leads them to uncover not only the mysteries in the recent histories of their countries, but also the political affiliations of members of their own families. As these heroes are alwayssomehow involved with writing, their para-detective search turns out to be a struggle about a discursively and textually formed identity, as well as a negotiation of values between the public and the private, between official historiography and the memory of individuals and their families, between the traditional and postmodern sense of patriotism. This process illustrates that in some contemporary Latin American societies, conflicts between the accepted version of history and marginalized private memory correspond to the postcolonial model of identity problems. Key words: Contemporary Spanish American novel, detective story, identity, postcolonial studies.
    Źródło:
    Romanica Silesiana; 2011, 6
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Miedos y modos de ver. Sobre la representación del miedo en la narrativa hispanoamericana actual
    Autorzy:
    Pluta, Nina
    Powiązania:
    https://bibliotekanauki.pl/articles/701087.pdf
    Data publikacji:
    2016
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    This paper aims at analyzing figures and functions of fear in a significant part of Spanish American fiction at the turn of 21st century. Both as a literary motif that organizes the plot in various kinds of criminal fiction and as a state of mind that seems to be rooted specially in postcolonial societies, the fear and a sense of foreboding is overhelming in fictional universes of Roberto Bolaño, Horacio Castellanos Moya, Juan Villoro, Daniel Sada, Cristina Rivera Garza and many others. A traumatic recent past in the region (military dictatorships, civil wars, drug wars in many countries) partially accounts for this, but this tendency can also be explained by the world democracy crisis and the global growth of insecurity in the beginning of 21st century. The article also takes into consideration the aspects of style, composition and narrative techniques that perpetuate the atmosphere of fear and the notion of an unpunished crime. Key words: Spanish American contemporary fiction, images of fear, detective novel, open-ended fiction
    Źródło:
    Romanica Silesiana; 2016, 11, 2
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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