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Tytuł:
Wobec nicości. Miłosz – dysydent
Confronting Nothingness. Miłosz – Dissident
Autorzy:
Masłowski, Michał
Powiązania:
https://bibliotekanauki.pl/articles/510995.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czeław Miłosz,
biography,
ideology
Opis:
Worldwide known poet, Czesław Miłosz, was he a dissident? The idea of ‘dissidency’ usual-ly excludes appreciation. Yet Miłosz, being always in opposition to dominant tendencies, was always acknowledged. The article presents three periods of his life: in Vilnius, in Paris and in America. In catholic and conservative Vilnius he represented a “left¬ wing” orienta-tion. Afterwords when he worked in Polish radio, it caused his transfer to Warsaw. His leftist beliefs explain his work in diplomacy for a new regime. This continued till 1950 when Miłosz, terrified with Stalinism, chose asylum in Paris. He was being fiercely attacked both by conservative emigration and leftist French intellectuals. He was accepted, however, by Parisian Kultura circle – the most creative centre of political reflection. In The Captive Mind – soon acknowledged as the most important book in this matter – Miłosz masterfully diagno-ses “a new faith”. In 1960 Miłosz became a professor in the Department of Slavic Lan-guages and Literatures in Berkeley. It was there that important works analyzing nihilistic crisis of Western civilization and consumerism connected with Americanization were writ-ten: The Land of Ulro (1977), Emperor of the Earth (1977) and especially A View of San Francisco Bay (1988). His reflections concentrate also on ontological crisis and working on new reli-gious imagination. Czesław Miłosz was never a politician or oppositionist in a traditional sense of these terms. Nevertheless, he kept searching for the essence and roots of ideology, the style of life and faith, regarding the fundamental values he fiercely criticized Communism, Ameri-canization and the usurpation of faith by Polish nationalism. He was appreciated, but pro-tests against his burial at Skałka confirm how sharp and influential his observations were.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 29-46
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz na Ukrainie
Czesław Miłosz in Ukraine
Autorzy:
Nachlik, Ołesia
Powiązania:
https://bibliotekanauki.pl/articles/511604.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
translation,
reader
Opis:
The article is dedicated to the reception of Czesław Miłosz’s works in Ukraine at the beginning of democratic transformations and today. The author concentrates attention mostly on two aspects: translations and critical and journalistic discourse. This enables her to indicate the specificity of the way the Polish thinker and writer’s works have been received by Ukrainian readers. Having analyzed the above mentioned issues in diachronic perspective, the author is able to present changes and main tendencies in Ukrainian reception of Czesław Miłosz’s works over time.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 291-313
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz dla bibliofilów
Miłosz for Bibliophiles
Autorzy:
Bahneva, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/510751.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Child of Europe,
translation,
Bulgarian bibliophile tradition
Opis:
The article deals with a Bulgarian translation of Czesław Miłosz’s poem Child of Europe. The author of the translation, Katia Mitova, was a well-known interpreter of Polish literature and an expert in literature. The translation itself, which appeared in fifty numbered copies, forms a separate bibliophile edition (the illustrator of the volume was Jan Libenstein). The article discusses the aspects connected with the elitism of the edition in the context of interesting Bulgarian bibliophile tradition observed in the interwar period, but also in connection with ambiguous and difficult to understand concepts found in the poem written by the Polish Noble Prize Laureate. The author of the article focuses on the very concept of Europe as it appears in the poem and its connotations to the essence of human intelligence and cogni-tion. Additionally, the article presents various aspects of irony regarded as a form of speech, important not only in the process of appropriate comprehension of this poetic work. In translation, it also helps to attain the correct interpretation of the ideological and artistic contents of the poem.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 327-340
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antologia Miłosza
Anthology of Czesław Miłosz’s Poetry
Autorzy:
Olejniczak, Józef
Powiązania:
https://bibliotekanauki.pl/articles/511756.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
poetry,
anthology
Opis:
The author of the article offers insights into the process of preparing an anthology of Czesław Miłosz’s poetry by composing a list of major challenges that either a scholar or a critic undertaking such task must face. Paradoxically, the author stresses the fact that either a mere synthesis or a complete anthology of Miłosz’s oeuvre is rendered impossible by its sheer magnitude, plurality of poetic voices, generic diversity and thematic richness. In con-clusion, the author enumerates the most important features of Miłosz’s poetry, such as its unrelenting subjectivity (as in the case of the strong, subjective poetic voice, always rooted in poet’s autobiography) and numerous and persistent dichotomies: intuitive seer versus labouring artisan; mystic versus hard working rationalist; Darwinist versus naturalist; roman-tic versus anti-romantic; detached historian versus a subject of history musing over its meaning, and last but not least, an erudite poet versus a naive, spontaneous one.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 201-209
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz. Północ - Południe (intuicje i fragmenty)
Miłosz. North - South (intuitions and fragments)
Miłosz. Nord – Sud (intuizioni e frammenti)
Autorzy:
Olejniczak, Józef
Powiązania:
https://bibliotekanauki.pl/articles/16729630.pdf
Data publikacji:
2022-05-19
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz
Italia
impronta
traccia
poetica di un frammento
Italy
trace
trail
poetics of the fragment
ślad
trop
poetyka fragmentu
Opis:
Autor „czyta” poezję Czesława Miłosza, podążając za pozostawionymi w niej włoskimi śladami. Są nimi zarówno echa udokumentowanych w biografii poety podróży do Włoch i po Włoszech, jak i tropy wywodzone z lektury włoskich pisarzy, fascynacji malarstwem, architekturą oraz ukształtowanym przez człowieka pejzażem. Wszystkie te tropy – jak się okazuje – wprowadzają w najistotniejsze motywy poezji autora Gucia zaczarowanego, a także w zasadnicze dla tej poezji elementy tradycji literackiej. Są też obrazem ewolucji poetyki Miłosza. Esej napisany jest w poetyce fragmentu, jego autor raczej dzieli się interpretacyjnymi intuicjami, niż stawia jednoznaczne konkluzje. Raczej stawia pytania o tajemnice zawarte w wierszach Miłosza, niż udziela jednoznacznych i zamykających odpowiedzi. Niejako „zaprasza” do studiowania wierszy autora Trzech zim. Te włoskie „ślady” prowadzą jednak do konkluzji o spójności dzieła poetyckiego Miłosza.
L’autore “legge” la poesia di Czesław Miłosz, seguendo le impronte italiane lasciate in essa. Sono sia echi di viaggi in Italia e in giro per l’Italia documentati nella biografia del poeta, che tracce derivate dalla lettura di scrittori italiani, dal fascino per la pittura, l’architettura e il paesaggio modellato dall’uomo. Tutti questi indizi – come risulta  – ci introducono ai motivi più significativi della poesia dell’autore di Gucio zaczarowany, così come agli elementi della tradizione letteraria che sono fondamentali per quella poesia. Sono anche un’immagine dell’evoluzione della poetica di Miłosz. Il saggio è scritto nella poetica di un frammento, con l’autore che condivide le sue intuizioni interpretative piuttosto che fornire conclusioni inequivocabili. Egli pone domande sui misteri contenuti nelle poesie di Miłosz, piuttosto che fornire risposte inequivocabili e definitive. In un certo senso, “invita” a  studiare le poesie dell’autore di Trzy zimy. Queste “tracce” italiane, tuttavia, portano a  una conclusione sulla coerenza dell’opera poetica di Miłosz.
The author interprets Czesław Miłosz’s poetry, following the Italian traces left in it. These are both echoes of travels to Italy and traces derived from reading Italian writers, fascination with painting, architecture and the landscape shaped by man. All these traces introduce the most important motifs of the poetry of the author of “Gucio Enchanted,” as well as the essential elements of the literary tradition for this poetry. They are also an image of the evolution of Miłosz’s poetics. The essay is written in the poetics of the fragment. Rather than drawing unambiguous conclusions, its author shares his interpretative intuitions. He carries out a careful inquiry into the secrets contained in Miłosz’s poems rather than presenting definitive answers. In a  way, it “invites” you to study the poems of the author of “Three Winters.” These Italian “traces” lead, however, to the conclusion about the coherence of Miłosz’s poetic work.
Źródło:
Fabrica Litterarum Polono-Italica; 2022, 4; 1-18
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialog Miłosza z Mickiewiczem
Dialogue between Miłosz and Mickiewicz
Autorzy:
Delaperrière, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511622.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Adam Mickiewicz,
dialogue,
intertextuality
Opis:
The author asserts that a dialogue between Miłosz and Mickiewicz sheds light not only on the great Polish Romantic, and even Polish Romanticism as such, but also on the personality of the author of The Land of Ulro. It is a difficult and full of contradictions dialogue, that used to be interpreted in relation to the uneasy history of the 20th century. The author of the article does not attempt to weaken the role of historical events in Miłosz’s spiritual evolution; she underlines, however, such aspects of his dialogue with Mickiewicz that reveal the deepest similarities and are not subjected to changeable interests. That is how Miłosz’s hesitations can be understood, as his disputes with Mickiewicz are time-bound, but both poets meet also in timeless sphere.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 233-246
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leśne tropy Czesława Miłosza
Czesław Miłosz’s Forest Traces
Autorzy:
Szawerna-Dyrszka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/511213.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
forest traces,
biography
Opis:
The theme of this article has been suggested by Miłosz himself, who published in his Sub-jects to Let (the second part of Road¬ side Dog) the short essay Las [The Forest]. Author plaits the net of associations connected with the forest, which leads to reflection that this apparently obvious and exploited by generations of poets topic can still produce various contexts: geographical, natural, economic, political, cultural and literary ones as well as those of sym-bolic, mythical, historical and biographical character. This last context leads back to Miłosz, as a consequence of the reflection that the forest serves as a kind of symbolical frame for many plots present in his life and creativity. From a biographical and literary point of view, the poet leaves the forest. However, in 1997 (when Road¬ side Dog was published), toward the end of his long life, Miłosz returns to the forest in his poetry. He writes a separate text about it. There is a wide range of forest traces (literal, metaphorical, symbolical) between those two moments. They can be noticed in other books by Miłosz.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 53-62
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czeladnik i mistrz. Czesława Miłosza spotkania z Oskarem Władysławem Miłoszem
A Journeyman and a Master. (Czesław Miłoszs Encounters with Oskar Władysław Miłosz)
Autorzy:
Bernacki, Marek
Powiązania:
https://bibliotekanauki.pl/articles/511245.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Oskar Miłosz
Czesław Miłosz
Czeladnik
Dobroć
poem
Opis:
The theme of the article is multi¬ facted description of Czesław Miłosz's long lasting fascina-tion by the person and deeds of his distant relative Oskar de Lubicz Miłosz. The two poets met for the first time in Paris in 1931. Ever since then Miłosz being impressed by poetic and dramatical works of his uncle, attempted to popularize them among the readers in Poland and abroad. He wrote essays about him and translated his French poems into English and Polish. The crowning of this process was a poem Czeladnik (A Journeyman) (from a volume Druga przestrzeń, 2004) and a poem Dobroć (Goodness) – according to Agnieszka Kosińska the very last poem completed by Miłosz before his death.
Źródło:
Postscriptum Polonistyczne; 2011, 2(8); 191-206
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ameryka widziana oczyma Czesława Miłosza
America Seen through the Eyes of Czesław Miłosz
Autorzy:
Geambaşu, Constantin
Powiązania:
https://bibliotekanauki.pl/articles/511563.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
essay,
America, imagology
Opis:
The article discusses several “curiosities of American spirit” on the basis of the volume of essays A View of San Francisco Bay: the duality of Americans (based on hesitation between success and despair), nihilism noticed especially among the representatives of the younger generation, arrangement of spatial hierarchy, tearing America into two hostile camps (pure, noble minds and simple people’s minds), arrogance of one’s own “I” (being the fundamental cause of great achievements in technology and science), dissonance between biblical spirit and technological progress etc. Besides their cognitive value, Miłosz’s essays are also a great lesson of imagology on America perceived by the comparatist’s eyes.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 47-52
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najnowsze bułgarskie przekłady Czesława Miłosza
New Bulgarian Translations of Czesław Miłoszs Works
Autorzy:
Bachnewa, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/511311.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz
Bulgarian perception of Miłosz
Opis:
Significant for the history of the reception of the Polish poet in Bulgaria are the book published in the Czesław Miłosz year: It (translated by Silvia Borisova and Kamen Rikev). The volume It is discussed from the point of view of the faithfulness of the translation of the poet’s specific philosophical interests. The translation of Native Realm is also of significance to the Bulgarian perception of Miłosz. The artistic value of the translation (Родната Европа, 2012) done by Margreta Grigorova and Mira Kostova is considered with reference to the various meanings of the notion of what it means to be European.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 163-175
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Litwie
Reception of Czesław Miłosz’s Works in Lithuania
Autorzy:
Dalecka, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/511019.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
Lithuania, translation
Opis:
Research on Czesław Miłosz’s works conducted in Lithuania, although not very intense, is mainly focused on the Lithuanian issues. One major trend prevails among Lithuanian re-searchers – an attempt to treat a substantial part of Miłosz’s works as autobiographical. Lithuanian translations of the works of Czesław Miłosz were explored in the article. The author poses the question whether works of the Nobel Laureate in any way shape and develop self-awareness of the inhabitants of Lithuania and if they help them to comprehend the diversity of the country as well as its complicated history, multiculturalism and multilingualism.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 277-284
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miejsca traumy w Świecie Miłosza
The Spots of Trauma in The World by Czesław Miłosz
Autorzy:
Kłosiński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/511233.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
The World,
interpretation
Opis:
The author is searching for the spots or cracks through which concealed trauma reveals itself in The World by Miłosz, a text which most of the interpreters described as idyllic. Close reading of Miłosz’s text shows that it is driven by unconscious repression that works to conceal the symptoms of traumatic experience by covering them with a simulation of a house¬ sanctuary. Author is trying to re¬ read The World, paying close attention to these spots and the fact that the date closing the book – April 1943 – is not just an ironic point, but a mark of experience that could not be erased or repressed from memory. The author also points to the intertextual relation between The World and other Miłosz’s texts, and shows how by comparing different types of poetic imagery related to the same memory, one can depict the work of unconscious repression.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 139-154
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Białorusi
Reception of Czesław Miłosz’s Works in Belarus
Autorzy:
Kazłouskaya, Maryna
Pushkina, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511758.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Belarus,
reception
Opis:
The article is dedicated mainly to the reception of Czesław Miłosz’s works in Belarus. Analyzed here is the history of Belarussian translations and some strategies of translation determining the selection of certain poems and essays. The article also aims to elucidate the specificity of readers response to Czesław Miłosz’s poetry and prose as well as to describe Belarussian literary research on the works of the Polish writer.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 285-290
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zdobycie władzy Czesława Miłosza – dzisiaj
Czesław Miłosz’s The Seizure of Power – Today
Autorzy:
Mokranowska, Zdzisława
Powiązania:
https://bibliotekanauki.pl/articles/511654.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
The Seizure of Power,
novel,
reception
Opis:
The theme of the article is an attempt to answer the question concerning the way in which Czesław Miłosz’s novel The Seizure of Power exists in the contemporary readers’ reception. To which extent does it nowadays fulfill (or not) the functions for which it was artistically designed half a century earlier? Is it attractive, or do the standards of reading evolved which made it old¬ fashioned and unable to provoke readers emotions? The article concentrates also on searching for important distinctive features for the type of novel that The Seizure of Power is or appears to be today. It can be regarded both as a novel concerning politics with a clear autobiographical suggestions and as a key novel of a certain factual value. By a con-temporary (especially young) reader this first novel of the Nobel Prize Winner will be re-garded as a historical prose. By literary critics and new monographers of the author of The Issa Valley it will be treated today like the caesura in Miłosz’s artistic biography – such atti-tude is now more visible than ever before. It marks the point from which he distances himself from political „journalism” and favors poetry, essays and criticism
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 167-181
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Historia literatury polskiej" pióra Czesława Miłosza
"Historia literatury polskiej" by Czesław Miłosz
"L’histoire de la littérature polonaise" de Czesław Miłosz
Autorzy:
Piotrowska-Grot, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/534593.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The author examines creative principles of writings on literary history by Czesław Miłosz. Historia literatury polskiej is a bridge between traditional thinking about history of literature and redefining this issue. His proposition mirrors the creator’s loose thinking about central and secondary issues and becomes in a way a post-modern textbook for foreigners. Miłosz’s method, also utilized in his books Mój wiek XX and Wyprawa w Dwudziestolecie is based on specific, individual solutions; however, in order to see them, one must analyze the writer’s historical and creative method – suspending the discourse between literacy and orality. The history of literature described by Miłosz is clearly not a finite, complete synthesis, but rather – as H.R. Jauss put it – a provocation towards further research.
L’auteure examine la démarche créatrice de Czesław Miłosz dans sa rédaction de l’histoire de la littérature. L’histoire de la littérature polonaise demeure un lien entre une approche traditionnelle de l’histoire littéraire et la redéfinition de cette question littéraire. La démarche de Miłosz démontre une approche assez aisée de l’écrivain à propos des notions prépondérantes et subalternes, et elle devient, en quelque sorte, un manuel postmoderne pour les étrangers. La méthode de Miłosz est également appliquée dans ses livres, Mój wiek XX [Mon siècle] et Wyprawa w Dwudziestolecie [Voyage dans l’entre-deux-guerres] et elle s’appuie sur des stratégies individuelles et spéciales. Pour qu’on puisse les voir, il faut avant tout analyser la méthode historico-créatrice qui consiste en une suspension du discours entre l’écriture et l’oralité. L’histoire de la littérature décrite par Miłosz n’est pas une synthèse explicitement terminée ou complète, mais plutôt, comme le remarque H.R. Jauss, une incitation à d’autres recherches.
Źródło:
Śląskie Studia Polonistyczne; 2014, 5, 1-2; 125-140
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

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