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Wyświetlanie 1-15 z 19
Tytuł:
Héritage d’un nom / héritage d’un art : Daddy #3 de Giulia Andreani
Autorzy:
Vialle, Pierre
Powiązania:
https://bibliotekanauki.pl/articles/700585.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
father‑daughter relationship
Himmler
legacy
painting
Sippenhaftung
Opis:
The work Daddy #3 (2012) by Italian artist Giulia Andreani, inspired by a photographic archive, represents Heinrich Himmler with his daughter Gudrun. By means of adapting the photographic image into painting, the artist evokes the burden, sometimes heavy to carry, of family legacies. Moreover, Daddy #3 reveals Andreani’s interest in the woman artist figure, and in the issue of artistic heritage. The painting, which provokes one to ponder the political uses of the image of the family, can also be seen as one of the rare works of art representing an emotional relationship between a father and his daughter.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pudeur et impudeur comme modalités de construction d’un corps politique chez Hervé Guibert
Autorzy:
Genon, Arnaud
Powiązania:
https://bibliotekanauki.pl/articles/701047.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Modesty and Immodesty as a Modality of Construction of a Political’s Body in Hervé Guibert’s Work Modesty and immodesty are two movements used by Hervé Guibert to build a unique picture of his body that I propose to examine in this article in order to highlight a politics of the Guibertian’s body. The multiple body escapes any form of confinement, restriction and constructs itself without any sign of sexual normativity. Guibert refuses both heterosexual and homosexual models and anchors himself in another space, uncertain and undefined. Key words: Hervé Guibert, political’s body, modesty and immodesty.
Źródło:
Romanica Silesiana; 2013, 8, 1
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le crépuscule d’un dieu : pourquoi le naturalisme n’a-t-il pas pu durer ?
Autorzy:
Sadkowska-Fidala, Agata
Powiązania:
https://bibliotekanauki.pl/articles/701156.pdf
Data publikacji:
2012
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The second half of the 19th century was a period of great transformations: science and painting entered the novel, the novel itself evolved to the point of breaking up, authors were looking for new forms of expressions. The representatives of naturalism took the novel away from its traditional role. After all, naturalism marked the novels’ death, but it was in the novel that this movement was obliged to realize its objectives. Naturalists assigned a new target to the novel, which was no longer aesthetic, but scientific. The novel was not a simple fictive story, but aimed at becoming a serious study. The novelists’ purpose was to “dissect” their characters, their passions and emotions, based on profound determinism. Zola wanted to make an “exact and meticulous copy of life”; Huysmans intended to “dissect love” and presented himself as a “beast exhibitor”; Goncourt chose a model based on history. Zola was most involved in his scientific theories, wishing to follow Claude Bernard to the point of replacing, in his book, the word “doctor” by the word “novelist,” in order to obtain a model of literary creation. Zola seemed convinced that objectivity is possible in this type of work, but his experiments took place in an imaginary world. He did not realize his program entirely though, and remained relatively faithful to the traditional rules of novel writing. He proclaimed his hunger for a revival in literature and he moved away from the naturalist principles. Other writers, like Huysmans or the signatories of the famous “Manifest of the Five,” criticized the naturalist errors and insufficiencies. This kind of criticism was heard everywhere: henceforth, it was clear that naturalism was soon to be replaced by something else. The interest in the Russian novel and Wagner’s music can be listed among the signs of this renewal. They suggest a profound need for another, irrational way of thinking. Music and painting contributed to the transformation of the novel, too, and witnessed a need for an opening, experienced by naturalists. One may conclude that degeneration of this movement was slow and progressive, and partially resulted from the principles of the movement itself. Key words: Science, roman, modification, art.
Źródło:
Romanica Silesiana; 2012, 7
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’Atlantide ou la quête de l’absence D’un pays sans amour de Gilles Rozier
Autorzy:
Żurawska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/701252.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The novel D’un pays sans amour (2011) by Gilles Rozier features two narrators who try to recapture the past and to reconstruct with letters the Yiddishland annihilated after World War II. This vanished state, with its cultural capital situated in Warsaw, is called Atlantis in the novel and presented as a paradise in the yiddish literature and language. The choice of this metaphor encourages the reflection on the ambivalence between reality and fiction, as well as on the oppositions between presence and absence or memory and oblivion. What is more, this metaphor refers to the categories of time and space. The aim of this article is to examine the function of the Atlantis metaphor on which the novel is based and to analyze the mechanisms of narrative as memorial (on the basis of Paul Ricœur’s concept) which allow the narrator to rebuild the annihilated world of the mythical island and to bring the non‑existent back into existence. Key words: Atlantis, mythical island, the yiddish literature and language, presence / absence, memory / oblivion, time and space
Źródło:
Romanica Silesiana; 2015, 10
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les mystères de Gilles de Rais Quelques mots sur la splendeur et la misère d’un transgresseur médiéval
Autorzy:
Mrozowicki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/700605.pdf
Data publikacji:
2010
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Gilles de Rais, the Marshal of France - who in 1429 fought beside Joan of Arc in some crucial campaigns during the Hundred Years War (such as the siege of Orléans) - after her burning at the stake in 1431, and after his maternal grand-father’s death the next year, became one of the most cruel and perverted serial murderers, pedophiles and necrophiles in the history of humanity. The paper describes this astonishing transformation that led him from the glorious military achievements to the stake after the controversial trial in Nantes in 1440. The article tries to answer the question if this transgressor (in the common sense of the word), who continues to fascinate people almost six centuries after his death, can also be considered a transgressor according to the criteria proposed by Józef Kozielecki, a Polish psychologist, and the father of psychotransgressionism. Key words: Transgression, Kozielecki’s psychotransgressionism, Gilles de Rais.
Źródło:
Romanica Silesiana; 2010, 5
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les rites du Mal : l’univers romanesque de Jean Genet en tant que jeu d’un péché sanctifié
Autorzy:
Kamiński, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/700861.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Despite the passage of time, the literary output by Jean Genet keeps arousing controversy in both critics and readers. It is due to the contents of his works which reflect the private life of a man who is determined to separate himself from the world of “decent people” and to live among the “aristocrats of Evil”. The present study discusses the interference of various rituals that occur in Genet’s prose writing, full of villains and vagabonds. It analyses five novels: Our Lady of the Flowers, The Miracle of the Rose, Funeral Rites, Querelle of Brest and The Thief’s Journal. The main goal is to describe how those rituals are connected to one another and why Evil can be perceived as a driving force. To present a vast range of this problem, the paper takes into consideration a number of religious, erotic and criminal elements. Key words: prose works, rituals, religion, eroticism, Evil, delinquency
Źródło:
Romanica Silesiana; 2014, 9
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
D'un mythe l'autre ou l'intertexte à l'oeuvre dans Le Jour des corneilles de Jean-François Beauchemin
Autorzy:
Piccione, Marie-Lyne
Powiązania:
https://bibliotekanauki.pl/articles/700743.pdf
Data publikacji:
2007
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Patricide in Jean-Francois Beauchemin’s “Le jour des corneilles” is interpreted as a pretext to invoke classical myths and texts (Camus’s “The Stranger”, Homer’s “Oddyssey”). The author examines the parallels between the sufferings of an abused son, presented as a new Orpheus, and the emblematic figures of Sisyphus and Prometeus. Key words: classical myths; rewriting; Jean-Francois Beauchemin
Źródło:
Romanica Silesiana; 2007, 2
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le mythe du supermâle » : entre la France et le Maghreb dans La vie sexuelle d’un islamiste à Paris de Leïla Marouane
Autorzy:
Cebula, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/700968.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
“The Myth of Supermale”: Between France and Maghreb in The Sexual Life of an Islamist in Paris by Leïla Marouane Leïla Marouane is a maghrebian writer and feminist. The Sexual Life of an Islamist in Paris is her 5th novel. It is a story of a 40-year-old Maghrebian man born in Algeria who spent his life in France in a traditional Muslim family. The tensions between his country of origin and the host country appear at all levels. The protagonist cannnot combine his traditional side (associated with religion and family life), with his modern side (his work and desires). These contradictory elements constitute his identity, but his psyche is occupied by the question of sexuality. Contrary to the expectations of the reader, “sexual life of an Islamist in Paris” is virtually non-existent, at least for the hero. The dissonance between the title of the novel and the story of the protagonist’s life reveals its schizophrenia. The inability to realize that it is impossible to achieve this “myth of masculinity” can lead to mental disorders, as in the case of Marouane’s hero. Key words: maghrebian literature, men’s studies, identity, sexuality, Islam.
Źródło:
Romanica Silesiana; 2013, 8, 1
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Commynes – Mémoires: l’émancipation syntactico-sémantique à l’origine d’un genre ?
Commynes – Mémoirs: syntactico-semantic emancipation at the origin of a literary genre?
Autorzy:
Dupuy, Estéle
Powiązania:
https://bibliotekanauki.pl/articles/1368332.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Commynes
autograph letters
memoirs
syntax
cohesion
diplomatic despatch
critical edition
stereotypes
Opis:
Was the Commynes’s syntactic cohesion (a man “not literary”, father of the genre of memoirs and diplomat of the fifteenth century which syntax has been often described as paratactic or uncohesive) influenced, according to the received idea, by his habit of the diplomatic despatch and was she perceived as uncohesive by his contemporaries? To answer his questions, respectively, we compare the lack of cohesion of the Memoirs with those of his autograph letters and then we search the headlines of the publisher Sauvage (1552) who propose a version pointed as more cohesive than that of the manuscript which serve of base to his edition. The results will show that the letters seem more cohesive than the Memoirs and that its Mémoirs’ s syntax is not underlined as embarrassing by its editor.
Źródło:
Romanica Silesiana; 2019, 16, 2; 289-305
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rites et tremblements: Étude comparée de Tout bouge autour de moi (2010) de Dany Laferrière et de Ballade d’un amour inachevé (2013) de Louis‑Philippe Dalembert
Autorzy:
Mouneimné, Tina
Powiązania:
https://bibliotekanauki.pl/articles/700839.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Two recognised French‑speaking authors of Haitian descent, two real earthquakes, two different continents, one subject. If the situation is similar at the beginning, how is the plot built? What are the heroes’ attitudes towards natural disasters? How to live afterwards? The article attempts to identify the rituals and ceremonies in those two recent novels focusing on the earthquakes’ impact on the everyday life and social relations of the heroes. Key words: Earthquake, Laferrière, Dalembert, Haïti
Źródło:
Romanica Silesiana; 2014, 9
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W świecie masek. Tożsamość historyka literatury
In the World of Masks. The Identity of a Literature Historian
Dans le monde des masques. L’identité d’un historien de la littérature
Autorzy:
Suszek, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/534458.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The author looks at metaphors and comparisons used by researchers to describe a literature historian, utilizing a cognitivist approach – that in cognizance, metaphors serve a function analogous to our senses and like masks, they expose some features of an item. In the article, she emphasizes a multitude of masks a literature historian must wear, often forced by current paradigms, and thus – she points to a variety of the historian’s roles, which results in a blurred identity.
À la suite des cognitivistes posant que les métaphores exercent une fonction analogue à celle des sens et que, semblables à des masques, elles exposent certains traits caractéristiques des objets, l’auteure examine les métaphores et les comparaisons, employées par les chercheurs pour définir l’historien de la littérature. Dans son article, l’auteure souligne la multitude des masques qu’un historien de la littérature porte souvent en fonction d’un paradigme en vigueur, en dévoilant la diversité des rôles qui lui sont reservés, ce qui, en conséquence, contribue à son indécise identité.
Źródło:
Śląskie Studia Polonistyczne; 2014, 5, 1-2; 141-153
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Re)visions télévisuelles de la colonisation du Nord – série médiatique d’Un homme et son péché de Claude-Henri Grignon
Television (re)visions of the colonisation of the North – Claude-Henri Grignon’s Un homme et son péché media series
Autorzy:
Wójcik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1053758.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
adaptation
television series
Québec
colonisation
Opis:
Claude-Henri Grignon’s novel Un homme et son péché presents the life of French Canadian colonial settlers of the Laurentides region at the end of XIXth century. It depicts a realistic image of the colonisation period of Quebec history. The novel is at the origin of a media series that englobes a radio adaptation, three filmic adaptations, theater adaptations, a comic, and two television series. The aim of this article is to discuss the vision of colonisation by analysing two television series based on Un homme et son péché: Les Belles Histoires des pays d’en haut broadcast from 1956 to 1970 and Les Pays d’en haut broadcast from 2016 to 2019 on ICI Radio-Canada Télé 1. The analysis will try to trace modifications inherent to the process of adaptation on different levels (protagonists, representation of space, ideological discourse) and their influence on the vision of the colonisation period.
Źródło:
Romanica Silesiana; 2020, 18, 2; 86-97
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Écriture féminine de jeunesse et postulation de l’émergence d’un pays dans Lettre à Tita 2 : entre anti-modernisme, exaltation passéiste et quête éthique
Female Youth Writing and the Postulation of the Emergence of a Country in Lettre à Tita 2: Between Anti-Modernism, Past Exaltation and Ethical Quest
Autorzy:
Eyenga Onana, Pierre Suzanne
Powiązania:
https://bibliotekanauki.pl/articles/1368279.pdf
Data publikacji:
2021-06-29
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
sociocriticism
imposture
modernism
past exaltation
stigmatization
children’s literature
emergence
Opis:
Children’s literature is sometimes considered to be the poor relation of literary genres throughout the world, as it is often confined to the rank of literature for the very young. Yet, on closer inspection, does this literature not play an important role in establishing national identity? In other words, does it contribute to the spread of tolerance and therefore to living together? Backed by Pierre Barbéris’ sociocriticism and structured in three parts, this contribution first illustrates the motivations behind the characters’ behavioural imposture; then examines the internal components that articulate the novel’s literality. Finally, the analysis shows that Jeanne Abou’ou’s Lettre à Tita 2, beyond the stigmatization of a poorly assumed modernism or the exaltation of traditional values, deeply encapsulates the writer’s desire to postulate an emerging world in which Cameroonians would readily identify themselves.
Źródło:
Romanica Silesiana; 2021, 19, 1; 68-79
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ekonomia szaleństwa w "Pamiętniku wariata" Mikołaja Gogola. O wiatrakach, cogito, teorii i szaleństwie
Madness Economy in Nikolai Gogol’s "Diary of a Madman". On windmills, cogito, theory and madness
L’économie de la folie dans Le "Journal d’un fou" de Nicolas Gogol. Sur les moulins à vent, le cogito, la théorie et la folie
Autorzy:
Mężyk, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/534661.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
This text is an attempt to touch on the theme of madness in literature. While recalling an interpretation of the first modern novel (Vladimir Nabokov, Lectures on Don Quixote), the author refers us to a Cartesian attempt of bypassing the madman position. This moment, described in Meditations on First Philosophy, becomes the starting point for musings on the nature of language and the contemporary state of literary research, erroneously seeking a basis in legal and economical sciences. The main subject here remains a rigorous analysis of Nikolai Gogol’s Diary of a Madman. In the course of the lecture, the nature of madness is revealed in front of the reader, the economy of “insane” writing, which jeopardizes any positivity of sense, and with it – the achievements of traditional metaphysics. A comparative dimension of interpretation also reveals historically fluid borders between a sane and insane subject.
La présente étude est un essai d’analyse du problème de la folie dans la littérature. En se référant à l’interprétation du premier roman moderne (Vladimir Nabokov, Cours sur Don Quichotte), l’auteur nous renvoie à la tentative de Descartes de contourner le danger de la folie. La description de ce passage dans les Méditations sur la philosophie première sert de prétexte à la réflexion sur la nature de la langue et sur l’état actuel des études littéraires qui cherchent, à défaut, un fondement dans les sciences juridiques et économiques. L’analyse rigoureuse du Journal d’un fou de Nicolas Gogol constitue le thème dominant du présent travail. La lecture de cette oeuvre dévoile la nature de la folie, l’économie d’une écriture « folle » qui met en question toute portée positive du sens et, en conséquence, les gains de la métaphysique traditionnelle.
Źródło:
Śląskie Studia Polonistyczne; 2014, 5, 1-2; 19-39
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traduction est un jeu d’oulipien ou sur le caractère ludique et oulipique de la traduction
Autorzy:
Paliczka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/700637.pdf
Data publikacji:
2009
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The article is a theoretical consideration on translation perceived as a game. The aforementioned game, whose constituents were brought up at the beginning of the article, bears features typical of the practice of writing texts during the Thursday meetings of the OuLiPo members. The author assumes that every literary text is a result of the game proposed by the writer. The translator faces the challenge posed by the original text, and by translating it into a different cultural and linguistic reality, he makes his next move in the game. During the analysis of his actions, it occurs that translation resembles writing texts under strict rules. The ludic character of translation is also confirmed in the article by selected translators, who share their experiences related to the art of translation. The translator, just like an Oulipian, draws from the richness of language and literature, creating new texts based on those which have already been created. A translation’s level of difficulty depends on the source text’s type and characteristic, its cultural origin, as well as the culture of the target text. These elements constitute a sort of constraints, determining the choices made by the translator, nonetheless giving him some freedom as well. Translations are similar to OuLiPo practices, relying on intellectual exercise and the joy of creation, the purpose of which is to ensure that there is a continuity and freshness in literature and to provide it with new tools and structures. Key words: Game, translation, Oulipian works.
Źródło:
Romanica Silesiana; 2009, 4
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
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