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    Wyświetlanie 1-4 z 4
    Tytuł:
    Ten „zły” Berman? Słowo o książce Piotra Rypsona
    The “Evil” Berman? On the Book by Piotr Rypson
    Autorzy:
    Więcek-Gigla, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/534674.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Berman
    photomontage
    graphic design
    propaganda
    Opis:
    he text discusses a monograph by Piotr Rypson about Mieczysław Berman. When we consider Czerwony monter [The Red Assembler], however, we need to refer to a concept that is closely akin, namely, Andrzej Leder’s take on revolution. What is underscored here is Berman’s composite photographs since, as the author of this discussion believes and expands upon in her text – they depict most accurately the times of the photo designer’s life. He is considered the creator of the communist propaganda’s graphical language. And that is probably why a considerable period has had to elapse before he became again considered “worthy” of the scholarly interest. It seems, in this day and age, important to reconsider the works of this world-renown “assembler” of red propaganda, merely in order to trace the remnants of his style in the graphic-design culture of today.
    Źródło:
    Śląskie Studia Polonistyczne; 2019, 13, 1; 179-188
    2084-0772
    2353-0928
    Pojawia się w:
    Śląskie Studia Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ten „zły” Berman? Słowo o książce Piotra Rypsona
    The “Evil” Berman? On the Book by Piotr Rypson
    Autorzy:
    Więcek-Gigla, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/534844.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Berman
    photomontage
    graphic design
    propaganda
    Opis:
    The text discusses a monograph by Piotr Rypson about Mieczysław Berman. When we consider Czerwony monter [The Red Assembler], however, we need to refer to a concept that is closely akin, namely, Andrzej Leder’s take on revolution. What is underscored here is Berman’s composite photographs since, as the author of this discussion believes and expands upon in her text – they depict most accurately the times of the photo designer’s life. He is considered the creator of the communist propaganda’s graphical language. And that is probably why a considerable period has had to elapse before he became again considered “worthy” of the scholarly interest. It seems, in this day and age, important to reconsider the works of this world-renown “assembler” of red propaganda, merely in order to trace the remnants of his style in the graphic-design culture of today.
    Źródło:
    Śląskie Studia Polonistyczne; 2019, 13, 1; 179-188
    2084-0772
    2353-0928
    Pojawia się w:
    Śląskie Studia Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La isla de James y el biocentrismo como utopía en El dios de Darwin de Sabina Berman
    Autorzy:
    Parrilla Sotomayor, Eduardo E.
    Powiązania:
    https://bibliotekanauki.pl/articles/701288.pdf
    Data publikacji:
    2015
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    In this article I delve into a recently published novel, El dios de Darwin (2014), written by Sabina Berman. Its purpose revolves around the utopic implications of the author´s esthetic project. First, I examine the relationship between the two plots which are intertwined in the novel. One of them takes place nowadays, around 2012; the other happens in 1876, in the decline of Darwin’s life, since he is the main character. El dios de Darwin is the story of a secret document found in Westminster Abbey by Antonio Márquez, a zoologist. A moment before his murder by a fundamentalist cell in Dubai, he attains to send by email fragments of the secret document to three other pro‑evolutionist friends. One of them is Karen Nieto, the main character of the contemporary plot. Struggling against Franco, Márquez’s former lover, who was a spy of a fundamentalist organization, Nieto at the end manages to rescue the secret document, he attempted to destroy. Within the second plot, the secret document (Theological Autobiography) and the circumstances of it being written by Darwin are interspersed until the end. The Autobiography was verily brought to light from censorship by Nora Barlow (1995), Darwin’s great‑granddaughter. The story unravels the unknown conversion to agnosticism experienced by the British naturalist. Since the novel is rich enough in scientific data and demonstrations extracted from The Origins of Species, The Descend of Man and the authentic Autobiography, I establish a parallelism between Darwin’s revolutionary contribution and the set of ideas about planetary ethics posed by the Brazilian theologian, Leonardo Boff. Key words: Darwin, natural morality, planetary ethics, Sabina Berman
    Źródło:
    Romanica Silesiana; 2015, 10
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    American and European Leftist Academia through the Prism of Paul Berman’s <i>A Tale of Two Utopias: The Political Journey of the Generation of 1968</i>
    Autorzy:
    Gungov, Alexander L.
    Powiązania:
    https://bibliotekanauki.pl/articles/626142.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    leftist thought
    social and political philosophy
    political left
    global predicament
    subject fetishism
    commodification of subjects
    simulacrum
    global surplus recycling mechanism
    sin of the Left
    Opis:
    In his book, Paul Berman outlines a productive framework for a further interpretation of ideas of the leftist thinkers in North America and Europe. This article tries to follow Berman’s approach and to provide a critical stance towards the views of a number of Western social and political philosophers who write after 1968 and even after 1989. My findings confirm Berman’s light irony to this trend of thought but emphasize that some of the works discussed seem to be realistic in avoiding unjustified optimism concerning the leftist position.
    Źródło:
    Review of International American Studies; 2019, 12, 2; 89-102
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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