- Tytuł:
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Polskie przekłady zbioru Priče iz davnine Ivany Brlić ‑Mažuranić
Polish translations of Croatian tales of long ago by Ivana Brlić ‑Mažuranić
Poljski prijevodi zbirke Priče iz davnine Ivane Brlić ‑Mažuranić - Autorzy:
- Gostomska, Anita
- Powiązania:
- https://bibliotekanauki.pl/articles/487065.pdf
- Data publikacji:
- 2016
- Wydawca:
- Wydawnictwo Uniwersytetu Śląskiego
- Tematy:
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Ivana Brlić ‑Mažuranić
Priče iz davnine
Wanda Pogonowska
Wiktor Bazielich
Magdalena Petryńska
prijevod
Croatian tales of long ago
translation - Opis:
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Unatoč nesmanjenoj, više no stogodišnjoj popularnosti Ivane Brlić ‑Mažuranić u Hrvatskoj, njezino je stvaralaštvo u Poljskoj gotovo odsutno. Pokušavajući utvrditi razloge te odsutnosti, treba rekonstruirati okolnosti u kojima su nastali poljski prijevodi zbirke Priče iz davnine i ocrtati siluete njezinih prevoditelja. Vode nas one do umjetnice i slikarice Wande Pogonowske, koju treba smatrati prvom poljskom prevoditeljicom poznatih bajki. Iako je jedina prevela na poljski cijelu zbirku, i to dvaput (u tridesetim i pedesetim godinama dvadesetog stoljeća), konačni rezultat njezinih prevoditeljskih napora, zbog višegodišnjih problema s objavljivanjem, ostaje nepoznat, a sjećanje na Wandu Pogonowsku polako nestaje. Vlastiti prijevod jedne bajke iz kolekcije Brlić ‑Mažuranić uspio je u međuratnom tisku objaviti Wiktor Bazielich, koji također nije bio profesionalni prevoditelj, ali nedostatak profesionalizma nadoknadio je iznimnom ustrajnošću. Četrdeset godina poslije istu bajku o ribaru Palunku ponovo je prevela Magdalena Petryńska (nes‑ vjesna da postoji starija poljska verzija), koja svojim bogatim opusom, za razliku od prijeratnih prevoditelja ‑amatera, ponosno predstavlja krug najistaknutijih suvremenih poljskih prevoditelja južnoslavenske proze. Postojeći prijevodi dokaz su prihvaćanja krajnje različitih prevoditeljskih strategija. Bazielichov stav, koji je mogao proizlaziti iz namjere da se poljskim primateljima približi stvarnost južnoslavenske kulture ili jednostavno iz sposobnosti prevoditelja, blizak je formalnoj ekvivalenciji, a postupak Petryńske, koji diktira zabrinutost za komunikacijsku udob‑ nost dječjeg primatelja, može se opisati kao funkcionalna ekvivalencija.
Despite the over one hundred years long popularity of Ivana Brlić ‑Mažuranić in Croatia, her collection Croatian Tales of Long Ago remains almost absent in Poland. An attempt to determine the reasons for this absence involves the reconstruction of the circumstances of its Polish trans‑ lations and the outline of the translators’ silhouettes, which leads to Wanda Pogonowska, who was a visual artist and a painter by education and who should be considered as the first Polish translator of the famous Croatian tales. Although she took on the translation twice (in the 1930s and 1950s) and has remained the only person who translated the entire collection into Polish, the final effect of her translation efforts, due to the problems with its publication, is still unknown, and the memory of Wanda Pogonowska is slowly fading away. Wiktor Bazielich was also an amateur translator but who made up for his lack of professionalism with his extraordinary perseverance and managed to publish in the interwar press his own translation of one fairy tale from the Brlić‑Mažuranić’ collection. The same tale about the fisherman Palunko was translated again forty years later by Magdalena Petryńska (unaware of the existence of the earlier Polish version), who, with her considerable achievements, in contrast to the pre ‑war translators of Brlić ‑Mažuranić, proudly represents the circle of the most outstanding contemporary Polish translators of South Slavic prose. Existing translations show that the translators adopted extremely different transla‑ tion strategies. Wiktor Bazielich’s attitude, which could result from his intention of introducing Polish recipients to the realities of South Slavic culture or from the translator’s skills, is close to formal equivalence; while the procedure of Magdalena Petryńska was dictated by a concern for the communication comfort of the story’s recipients — children and can be described as functional equivalence. - Źródło:
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Przekłady Literatur Słowiańskich; 2016, 7, 1; 353-375
1899-9417
2353-9763 - Pojawia się w:
- Przekłady Literatur Słowiańskich
- Dostawca treści:
- Biblioteka Nauki
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