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Wyszukujesz frazę "Israeli Literature" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Israeli Identity on the Run: the Quest for a Non-National Position in Contemporary Israeli Literature
Autorzy:
Stav, Shira
Powiązania:
https://bibliotekanauki.pl/articles/594669.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Contemporary Israeli Literature Israeli Nationality
Desertion
Refugees
Hanna Arendt
Giorgio Agamben
Opis:
My essay discusses a new attempt in young Israeli novels to break out of the suffocation and stagnation of the dominant literary protagonist. The discussion revolves around Ilai Rowner’s recent novel, Deserter (2015), which suggests ‘desertion’ as an option of to overcome nationalized structures of the self and of break new ground for its existence. The protagonist’s escape and a quest for a non-national position are destined to failure, however, reflecting the current state of political consciousness among young Israeli authors, and, I argue, the unthinkability of political exile in contemporary Israeli novels. The discussion presented here follows the renewed interest in Hanna Arendt’s exemplary essay “We Refugees” (1943) in light of the current refugees’ crisis in Europe among scholars such as Giorgio Agamben, Amal Jamal and Itamar Mann. While Agamben develops a phenomenology of being-a-refugee, severing the bond between nation and territory, his work lacks an experiential account of being a refugee. In light of this absence, I argue that Rowner’s protagonist remains blind to the particular identities he encounters, actively erasing the profound differences between deserters and refugees, persecutors and persecuted. While he recognizes the haunted element in him, Rowners’ protagonist’s obliviousness to the specific experiential trappings of his own story effectively sterilizes the novel’s political acuity through the effort to adopt an all-human perspective.
Źródło:
Polish Political Science Yearbook; 2018, 2 (47); 390-405
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Deconstructing the Topos of Poland as a Jewish Necropolis in Texts by Israeli Authors of the Third Post-Holocaust Generation
Autorzy:
Budzik, Jagoda
Powiązania:
https://bibliotekanauki.pl/articles/594865.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Holocaust memory
Israel
Israeli literature
topos of Poland
topos of cemetery
third generation
Opis:
The paper aims at recognizing and describing the ways of deconstructing the topos of Poland as a Jewish necropolis, a process that in the last decade appears more and more often in the works of Israeli authors of the third generation after the Shoah. The generation concept – as I argue – can serve here as a useful tool for understanding the shift which occurred in the specific national context of Israeli Holocaust discourse and strongly influenced the image of Poland in Israeli literature and culture. Poland depicted as a Jewish necropolis has become one of the central motifs present in Israeli literary as well as the artistic canon of Shoah representations. As the central space where the Shoah occurred, Poland was obviously perceived as a land marked by death and formed exclusively by the experience of the Holocaust. However, in the aftermath of two major shifts that have occurred in the last decades: a meaningful change in the Israeli Holocaust discourse and the new reality of Poland after 1989, and also as a consequence of the growing time distance separating yet another generation from the events themselves, numerous authors born in Israel mostly in the 1970s and in the 1980s began approaching the above-mentioned motif critically. This tendency, one of the few typical for the third generation, is demonstrated either through the motif ’s deconstruction and subversive usage or, more radically, by employing the genre of alternate history and changing the place’s identity (e.g. Tel Aviv by Yair Chasdiel). The topos of Poland as a necropolis has therefore been turned into a part – or even a starting point – of the reflection on collective memory patterns (e.g. Kompot. The Polish-Israeli Comic Book), stereotypes (e.g. Bat Yam by Yael Ronen), and on the authors’ own roots and identity (e.g. The Property by Rutu Modan). By analyzing the abovementioned texts, I will explore the process of constant interaction occurring between collective and the individual memory, between the Israeli national perspective and Polish landscapes, between an author and space and, finally – between the category of the third generation and its representatives themselves.
Źródło:
Polish Political Science Yearbook; 2018, 2 (47); 379-389
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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