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    Tytuł:
    Prolegomena do badań nad dziejami komunikacji miejskiej na przykładzie Tarnowa
    Autorzy:
    Drwal, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/1968906.pdf
    Data publikacji:
    2019-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Tarnów
    history
    urban transport
    tram
    municipal transport companies
    19th and 20th century
    Opis:
    The work contains a historical outline of the beginnings of collective public transport in Tarnów and its region. It deals with issues related to the functioning of the tram line, which existed in Tarnów from 1911 to the Second World War. This also included city buses, which with the passage of years went further and further outside the city limits. The work also focuses on what impact these means of transport had on local society. This study contains information and comparisons of the of Tarnów roads and urban infrastructure, which had a direct impact on the introduction of the first forms of public transport in this area. The next pages in the article contain the direction in which public transport developed in the Tarnów sub-region, with particular emphasis on the period from the end of World War II to the political changes that followed the fall of communism in 1990. The following extensive themes is an attempt to outline in various ways which is the important issue of public transport.
    Źródło:
    Krakowskie Studia Małopolskie; 2019, 24; 257-277
    1643-6911
    Pojawia się w:
    Krakowskie Studia Małopolskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dopo l’Ottocento delle attrici, qualche punto fermo sulle attrici italiane del Novecento
    After the 1800’s, “Century of Actresses”, a Few Core Points on Italian Actresses in the 1900’s
    Autorzy:
    Mariani, Laura
    Powiązania:
    https://bibliotekanauki.pl/articles/446418.pdf
    Data publikacji:
    2019-11-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    19 th century
    20 th century
    theatre
    actress
    history of women
    Ottocento
    Novecento
    teatro
    attrice
    storia delle donne
    Opis:
    Critical studies on the theatre from the 19 th and 20 th centuries, even founding ones, are limited as they do not include a gender category – a paradox in a space where bodies are central. The actresses, in fact, give life to different stories, which allow for the enrichment of historical-critical reconstructions. Given the vastness of the topic, this article aims to identify some fundamental turning points. We begin with the legacy of the 19 th century, rich from both a linguistic and a historical-critical viewpoint; the article moves on to the post-Duse period, which saw, on the one hand, the birth of the actor-artist’s Italian specificity and, on the other, the crisis of female leaders of theatre companies; then, the article discusses the birth of Italian theatre direction in the period following the Second World War and the reaction of a few actresses, like Anna Magnani, who aimed to re-create the reality that was to be reclaimed by the history of theatre. Finally, the article explores the breakdown caused by the New Theatre and even calls into discussion the word for “actress”, with overlaps in the fields of theatre direction and dramaturgy.
    Gli studi critici sul teatro dell’ 800 e del 900, anche quelli fondativi, hanno il limite di non usare la categoria di gender: un paradosso in un ambito in cui il corpo è centrale. Le attrici infatti danno vita a storie diverse, che permettono di arricchire le ricostruzioni storico-critiche. Data l’ampiezza del tema, il saggio punta sull’individuazione di alcuni snodi fondamentali: il lascito ottocentesco, ricco sia dal punto di vista del linguaggio che da quello socio-culturale; il dopo-Duse, che registra da un lato la nascita della specificità italiana dell’attore-artista e, dall’altro, la crisi del capocomicato femminile; la nascita della regia italiana nel secondo dopoguerra e la reazione di alcune attrici che puntano sulla ri-creazione della realtà, come Anna Magnani, che va riconquistata alla storia del teatro; la rottura operata dal Nuovo teatro e la messa in discussione sin della parola attrice, con sconfinamenti nei campi della regia e della drammaturgia.
    Źródło:
    Italica Wratislaviensia; 2019, 10.2; 195-222
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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