Temat: ROME - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Podróż kardynała von Hessen-Darmstadt z Rzymu do Wrocławia i jej artystyczna oprawa
the journey of Cardinal von Hessen-Darmstadt from Rome to Wrocław and its artistic milieu
Autorzy:: Wojtyła, Arkadiusz
Powiązania:: https://bibliotekanauki.pl/articles/446519.pdf
Data publikacji:: 2014-12-31
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: baroque
Rome
Wrocław
Cardinal von Hessen-Darmstadt
Silesia
Opis:: The aim of this paper is to present the report on the journey of Cardinal Friedrich of Hessen-Darmstadt from Rome to Wrocław, undertaken in 1676 to assume governorship of Silesia and real power over the diocese of Wrocław. The report, published in this city soon after the completion of his journey, is now preserved in the Old Prints Department of the Wrocław University Library. This source contributes new facts from the biography of the cardinal – the founder of the famous St. Elisabeth Chapel alongside the Cathedral of Wrocław, decorated with statues sculpted in Rome. During his journey to Silesia, Friedrich of Hessen-Darmstadt stayed with his retinue in Loreto, Verona and Trento, entertained everywhere with great pomp and ceremony. Then he went to Vienna, where he took part in imperial audiences and was granted the title “Durchlauchtigst”. At the end of his journey he went to Nysa and from there to Wrocław. From the art history point of view this travelogue contributes information about the “occasional architecture” and the decoration of the churches in Nysa and Wrocław, liturgical vestments and vessels, and about costumes and vehicles of Silesian dignitaries. From the literature on the subject we know that on the occasion of the arrival of the cardinal to Wrocław three new doors to the local cathedral were founded. The main entrance doors were decorated with relief depicting Jacob’s Dream and Joseph in a Well. In the light of the appropriate biblical quotations and commentaries on them these scenes illustrate the idea of the gate to the heavenly Jerusalem as well as the symbolical transition from the sphere of death to the realm of life.
Źródło:: Italica Wratislaviensia; 2014, 5; 107-121
2084-4514
Pojawia się w:: Italica Wratislaviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Attrici d’avanguardia e teatro femminista a Roma negli anni Settanta: nuovi luoghi e linguaggi
Avant-garde Actresses and Feminist Theatre in Rome in the 1970s: New Stages and New Forms of Expression
Autorzy:: Giacobbe Borelli, Maia
Powiązania:: https://bibliotekanauki.pl/articles/446652.pdf
Data publikacji:: 2019-11-30
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: avant-garde theatre
feminism
New Theatre
Rome
1974–1979
avanguardia teatrale
femminismo
Nuovo Teatro
Roma
Opis:: This essay is based on one of the ORMETE (Oralità Memoria Teatro: www.ormete.net) projects: Donne di teatro a Roma ai tempi della mobilitazione femminista (1965–1985). The research shows the inter-relations between the feminist movement and the actresses of the avant-garde scene in Rome. The focus of each of the women’s personal narrations is characterised by its strong and definite feminist or anti-conformist identity and by its determination to channel its own imagery in the experimental scene of the avant-garde. Many of the women gathered in feminist companies or joined collective groups; some ventured the road of dramaturgy, while still others dared more alternative, experimental kinds of solo performances. This text sheds light on a variety of alternative spaces for performances in Rome. It is there where these new forms of theatrical expressions were born.
L’intervento, che attinge a una ricerca in corso nel quadro di ORMETE (Oralità Memoria Teatro: www.ormete.net) Donne di teatro a Roma ai tempi della mobilitazione femminista (1965– –1985), cerca di mettere a fuoco gli intrecci fra mobilitazioni femministe e protagonismo delle attrici a Roma, fra il 1974 e il 1979. L’affermazione di un’identità femminile forte e anticonformista caratterizza il racconto di tutte queste donne, determinate a trovare la strada per esprimere il proprio immaginario e la propria diversa presenza nel mondo romano della ricerca teatrale. Molte si sono associate in compagnie o collettivi, alcune hanno tentato la strada della drammaturgia, altre hanno scelto la forma della performance più trasgressiva. L’indagine mette l’accento sui molti luoghi di Roma dove i diversi linguaggi scenici hanno trovato la luce.
Źródło:: Italica Wratislaviensia; 2019, 10.2; 257-273
2084-4514
Pojawia się w:: Italica Wratislaviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Cinecittà w Rzymie - kompleks filmowy, muzealny i technologiczny
Autorzy:: Lisiecka-Muniak, Małgorzata Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/1932563.pdf
Data publikacji:: 2021-03-31
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: Rzym
cinecittà
kino włoskie
studio filmowe
miasteczko filmowe
Rome
Cinecittà
Italian cinema
film studio
film town
Opis:: The article presents the history and current activities of Cinecittà in Rome, one of the most important film companies in the world, also known as „Hollywood on the Tiber”. The author draws attention to the fact that the research up to date has focused mainly on Italian cinema, while Cinecittà appears as a supplement to the critical analysis of that cinematography. Starting from the history of the production company, what dates back to 30’s of the XX century, the author shows how the Roman film town has changed over the years and what its legal situation is like. The next chapter describes the current activities of Cinecittà, where runs a professional film and television studio, which produces films, series, commercials, music videos, commercial events; a museum (Cinecittà si mostra) and an important and internatrional cultural institution (Istituto Luce) with educational and promotional range. The considerations are complemented with examples of films produced in the company. Summing up, the author suggests that Cinecittà deserves a separate and insightful elaboration, which does not still exist in Polish language.
Artykuł przedstawia historię i aktualną działalność Cinecittà w Rzymie, jednej z najważniejszych wytwórni filmowych na świecie, zwanej też „Hollywood nad Tybrem”. Autorka zwraca uwagę na fakt, iż dotychczasowe badania skupiają się głównie na kinie włoskim, natomiast Cinecittà pojawia się w nich jako uzupełnienie krytycznej analizy tej kinematografii. Wychodząc od historii powstania wytwórni, która sięga lat trzydziestych ubiegłego wieku, autorka pokazuje w jaki sposób rzymskie miasteczko filmowe zmieniało się na przestrzeni lat i jak wygląda jego sytuacja prawna obecnie. W kolejnym rozdziale opisana jest aktualna działalność Cinecittà, gdzie funkcjonuje profesjonalne studio filmowo-telewizyjne, w którym realizowane są filmy, seriale, reklamy, teledyski i wydarzenia komercyjne, a także muzeum (Cinecittà si mostra) oraz ważna na arenie międzynarodowej instytucja kulturalna (Istituto Luce) o profilu edukacyjnym i promocyjnym. Rozważania uzupełniane są o przykłady filmów wyprodukowanych w rzymskiej wytwórni. W podsumowaniu autorka sugeruje, iż Cinecittà zasługuje na osobne i wnikliwe opracowanie książkowe, którego na polskim gruncie dotychczas nie ma.
Źródło:: Kultura i Edukacja; 2021, 1(131); 109-121
1230-266X
Pojawia się w:: Kultura i Edukacja
Dostawca treści:: Biblioteka Nauki

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