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Tytuł:
Oare este posibilă flaneuza? Femininul și spațiul modernității în O fată se plimbă pe stradă de Sorana Gurian
Is the flâneuse even possible? The feminine and the space of modernity in O fată se plimbă pe stradă [A girl walks in the street] by Sorana Gurian
Autorzy:
Krupa, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/43665738.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
flâneuse
flâneur
women’s literature
modern
urban
disability
romanian literature
Opis:
Sorana Gurian’s writing records the impossibility of a discourse of one’s own and unmasks the misogyny inherent in modernity. The Romanian short story O fată se plimbă pe stradă [A girl walks in the street] (1939) offers the author an opportunity to discuss the figure of the flâneuse, who, in its relations to modernity, public space or gender, seems to diagnose the condition of women within a modernising culture. The presence of these women in the text remains closely linked to their corporeality, constantly questioned and constrained by a hostile society. This is all the more visible in the case of a young girl with mobility disabilities: a close reading highlights the narrative function of walking, a physical activity that gives a temporal and rhythmic framework to the text.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 4; 109-120
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka radości i praktyka anarchii. O powieści Goliardy Sapienzy i kilku polskich utworach
The Art of Joy and the Practice of Anarchy. On Goliarda Sapienza’s Novel and a Few Polish Texts
Autorzy:
Lisowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1040816.pdf
Data publikacji:
2020-10-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
women’s literature
anarchism
corporeality
sexuality
family
politics
Opis:
The article discusses the Polish translation (2018) of Goliarda Sapienza’s novel L’arte della gioia (The Art of Joy, in Polish Sztuka radości, trans. by Tomasz Kwiecień) in relation to the selected works of Inga Iwasiów and Sylwia Zientek. Anarchism, which provides the ideological background of the Italian book, serves as the basic point of reference for this interpretation. The author points to the issues from Sapienza’s novel which are important from the perspective of anarchism and which can also be found in the Polish texts mentioned in the article. The aim of this analysis is to discuss the context in which The Art of Joy functions in Poland and to suggest the possible lines of interpretation that can be drawn between this novel and contemporary Polish literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 38; 125-156
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Women and the Canon. Are We Justified to Speak of a Female Literary Canon Nowadays?
Autorzy:
Kirova, Milena
Powiązania:
https://bibliotekanauki.pl/articles/635407.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
women’s literature
women’s literary canon
female writing
Bulgarian literature
alternative canon
feminist criticism
Opis:
The paper is initiated by a brief outline of the development of women’s literature in the ex-“East European” countries since 1989. Then it turns to feminist literary theory tracking two different periods of its reception by, and adaption to, literary criticism in post-communist academic research. The concepts of women’s generations and women’s literary canon, vital for the western tradition of gynocriticism, are closely analyzed in line with their relevance to present-day women’s literature in post-communist culture. The paper ends with a presentation of a threefold model of the prospective to speak of women’s literature imbedded in, or in counter stance to, the traditional literary canon.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 171-187
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na falach, lądach, marginesach. O metaforach i możliwościach feministycznej historii literatury
On Waves, Lands and Margins. Metaphors and the Possibilities for a Feminist History of Literature
Autorzy:
Galant, Arleta
Powiązania:
https://bibliotekanauki.pl/articles/1365928.pdf
Data publikacji:
2017-12-19
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
feminist literary critique
metaphor
the history of women's literature
feministyczna krytyka literacka
metafora
historia literatury kobiet
Opis:
W artykule podjęto rozważania dotyczące wybranych metafor obecnych w feministycznych projektach historycznoliterackich. Autorka szkicu sformułowała pytania o znaczenia i – krytyczne, opisowe – możliwości związane z metaforyką fali, lądu i marginesu. W przypadku opisu literatury kobiet pytania te wyznaczają nie tylko podstawowe dylematy wynikające z prób konceptualizacji literatury kobiet w szerszych, syntetyzujących perspektywach, ale także pozwalają na wskazanie najważniejszych sposobów ujęć kobiecego pisarstwa w jego relacjach ze społeczno-politycznymi przemianami, pisarskimi i badawczymi biografiami, kanonem.
This article takes up a consideration of certain metaphors present in feminist projects of literary history. The essay’s author formulates questions about the meanings and critical and descriptive potential of the metaphors of the wave, the land, and the margin. In the case of describing women’s literature, these questions  highlight not only the fundamental dilemmas resulting from attempts to conceptualize women’s literature in broader comparative perspectives, but they also allow us to identify the most important means for grasping women’s writing in terms of its relation with sociopolitical  transformations, academic and literary biographies, and the canon.
Źródło:
Forum Poetyki; 2017, 10; 22-31
2451-1404
Pojawia się w:
Forum Poetyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pensar a través de la ciudad: La trabajadora de Elvira Navarro y Lectura fácil de Cristina Morales
Thinking through the city: La trabajadora by Elvira Navarro and Lectura fácil by Cristina Morales
Autorzy:
Potok, Magda
Powiązania:
https://bibliotekanauki.pl/articles/2143384.pdf
Data publikacji:
2022-03-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Spanish fiction
women’s literature
politics & literature
crisis fiction
Cristina Morales
Elvira Navarro
Opis:
In so-called “crisis novels” that appeared in Spain following the economic collapse of 2008, the city comes to represent not only the scene of the explicit dramatic situations of the characters (poverty, precarity, unemployment, evictions, homelessness, occupy movement, street protests, or gaps in social services) but also the imagery of decay and conflict. The city comes across as an uncomfortable space, characterised by inhospitable peripheries and abandoned constructions, which is consonant with the sense of helplessness and extreme loneliness of the protagonists. However, in contrast to the paralysis and the nervous breakdown evident in La trabajadora (2014) by Elvira Navarro (alienating perspective), Cristina Morales’s Lectura fácil (2018) represents the urban space as a battlefield that leads to the awareness-raising and the politicization of the experience of a crisis (revolutionary perspective). Both novels, focused on “the right to housing”, come to reveal a great deal of indignation and protest against the neo-liberal policies and the contemporary capitalist city, responsible for exclusion and inequality. Their demands coincide with the political proposal of “the right to the city” (Lefebvre, 1968; Harvey 2013), which raises the possibility of living a worthy life in the city, with an equitable distribution of resources and respect for different sensitivities.
Źródło:
Studia Romanica Posnaniensia; 2022, 49, 1; 53-66
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Własny pokój – cztery ściany płaczu Milicy Janković
A Room of One’s Own – Within the Four Walls of Tears of Milica Janković
Autorzy:
Putyńska, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/636068.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Milica Janković
Među zidovima
disease subject
new interpretations of women’s literature
narrative transgressions
Opis:
This paper is an analysis of the work Među zidovima (1932) of Serbian writer from the modernist period – Milica Janković (1881–1939). The article focuses on presenting the innovative elements of her prose which opposed the Serbian literary tradition. The main subject of Među zidovima is a physical disease that affects the mental condition. The article also shows the possibility to read the aforementioned work from an autobiographical perspective, as Milica Janković for many years suffered from bone tuberculosis. This work contains numerous references to her biography. The conclusion of the paper is that Milica Janković, drawing on her own experience, has created an intimate work, in which she described her life with the severe, incurable disease.  
This paper is an analysis of the work Među zidovima (1932) of Serbian writer from the modernist period – Milica Janković (1881–1939). The article focuses on presenting the innovative elements of her prose which opposed the Serbian literary tradition. The main subject of Među zidovima is a physical disease that affects the mental condition. The article also shows the possibility to read the aforementioned work from an autobiographical perspective, as Milica Janković for many years suffered from bone tuberculosis. This work contains numerous references to her biography. The conclusion of the paper is that Milica Janković, drawing on her own experience, has created an intimate work, in which she described her life with the severe, incurable disease.
Źródło:
Poznańskie Studia Slawistyczne; 2015, 9
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archiwa literatury kobiecej
Archives of women’s literature
Autorzy:
Marzec, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/1534480.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
feminism
women’s literature
women’s press
inter-war period
history of literary criticism
Joanna Krajewska
Jan Strzelczyk.
Opis:
The article concerns the relationships between terms, frequent in Polish literary criticism, such as “women’s literature”, “women’s press”, “women’s writing”, “literature written by women” and ”Feminist literature”. The author discusses three research books that have been published recently in which slightly different categories have been applied and which, at the same time, focus on the female element of cultural texts. In addition, the author points at multiple tendencies, frequently dissimilar and distinct, in the approach to the relationship between gender and the text. At the same time the author emphasizes a certain disposition manifested by researchers to employ the gender category to judge literary works. Hence, it seems to be quite justified to reopen the Jy women to show them in a new light. The same applies to the surrounding discussions on relevant titles — just as it is the case with publications by Joanna Krajewska, Jerzy Strzelczyk and Kamilla Łozowska-Marcinkowska.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 237-247
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Si Griseldis m’était conté: entre attendrissement et enseignement
The Griselda Story: between Tenderness and Teaching
Autorzy:
Loba, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1048481.pdf
Data publikacji:
2018-07-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Boccaccio
Petrarch
Philippe de Mézières
medieval conduct literature for women
emotions in literature
Opis:
My intention is to show in this article the role of emotions in the reception and dissemination of the Griselda story. Petrarch’s affective reactions to Boccaccio’s tale opened the path that many authors would pursue. I propose to trace the transition from the strange and confusing story to didactic and exemplary and explain the place of Griselda in courtesy literature addressed to women in the late Middle Ages.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 1; 45-55
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mujer y economía. La “narrativa de la crisis” desde la perspectiva de género
Women and the Economy. Narratives of Crisis from a Gender Perspective
Autorzy:
Potok, Magda
Powiązania:
https://bibliotekanauki.pl/articles/1048161.pdf
Data publikacji:
2020-06-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Spanish fiction
women’s literature
politics & literature
crisis fiction
Belén Gopegui
Cristina Fallarás
Cristina Morales
Elvira Navarro
Marta Sanz
Opis:
For the last two decades, especially since the 2008 economic crisis, there has been a notable increase in literary works exploring social, political and economic themes in Spain. The growing number of “crisis novels” has reignited the debate about the political role of literature and its ability to challenge and modify existing social models. This article seeks to highlight the female perspective within this discussion.The aim of my analysis of the five novels written by contemporary Spanish female authors (Belén Gopegui, Cristina Fallarás, Cristina Morales, Elvira Navarro and Marta Sanz) and published between 2007 and 2018 is to expose the distinctive female experience as represented in the literature, where it often turns into undermining the system. If women’s literary practice takes the form of political intervention, it is not just because of the collapse of the fundamental trust in the state and its institutions, but mainly due to the shifts in the distribution of the sensible, as we tend to understand the politics of literature after Jacques Rancière.
Źródło:
Studia Romanica Posnaniensia; 2020, 47, 1; 93-105
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mellan underhållning och kunskap. Svensk 1800-talskvinnolitteratur på polska och emancipationsfrågan
Between entertainment and education. Swedish women’s literature in the 19th century in Polish translation and the issue of emancipation
Autorzy:
Wasilewska-Chmura, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1178256.pdf
Data publikacji:
2021-06-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Marie Sophie Schwartz
svensk 1800-talskvinnolitteratur
översättningar av svensk litteratur till polska
översättning i kulturperspektiv
swedish women's literature in 19th century
polish translations of swedish literature
culture-related aspects of translation
Opis:
This paper addresses a phenomenon of the international success of Swedish female writers in the 19th century. I have focused on the Polish translations of Marie Sophie Schwartz’s works, which became extremely popular in the 1860’s and 1870’s, judging from the number of books translated in comparison to other Swedish bestselling writers. One of the most important issues for Schwartz was emancipation, specifically women’s right to education, employment and econo-mic autonomy. Her novel Emancipation Frenzy was translated into Polish in 1865 and 1876. Both translations differ as to the accuracy in rendering the emancipa-tion message. The earlier translation tends to omit or soften the author’s radical opinions on emancipation, which flattens the novel’s progressive message. The later one is closer to the original and articulates emancipation claims more faithfully. This probably has to do with the fact that the Polish emancipation de-bate was already more developed in the 1870s. That seems to confirm a funda-mental thesis of Translations Studies that translation not only communicates the message of the source text but also comprises an inscription of the host culture’s current standards and needs. Thus, the novels by Schwartz were initially read as popular literature, and over time they were perceived as socially engaged literature (Tendenzroman), which corresponded to the Polish nationalistic program.
Źródło:
Folia Scandinavica Posnaniensia; 2020, 28; 27-39
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Проблема ідентифікації жінок-письменниць радянської України 1920–1930-х років
Kwestia identyfikacji kobiet pisarek Ukrainy radzieckiej w latach 20. i 30. XX wieku
The question of the identification of woman writers in 1910–1930’s Soviet Ukraine
Autorzy:
Demska-Budzulak, Łesia
Powiązania:
https://bibliotekanauki.pl/articles/31343502.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
women’s text
women’s literature
women’s space
Ukrainian writers
proletarian writers
Soviet writers
tekst kobiecy
literatura kobieca
przestrzeń kobieca
pisarka proletariacka
pisarka radziecka
Opis:
Artykuł poświęcony jest analizie twórczości pisarek centralnej Ukrainy w latach 20. i 30. XX wieku pod kątem ich identyfikacji kulturowej we współczesnej rzeczywistości sowieckiej. Twórczość większości autorów jest obecnie niezbadana i sytuuje się poza kanonem literackim. Teoretyczną ramą artykułu stały się studia feministyczne, kulturowe i socjologiczne. Celem badań jest ustalenie, w jaki sposób ówczesna literatura kobieca sytuowała się w przestrzeni kulturowej i politycznej oraz hierarchii literackiej. Na kanwie badania podstaw estetycznych i przekonań ideologicznych autorek wyróżniam trzy grupy twórczyń – pisarki ukraińskie, pisarki proletariackie, pisarki radzieckie. Pierwsza grupa charakteryzowała się odwołaniem do estetyki modernistycznej i problematyki narodowej. Twórczość drugiej grupy inspirowana była estetyką proletariacką, tematami walki rewolucyjnej i doświadczeniem kobiet różnych grup społecznych. Praca trzeciej grupy opiera się na metodzie socrealizmu, idei budowania nowej sowieckiej rzeczywistości oraz poszukiwania miejsca i roli kobiet w kontekście historycznym.
The article is devoted to an analysis of the works of women writers from Central Ukraine during the 1920s and 1930s from the point of view of their cultural identification in the new Soviet reality. Currently, most of these women authors are unexplored and exist outside the literary canon. Feminist, cultural and sociological studies provide the theoretical framework for the article. The aim of the research is to find out how women’s literature from that time was positioned in the cultural and political space and the literary hierarchy. We distinguish three groups of women writers based on a study of their aesthetic basis and ideological beliefs, – Ukrainian writers, Proletarian writers, and Soviet writers. The first group was characterized by an appeal to modernist aesthetics and national issues. The work of the second group was inspired by proletarian aesthetics, themes of revolutionary struggle and women’s experience of various social groups. The work of the third group was based on the method of socialist realism, the theme of building a new Soviet reality, and the search for the place and role of women in the historical context.
Źródło:
Studia Ukrainica Posnaniensia; 2022, 10, 1; 137-151
2300-4754
Pojawia się w:
Studia Ukrainica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POŻEGNAĆ BEREHYNIĘ. LITERACKIE PRÓBY DEMITOLOGIZACJI STEREOTYPOWEGO OBRAZU UKRAINKI NA WYBRANYCH PRZYKŁADACH UKRAIŃSKIEJ PROZY KOBIECEJ PO 1991 ROKU
FAREWELL BEREHYNIA – LITERARY ATTEMPTS AT DEMYTHOLOGIZATION OF THE STEREOTYPICAL IMAGE OF UKRAINIAN WOMEN. SELECTED EXAMPLES OF CONTEMPORARY UKRAINIAN WOMEN’S PROSE.
Autorzy:
Radecka, Aniela
Powiązania:
https://bibliotekanauki.pl/articles/911505.pdf
Data publikacji:
2018-07-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ukrainian women’s literature
socio-cultural identity
woman as Other
post-colonialism
post-totalitarianism
kobieta jako Inny
postkolonializm
posttotalitaryzm
ukraińska proza kobieca
tożsamość społeczno-kulturowa
Opis:
Autorka analizuje zabiegi literackie mające na celu demitologizację figury Berehyni w wybranych powieściach Oksany Zabużko, Sofiji Andruchowycz i Natałki Śniadanko. Postępująca od lat dziewięćdziesiątych w wysokoartystycznym dyskursie literackim oraz w literaturze środka demitologizacja figury Berehyni jest jednym z najważniejszych elementów procesu (re)konstruowania kobiecej tożsamości społeczno-kulturowej, gdyż zawiera się w tej demitologizacji sprzeciw kobiet wobec zastanej sytuacji. Współczesne autorki dobitnie pokazują, że za symbolem prawdziwej ukraińskiej kobiety kryją się różnorodne jednostki, mające swoje rzeczywiste problemy, doświadczenia i przede wszystkim niemające dotąd prawa do własnej reprezentacji.
The author analyses the literary treatments aimed at the demythologization of the Berehynia figure in selected novels by Oksana Zabuzhko, Sofija Andrukhovych and Natalka Sniadanko. Progressing from the nineties in a highly artistic literary discourse (and also in middle literature) the demythologization of the Berehynia figure is one of the most important elements of the process of the (re)construction of the female socio-cultural identity, as it contains the opposition of women to the existing situation.
Źródło:
Porównania; 2017, 20, 1; 125-133
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobiety piszą i rachują
Women write and calculate
Autorzy:
Kraskowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1391816.pdf
Data publikacji:
2015-11-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literature
women
money
literatura
kobiety
pieniądze
Opis:
This article is a review of the multiple-author book titled Księgowanie. Literatura, kobiety, pieniądze [Bookkeeping: Literature, Women, and Money], which was published by Szczecin University Press in 2014. The collection contains articles that are devoted to the economic aspects of Polish women’s lives, as they have been discussed in literature (i.e. fiction, autobiographical and journalistic writings, etc.) from Romanticism until the present day, with particular focus on the financial situation of women writers.
Źródło:
Przestrzenie Teorii; 2015, 23; 267-273
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sulla voce ne La nota segreta di Marta Morazzoni
On the voice in La nota segreta by Marta Morazzoni
Autorzy:
Kornacka, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1048386.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Marta Morazzoni
voice
women
Italian literature malmonacata
Opis:
The aim of the article is to analyze the meanings of the voice in the novel mentioned in the title in relation to Adriana Cavarero’s thought. Following the presentation of the work, the article examines two different manifestations of the voice in the text: the singing voice and the discursive voice. The former confirms the patriarchal association of women with the body but sometimes it also appears as a space of freedom from oppression. The latter, which is denied to the protagonist, symbolizes women’s exclusion from logos.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 83-94
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matriosche: nonne, madri e nipoti. Tre esempi di genealogie femminili nella letteratura italiana del Novecento
Matriosche: grandmothers, mothers and granddaughters. Three examples of female genealogies in Italian literature of twentieth
Autorzy:
Cerrato, Daniele
Powiązania:
https://bibliotekanauki.pl/articles/1048382.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Women writers
genealogy
female subjectivity
mothers
Italian literature
Opis:
Starting from the myth, culture and society have always opposed the construction of a matriarchal line and a genealogy of women. The paper address the generational relationships between women, and focuses on three novel Italian Novecento women writers: Susanna Tamaro, Michela Murgia and Milena Agus. Tamaro, Murgia and Agus conform an atypical female genealogy in their novels, and propose new models of identity in opposition to the patriarchal system.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 73-81
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 31

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