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    Wyświetlanie 1-14 z 14
    Tytuł:
    Layers of landscape—transdisciplinarity of contemporary landscape photography
    Autorzy:
    Michałowska, Marianna
    Powiązania:
    https://bibliotekanauki.pl/articles/914217.pdf
    Data publikacji:
    2019-01-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    landscape
    photography
    visual culture
    Źródło:
    Polish Journal of Landscape Studies; 2018, 1, 1; 65-75
    2657-327X
    Pojawia się w:
    Polish Journal of Landscape Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Fotoobrazy”, „fotogłosy” i „fotonarracje” w badaniach pedagogicznych
    “Photo-images”, “Photo-voices” and “Photo-narratives” in Pedagogical Studies
    Autorzy:
    Nowotniak, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/920131.pdf
    Data publikacji:
    2018-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    visual culture
    visual research methodology
    participatory photography
    Opis:
    The dynamic development of the visual culture requires a revised approach and thinking about its role in didactic process and its presence in scientific research. The key goals of the author’s scientific interest in the different aspects of the visual aspect are as follows: to join the discussion on if and how to utilize photography in research on education, to rework the selected imaging techniques and analytical methods in this very context, and to carry out an interpretation of the visual material. The article references the outcomes obtained so far by an author.
    Źródło:
    Studia Edukacyjne; 2018, 51; 53-82
    1233-6688
    Pojawia się w:
    Studia Edukacyjne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Putting the boundary at the centre - a place where contemporary art meets politics
    Autorzy:
    Chwiejda, Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/1011686.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    migration
    border studies
    visual culture
    contemporary art
    European Union
    Opis:
    This article focuses on the question of the involvement of contemporary artists in the public debate concerning boundary issues relating to migration and the treatment of immigrants. The aim of this essay is to take a closer look at some of their strategies for making the boundary issue more visible and their ability to draw our attention to the situation of excluded minorities, such as “clandestines” and refugees. The object of the study is, in particular, the way in which these artists address the question of the international migration process in the modern “open”, “ostensibly borderless” world, and the socio-political problems it generates. The effect of the border-crossing experience on the life of an immigrant, the image attached to him or her by the “host” society, as well as the artistic reflections on EU institutions and the hospitality of contemporary European societies are also included in the author’s analysis.
    Źródło:
    Praktyka Teoretyczna; 2014, 13, 3; 227-243
    2081-8130
    Pojawia się w:
    Praktyka Teoretyczna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzeum niepokorności
    Muzej nepokornosti
    Autorzy:
    Paić, Žarko
    Powiązania:
    https://bibliotekanauki.pl/articles/636040.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    totalitarianism
    intellectual
    visual culture
    dissidents
    totalitarian leaders
    postmodern culture
    Muzej nepokornosti
    Opis:
    -
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 6; 291-307
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poverty and Wealth in the Polish Cinematography 1945-1989
    Autorzy:
    Skotarczak, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1683562.pdf
    Data publikacji:
    2014-12-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poverty
    wealth
    Polish cinematography
    Polish People’s Republic
    visual culture
    visual
    history
    Opis:
    This article is devoted to poverty and wealth presented in fiction films - both cinema and television - directed in the times of the Polish People’s Republic. Poverty and wealth shown intentionally and unintentionally in these films manifest themselves in many ways. If we want to learn anything about wealth of the society shown in a given movie, a critical approach must be applied.
    Źródło:
    Studia Historiae Oeconomicae; 2014, 32; 69-76
    0081-6485
    Pojawia się w:
    Studia Historiae Oeconomicae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz współczesnego społeczeństwa w utworach muzycznych Doroty Masłowskiej – Mister D.
    The depiction of contemporary society in Dorota Masłowska’s music – Mister D.
    Autorzy:
    Wrzochul-Stawinoga, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/644826.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Generation Z
    Mister D
    music video
    video
    visual culture
    Masłowska
    Opis:
    Changes resulting from the development of the Internet have a significant impact on the shape of popular culture. Music, particularly the message that it conveys, constitutes an important element of culture. Music, which is a part of a wider cultural context, has a significant influence on the shaping of the world view of contemporary people and serves as an important element of its description. According to Jacek Bernasiewicz, music often becomes the building block of the young generation. “It is primarily about music, and particularly its content, that always served as a generational bond and carried ideology – rock music for flower children, punk rock for neglected children, rap music for hip hoppers…” (Bernasiewicz, 2009: 4). Music always carries a message and combined with a music video, it becomes a story. This paper and deliberations contained herein are devoted to the works of Mr D, also known as Dorota Masłowska, which is a mirage – on the one hand of pop culture, entertainment and fun, and on the other, a depiction of the contemporary Polish society, in which the Generation Y plays a major role. The aim of the paper is to show how the Internet, being a place where narratives about the world play out, using the convergence of media, contributes to the construction of a certain reality, the elements of which, emphasised by Dorota Masłowska and elevated above the everyday life of the global teenager “Made in Poland,” make up the determinants of contemporary youth culture. Music videos by Mr D. and the content of songs from the album Społeczeństwo jest niemiłe will serve as the subject of this analysis. The narrative appearing in these songs will be examined, and the broader context of the meanings contained in the songs in relation to the entirety of popular culture and the way of functioning of society in it will be pointed out. Dorota Masłowska’s songs are not narratives of the author herself, but of protagonists presented in her music videos: the girl presented in the music video undergoes a kind of metamorphosis, and the viewer looks at the world through the eyes of her imagination. The protagonists in her music videos and songs are representatives of certain social groups with specific, clear characteristics that allow them to be individually identified. I assume that lyrics of songs listened to and music videos watched by youth and young adults are among the most important ways of learning and participating in culture by giving meaning to oneself, one’s life and the world. A musical work that is an “immature form” of culture, making use of the wide range of possibilities available to it for conveying messages, full of symbols and metaphors, demands its recipients to read and discover the meaning.
    Źródło:
    Kultura-Społeczeństwo-Edukacja; 2018, 13, 1; 254-273
    2300-0422
    Pojawia się w:
    Kultura-Społeczeństwo-Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konceptualna mapa wizualności
    A Conceptual Map of Visuality
    Autorzy:
    Kucner, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/16019445.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    ontology of visuality
    semiotics of the picture
    visual culture
    philosophy of interpretation
    photography
    photo society
    visual technology
    Opis:
    The analysis conducted in this paper focuses on the issue of visuality, seeking to determine its fundamental ontological and semiotic aspects. The map of visuality referred to in the title denotes the intention to systematize the condi-tions underlying a visual image and its significance as a product of technology and culture as well as a medium of communication.
    Źródło:
    Studia Europaea Gnesnensia; 2019, 19; 153-168
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Plakat polityczny w chorwackiej ikonosferze
    Political Poster in the Croatian Iconosphere
    Autorzy:
    Darasz, Zdzisław
    Powiązania:
    https://bibliotekanauki.pl/articles/636088.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    art of margins
    political poster
    Croatian iconography
    visual culture
    anthropology of picture
    montage of pictures
    Opis:
    The titular problem of Croatian political poster, regarded as an art of margins, is treated by the author, according to the order of chapters, in four main aspects: historical, aesthetic, socio-political, and cultural one. The development of poster art, correlated with national history in 19th and 20th century Croatia, is presented in the chapter “In the vapour of history”. In the next chapters some particular sections of the searching field are described. These sections are as follows: technique of montage of the pictures, modern iconoclastic practices, chaos vs. order, and the place (“From margin to centre”).
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 283-289
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Temptation, Resistance, and Art Objects: On the Lack of Material Theory within Art History before the Material Turn
    Autorzy:
    Krispinsson, Charolotta
    Powiązania:
    https://bibliotekanauki.pl/articles/909475.pdf
    Data publikacji:
    2019-05-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Niccolò di Pietro Gerini
    the material turn
    art historiography
    connoisseurship
    visual culture studies
    new art history
    fetishism
    Opis:
    Niccolò di Pietro Gerini's painting “The Temptation of Saint Anthony” (1390-1400) serves as a point of departure for this essay. It depicts Saint Anthony during a lapse of self-control as he attempts to resist an alluring mound of gold. Since the mound is in fact made of genuine gold leaves applied to the painting's surface, it works both as a representation of temptation as well as an object of desire affecting the beholder. The aim of this essay is to explore different approaches to materiality before the material turn within the art history discipline by examining two opposing directions within the writing and practice of art history:  the tradition of connoisseurship; and the critique of the fetish within the theoretical apparatus of new art history and visual culture studies of the 1980s and 90s. As an expression of positivism within art history, it is argued that connoisseurship be considered within the context of its empirical practices dealing with objects. What is commonly described as the connoisseur's “taste” or “love for art” would then be just another way to describe the intimate relationship formed between art historians and the very objects under their scrutiny. More than other humanist disciplines, art history is, with the possible exception of archaeology, an object-based discipline. It is empirically anchored in the unruly, deep sea of objects commonly known as the history of art. Still, there has been a lack of in-depth theoretical reflection on the materiality of artworks in the writings of art historians before the material turn. The question however, is not ifthis is so, but rather, why?In this essay, it is suggested that the art history discipline has been marked by a complicated love-hate relationship with the materiality of which the very objects of study, more often than not, are made of; like Saint Anthony who is both attracted to and repelled by the shapeless mass of gold that Lucifer tempts him with. While connoisseurship represents attraction, resistance to the allure of objects can be traced to the habitual critique of fetishism of the first generations of visual culture studies and new art history. It reflects a negative stance towards objects and the material aspect of artworks, which enhanced a conceived dichotomy between thinking critically and analytically in contrast to managing documents and objects in archives and museum depositories. However, juxtaposing the act of thinking with the practice of manual labour has a long tradition in Western intellectual history. Furthermore, it is argued that art history cannot easily be compared to the history of other disciplines because of the simple fact that artworks are typically quite expensive and unique commodities, and as such, they provoke not just aesthetic but also fetishist responses. Thus, this desire to separate art history as a scientific discipline from the fetishism of the art market has had the paradoxical effect of causing art historians to shy away from developing methodologies and theory about materiality as an act of resistance. 
    Źródło:
    Artium Quaestiones; 2018, 29; 5-23
    0239-202X
    Pojawia się w:
    Artium Quaestiones
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und „Meta-Artefakt-Malerei“
    Autorzy:
    Schulz, Vera-Simone
    Powiązania:
    https://bibliotekanauki.pl/articles/909492.pdf
    Data publikacji:
    2019-05-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    transmediality
    transmateriality
    image-object-interrelations
    intersections of visual and material culture
    materiality of art
    Opis:
    Studies related to artifacts, to what has been traditionally categorized as ‘high’ and ‘minor’ or ‘applied arts’, and to the materiality of art in recent years have been among the core foci of art history. More scholarly attention has also been given to the intersections between visual and material culture, not least in transcultural contexts. This paper seeks to contribute to these issues. Investigating transmaterial and transmedial dynamics between the arts, image-object interrelations as well as phenomena wherein images themselves gave the impulse to the creation of artifacts, the paper analyzes transfer processes transgressing various media and materials, 15th- and 16th-century Italian and Portuguese paintings in their Mediterranean and global entanglements, as well as 19th - and 20th-century artistic and academic approaches to objects in paintings. 
    Źródło:
    Artium Quaestiones; 2018, 29; 25-62
    0239-202X
    Pojawia się w:
    Artium Quaestiones
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kultura informacji osób z niepełnosprawnością wzroku w refleksji tyflologiczno-informatologicznej
    Information culture of persons with visual disabilities in typhlology and information science reflections
    Autorzy:
    Czerwińska, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/1368707.pdf
    Data publikacji:
    2018-09-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    information culture
    person with visual disabilities
    Braille system
    tactile graphics
    audio description
    alternative materials
    augmentative technologies
    Opis:
    The subject of this paper is the specificity of the information space of persons with visual disabilities as a component of their information culture, according to the concept proposed by M. Kisilowska. Based on systematic analysis of documents and long years of participative observations, the deliberations focus on legal solutions governing the access of persons with visual disabilities to information, the navigation and cognition spheres of a blind information user and the specificity of providing information, in particular the Braille system, tactile graphics, audio description, alternative materials and augmentative technologies. The deliberations highlight obstacles in accessing information by persons with visual disabilities and suggest both practical solutions and research proposals for a complex analysis of the information culture of persons with visual disabilities in Poland.
    Źródło:
    Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2017, 18; 33-57
    2300-391X
    Pojawia się w:
    Interdyscyplinarne Konteksty Pedagogiki Specjalnej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Postjugosłowiański teatr pamięci w projektach wizualnych Bálinta Szombathyego i Jasminy Cibic
    Post-Yugoslav theatre of memory in the visual projects of Bálint Szombathy and Jasmina Cibic
    Autorzy:
    Bogusławska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/909954.pdf
    Data publikacji:
    2016-03-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    visual arts
    memory
    socialist Yugoslavia
    culture of power
    political character
    architecture
    subjectivity
    sztuki wizualne
    pamięć
    socjalistyczna Jugosławia
    kultura władzy
    polityczność
    architektura
    podmiotowość
    Opis:
    The starting point of my considerations is the category of the theatre of memory, taken from Francis Yates’ book Art of memory. The category was applied in the book in relation to ancient traditions and mnemonic techniques. In the article I attempt to reinterpret this category and apply it in the description of the contemporary practices of commemorating and reminding of the Socialist Yugoslavia’s experience in space and through space. I am interested in the artistic activities of contemporary visual creators who in their works deal with the subject of SFRY. Referring to the example of the works of the artists belonging to different generations, I discuss two trends seen in the reception of this historical experience. Metonymic approach (Szombathy) is based on problematizing one’s own biographical experience as a part of the G reat H istory, while the metaphorical recognition (Cibic) means a search for universal content in what is historical and local.
    Źródło:
    Balcanica Posnaniensia Acta et studia; 2015, 22, 2; 187-200
    0239-4278
    2450-3177
    Pojawia się w:
    Balcanica Posnaniensia Acta et studia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Par-eikon: przypadek Ostatniej Wieczerzy
    Par-eikon: the case of the Last Supper
    Autorzy:
    Zarychta, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/917968.pdf
    Data publikacji:
    2014-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Eikon
    parody
    irony
    picture analysis
    transtextuality
    the evolution of aesthetic forms
    visual metaphors
    stimulus equivalence
    difference and repetition
    pop-culture
    The Last Supper
    David La Chapelle
    Leonardo da Vinci
    Jacopo Bassano
    Opis:
    The text is an attempt to analyze the evolution of aesthetic forms and motifs discussed on the example of the so-called “great figure” The Last Supper – the starting point for the analysis of the motif is the photography of David La Chapelle of the series: Jesus is my homeboy. Significant here is the context theory of parody by Linda Hutcheon – understood as a central point overview of contemporary art – a phenomenon combining fidelity to tradition and contemporary ideas of creative freedom, to express, among others, in need of confrontation with the ‘classic’ conventions – encroaching and deconstructive also in our contemporary pop-cultural processes of “image-consumption”. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 93-110
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Okno McLuhana. Mem internetowy
    McLuhan’s Window. The online meme
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1954102.pdf
    Data publikacji:
    2021-12-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    meme
    poetics of audio-visual messages
    genre studies
    parody
    communication
    virtual addressee
    culture of communication
    laughter
    catharsis
    social media
    mem
    poetyka przekazów audiowizualnych
    genologia
    parodia
    komunikacja
    adresat wirtualny
    kultura komunikowania
    śmiech
    katharsis
    media społecznościowe
    Opis:
    Interdscyplinarne studium analityczne poświęcone kluczowym zagadnieniom poetyki memu internetowego, jednego z najpopularniejszych gatunków współczesnej ikonosfery i audiosfery.
    An interdisciplinary analytical study devoted to key issues of the poetics of the internet meme; one of the most popular genres of contemporary iconosphere and audiosphere.
    Źródło:
    Forum Poetyki; 2021, 26; 100-109
    2451-1404
    Pojawia się w:
    Forum Poetyki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

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