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    Wyświetlanie 1-6 z 6
    Tytuł:
    Humanistyka performatywna
    The performative humanities.
    Autorzy:
    Krajewska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1039770.pdf
    Data publikacji:
    2019-01-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    drama
    theatre
    performance
    performative humanities
    Opis:
    This article foregrounds the collapse of the binary opposition between drama and theatre that in literary and theatre discourses are traditionally recognized as wholly separate art forms, with the former based on words and the latter based on live performances. The present author argues that by applying a performative perspective on art in its varied forms and introducing the category of the entanglement of matter and meaning, derived from quantum physics, a non-antagonistic approach to drama and theatre is still possible. The argument that sees literature as a performative art, adopted by the author, provides additional support. This article shows how changes in the very notion of the text as well as in the ontological status of literature itself have had their effect on the transformations of beliefs and conceptions grounded in the vision of the humanities understood as “the textual world” to produce the concept of “entangled world” instead. This being the case, the author proposes to depart from the concept of “text” (no matter how restructured or redefined), abandon thinking in categories of network structures (even Latour’s actor-network’s theory), and discard dialectical or holistic approaches (even the theory of cognitive blending – “cognitive amalgams”) in favour of emergent “entanglement acts”, anamorphic perspective in art reception and synaesthetic discourses. By studying experiences related to performativity in the arts and discourses related to performance studies, the article goes to show the changes currently going on in the humanities and transforming them into the perfomative humanities in the process.
    Źródło:
    Przestrzenie Teorii; 2018, 29; 31-51
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filmowe rejestracje teatru - opis i problematyzacje zjawiska
    Film Recordings of Theater – Description and Problematisations
    Autorzy:
    DOMALEWSKI, ADAM
    Powiązania:
    https://bibliotekanauki.pl/articles/921095.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film recordings of theatre
    TV theatre
    performance
    theatre in Poland
    film production
    Opis:
    The paper attempts to distinguish film recordings of theater from the TV theater genre. The decisive criterion for this distinction proposed by the author is the chronology of the production process - film recordings of theater performances provide a record of pre-existing theater performances, whereas TV theatre includes all theatre-like productions created for the small screen and which do not have their own stage ‘odginali In each of these cases there are different tasks and difficulties facing producers and executors. The next part of the article focuses on film recordings of theater: the reasons for which they are made (documentation, dissemination, promotion) and the differences between their types. Referring to the work of Jacek Wachowski, the author also presents a brief discussion about the possibilities and consequences of technical mediation of any performances, not only theatrical shows. The article concludes with an attempt to define the status of the film recording of a performance in relation to its original theatrical nature (the “residuum of the theater”).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 332-338
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    KOR I TEATR
    KOR and Theatre
    Autorzy:
    WACHOWSKI, JACEK
    Powiązania:
    https://bibliotekanauki.pl/articles/776917.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    KOR – Workers’ Defense Committee
    theatre
    performance
    Opis:
    The article is an attempt at characterizing the connections between KOR (the Workers’ Defense Committee, established by a group of Polish oppositionists in June 1976) and theatrical practice. Theatrical references are mentioned together with the prevailing literary –regerences in two areas: biographical (the founders of the movement were writers, poets, songwriters, and actors) and ideological. The biographical area also serves as an introduction to the other perspective which can be referred to as ideological. The theatre became a breeding ground for thoughts defying the communist reality. It was a meeting place for the broadly defined opposition, a cradle of ideas hostile to the system based on “workers and peasants” and the alliance with the Soviet Union. The resulting works included politicized performances of the classics as well as performances presented by alterative groups: Teatr Ósmego Dnia: Teatr 77, Jedynka, Provisorium and Teatr Stu. KOR’s activity from 1976 to the beginning of martial law introduced on 13 December 1981 clearly shows that the links between the revolutionary movement and the theater were an important feature of dissident activity and helped to reinforce and popularize its ideological values.
    Źródło:
    Slavia Occidentalis; 2018, 75/2; 69-79
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Интермедијалноста во македонскиот театар
    Intermediality in Macedonian theatre
    Autorzy:
    Петровска-Кузманова, Катерина
    Powiązania:
    https://bibliotekanauki.pl/articles/635583.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    intermediality
    performance
    postmodern
    ready-made
    theatre
    drama
    folklore
    Opis:
    In the text  Intermediality in Macedonian theatre, which uses the play  Macedonian bloody wedding  by  Vojdan  Chernodrinski,  directed  by  Ljupco  Gorgievski,  as  an  example,  an attempt  is  made  at  representing  intermediality  in  theatrical  performance.  It  is  achieved through  a  ready-made  technique  in  which  a  significant  role  is  played  by  the  music  group Foltin and their performance. They use various props, which they turn into their instruments. This  leads  to  their  actualization  through  dedication  to  their  essence.  In  this  way,  the  old forms  and  elements  of  the traditional folk  culture  cross  the  bounds  of  time,  reading  the folklore signs in the style of the postmodern scene expressions.
    In the text  Intermediality in Macedonian theatre, which uses the play  Macedonian bloody wedding  by  Vojdan  Chernodrinski,  directed  by  Ljupco  Gorgievski,  as  an  example,  an attempt  is  made  at  representing  intermediality  in  theatrical  performance.  It  is  achieved through  a  ready-made  technique  in  which  a  significant  role  is  played  by  the  music  group Foltin and their performance. They use various props, which they turn into their instruments. This  leads  to  their  actualization  through  dedication  to  their  essence.  In  this  way,  the  old forms  and  elements  of  the traditional folk  culture  cross  the  bounds  of  time,  reading  the folklore signs in the style of the postmodern scene expressions. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Scena prawdy dyskursywnej i postprawdy. „Fakty autentyczne” i fakty medialne we współczesnym teatrze polskim
    Stage of discursive truth and post-truth. Reality, authenticity and media facts in contemporary Polish theatre
    Autorzy:
    Dobrowolski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1039676.pdf
    Data publikacji:
    2019-04-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    theatre
    drama
    performance
    mass media
    truth
    post-truth
    experience
    Opis:
    Theatre practitioners’ statements relating to the notion of truth lead to the category of post-truth. Stage of discursive truth and post-truth article discusses theatre practice of engaging feelings, impressions and emotions to take precedence over interpretations, assessments and descriptions of facts. The article critically approaches using of media discourses in theatre in order to produce the imitation of truth. The author refers to Agnieszka Jakimiak’s and Weronika Szczawińska’s play Wojny, których nie przeżyłam [Wars I have not experienced] and other selected recent Polish plays and performances. The thesis connects the media-shaped image of Polish theatre art institution seen as an area of provocation with an experience of a viewer and an ontological status of an actor. This allows drawing a conclusion that theatre uses the category of truth instrumentally, as one of its repertoire’s tools to provoke emotional reactions in the audience. Theatre performances allow one to explore the world, but also to co-create it. The theatre is a performative and cognitive sieve provoking and shaping experience that affects reality.
    Źródło:
    Przestrzenie Teorii; 2018, 30; 167-186
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fenomenologia i performatyka gestu w tańcu współczesnym
    The phenomenological and performative aspects of modern and postmodern dance
    Autorzy:
    Fazan, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/1039857.pdf
    Data publikacji:
    2019-01-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    phenomenology of art
    theory of performance
    dance
    theatre
    M. Merleau-Ponty
    E. Fischer-Lichte
    M. Sheets-Johnstone
    Opis:
    The paper covers the problem of gestural expression and the role of the body in the aesthetic experience analysed in the Maurice Merleau-Ponty’s phenomenology of art and Erika Fischer-Lichte’s theory of performance. The author compiles these theorists’ conclusions and contextualizes them in the field of modern and postmodern dance. The ultimate goal is to analyse the artists’ statements in the context of formulated conclusions and syntheses. In summary, the author draws attention to current aesthetic research on dance and pinpoints the benefits of philosophical  phenomenological) interest in the modern and postmodern dance.
    Źródło:
    Przestrzenie Teorii; 2018, 29; 215-234
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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