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Wyświetlanie 1-3 z 3
Tytuł:
Wokół początków kościoła pod wezwaniem Krzyża Świętego w Gnieźnie
Autorzy:
Muraszko, Michał
Powiązania:
https://bibliotekanauki.pl/articles/631130.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
HOLY CROSS CHURCH IN GNIEZNO
ORDER OF THE HOLY SEPULCHRE
THE DOMINICIANS
MEDIEVAL GNIEZNO
Opis:
The article presents deliberations on the beginnings of the Holy Cross church in Gniezno. It discusses the basic source in the studies of the temple’s beginnings, namely the document of the Jerusalempatriarch Monachus of 1198. We may assume that the site was created before 1198. An attempt was made to identify the settlement where the church was erected, presenting the various views expressed in the literature on the subject. It seems that the temple was built in a village which later became a part of the town of Grzybowo. Another issue is the question concerning the church’s founder. It was a “frater Prelaius”, erroneously identified as the canon of Gnieznoand Wrocław, and subsequently the bishop of the Lubuska province,   Przecław. The article also addresses the notion which has appeared in literature, concerning the presence of the Dominicans attached to the temple in the first half of the 13th century.  Finally, the article discusses the dedication of the presented sacred building.
Źródło:
Studia Europaea Gnesnensia; 2012, 6; 231-239
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pochwała wielkiej księżnej włodzimierskiej Marii. Edycja i przekład nieznanego zabytku literatury staroruskiej.
Autorzy:
Brzozowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1038470.pdf
Data publikacji:
2018-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Maria Shvarnovna
Vsevolod III the Big Nest
medieval Russia
Old Church Slavonic literature
Opis:
This paper is devoted to one particular historical source: the praise of the Grand Princess of Vladimir, Maria Shvarnovna, the first wife of Vsevolod III the Big Nest. The text can be found in the Chronicle of Trinity Monastery, compiled in Moscow around 1408. The monument has not survived to our days and we have only a reconstruction of the text by Priselkov. The publication is divided into three parts. The introduction gives background information on Maria Shvarnovna and the text. Secondly, the Old-Church-Slavonic/Old Russian original edition is included. The last and the longest part of the article contains the complete Polish translation. Bible citations and all additional historical information and references can be found in the footnotes.
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2013, 54; 307-320
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kilka uwag o kolorystyce bazyliki norbertanek w strzelnie w XIII-XIV wieku
A few remarks about the colours of the norbertine basilica in strzelno in the 13th -14th c.
Autorzy:
Sulkowska-Tuszyńska, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/1887343.pdf
Data publikacji:
2021-11-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Strzelno
colours in the medieval Holy Trinity church in Strzelno
status of research
reconstruction of the colours inside the Norbertine nuns convent in the 13th and 15th-16th centuries
examples of polychrome sacral architecture in Poland
symbolism of colours
Opis:
The article sums up the reflections on the relics of medieval plaster and layers of paint on the walls, columns and pillars of the Norbertine nuns convent in Strzelno completed around the 2nd-3rd quarter of the 13th century. The relics of the polychromies observed by numerous enthusiasts of the Romanesque Strzelno and discovered during archaeological excavations were topped with the results of conservation-restoration works which uncovered the first figural polychromies in the chancel’s apse. Following verification of the dating of the colours of the church’s interior, an indication was made that in the 13th century, the colour red prevailed; in the 15th-16th centuries, the figural scenes of the apse sported many colours while the remaining part of the sacrum was brightened up with three-colour, geometric patterns. To complete the range of colours, floor tiles were added. Examples have been provided of specialist painting analyses. The entire arrangement has been compared with selected colourful medieval structures. References have been made to the symbolism of the colours used in the Middle Ages and thecontemporary, erroneous perception of Romanesque architecture as rustic, devoid of plaster and colours.
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2021, 62; 347-374
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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